Sick and tired of living in fear, Ruby arranges a date without her mother’s knowledge. On first impressions, charming and sensitive Cody Strong seems perfect. When they visit his home overlooking the Welsh coast, she meets his delightful father Steve and brother Kyle. But it isn’t long before she discovers all is not as it seems. After a shocking turn of events, Ruby’s world is blown apart. Terrified and desperate, she prepares to face her darkest hour yet. Will she ever escape this nightmare?

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    Cassandra's parents job takes them away from their two children. Cassie's father gets a call for him and his wife to take a trip to Australia, thousands of miles away from their children. They accept the offer but know they can't leave their seventeen and eight year old home alone for a week so they call a sitter.Little did they know they hired a dangerous psychopath killer... Will Cassandra and Ben escape the harmful hands of their psychotic sitter? Or has he already set his eyes on the young and pure Cassandra...

    Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing.

    Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    A nubile young actress wrestles with an aging Hollywood star for the affections of a renowned novelist. And everyone discovers just how disappointing love, art, and growing up can be. In this irreverent, contemporary, and very funny remix of Chekhov’s The Seagull, Aaron Posner stages a timeless battle between young and old, past and present, in search of the true meaning of it all. Original songs composed by James Sugg draw the famously subtextual inner thoughts of Chekhov’s characters explicitly to the surface. STUPID FUCKING BIRD will tickle, tantalize, and incite you to consider how art, love, and revolution fuel your own pursuit of happiness.

    . . Carolyn and her eight-year-old son Jason unwittingly step into a maelstrom of horror partially brought about by their unwillingness to allow a long-standing ritual to continue. As family relationships, heritage, neighbors, and deadly forces intersect, evil becomes apparent in not only an unleashed supernatural beast, but in the hearts of men. Rural roots, supernatural horror, Native rituals, and family relationships blend seamlessly to build a nicely-paced drama that comes full circle for elderly Native John Crow, whose new neighbors have now become part of this sacred valley and its long-standing ritual practices, changing their lives forever. Meadowlarks is especially recommended for fans of Tony Hillerman-style intrigue who seek a vifgorous dose of the supernatural added into a mix of mystery and interpersonal struggle. Diane Donovan, Midwest Book Review All Carolyn Potter wanted was a safe haven in which to raise her son, Jason, not to find a night stalker lurking in the forest surrounding their new mountain home. Following the unsolved murder of her husband and a violent attack on her son, Carolyn Potter learns she has inherited a cattle ranch located in a remote valley high in the Sierra Nevada Mountains. She eagerly leaps at the opportunity to escape urban violence, move out of her oppressive mother's home and get away from her hungry eyed, lip licking employer, Tom Kirby. Kirby, buried under gambling debts, is destroying Kirby Publications, a company built by his deceased father. Learning of Carolyn's inheritance compels him to win her favor in order to marry into her newfound wealth but Carolyn chooses Shangri-la, her dead husband's family ranch. Carolyn and Jason love their new home but soon learn of a local ritual being practiced on their land where a bull calf is brutally slaughtered with each cycle of the full moon. Seeking to end this gruesome practice, Carolyn saves the young calf and unleashes a monstrous creature, not realizing this creature is the protector of Shangri-la. After the creature attempts to break into their home, Carolyn calls on Tom Kirby for help. Kirby zooms to the rescue to confront the beast, rescue the girl and inherit her wealth, with which he intends to regain his prowess as a winning gambler. After her complete failure to end the slaughter of both bull calves and her neighbors, Carolyn must now decide whether to move back to civilization, stay and try to defeat her new threat or accept a bloody ritual that keeps the beast at bay.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Rape. Murder. Multiple assaults. Three dead teenage girls. A pair of criminals. But which one was the killer? This graphic account of convicted killers, Paul Bernardo and Karla Homolka, shows that in some relationships, neither party is the “better half.” Both halves of this Canadian couple add up to one evil story. A story too shocking to believe, but the truth, especially true crime, is all too often stranger and more gruesomely horrific than any mere work of fiction. Weaving a tale of innocent victims who were terrorized, sexually assaulted and murdered, this true-crime thriller details the crimes and takes an in-depth look at the perpetrators. Criminal profilers have found when killers work in tandem; often they are designated as the “leader” and the “follower.” Readers are invited to draw their own conclusions as to which one of the deadly duo was the manipulator and who was being manipulated. Dubbed the “Ken and Barbie Killers” by the media, Paul and Karla's pink dream house became a place of nightmares. Get a copy today and discover the shocking confession that causes their world to fall apart like a house of cards and reveals that this “perfect couple” is in fact perfectly evil.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    From the Pulitzer Prize- winning author of Glengarry Glen Ross, here is a collection of thirty-two one-act plays and short dramatic pieces that David Mamet himself considers to be some of the best writing he has ever done.

    Now he returns to the stage with Lobby Hero, which has been praised as "smart, funny ... [a] drama that derives its strength from Lonergan's keen ear for dialogue. One powerful tale" (New York Daily News). Lobby Hero, nominated for the Outer Critics Circle Award for Outstanding Off-Broadway Play, tells the story of Jeff, a luckless young security guard trying to get his life together after being thrown out of the navy. But the lobby proves to be no sanctuary from the world, as Jeff is drawn into a local murder investigation involving his supervisor, a tightly wound young man called upon to bear witness against his troubled brother, and an overzealous rookie policewoman who is in over her head with her unscrupulous hero-cop partner. As Ben Brantley of The New York Times wrote, "motives come in every shade but black and white" in Lobby Hero, creating a "combustible brew of impulses."