Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    Poetry. Performance Studies. African & African American Studies. California Interest. Hybrid Genre. Winner of the 2016 Relentless Award from the American Playwriting Foundation. Introduction by Dawn Lundy Martin. Aleshea Harris' IS GOD IS is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new play, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.--Dawn Lundy Martin Family, as the old tragedians knew, is our first country. Therefore, it's the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With IS GOD IS, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye--and in Harris' sure grip, you'll recall that blood washes and stains, can run hot or cold, means both violence and family.--Douglas Kearney 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

    But Button was only dimly aware of the sounds. Her consciousness had shrunk down to focus on the body that was blocking her hole— —and the warm, thick liquid that was dripping onto her hand.” Button is an 11 year old, bubbly and intelligent girl who is haunted in her dreams by a tapping sound… Living with her mother and father in Cottsborough, Vermont, Button had been trained to hide and not ever answer to her secret name, ‘Rachel’. One day, two men arrive at Button’s family home searching for her by this secret name. Refusing to give Button up, things turn violent and the men shoot her father dead. Through a narrow crack in the floor boards, Button bears witness to the murder. Eluding the two men who tried to catch her, Button uses her wits to navigate herself from Vermont to Boston and then to New York. Button has a plan to find her uncle Dromkin. When her search seems hopeless, Button is taken in by a resident of her uncle’s apartment building, Phil, who claims he can help. But when they find Dromkin sprawled on the floor with his throat cut, Button is convinced she is somehow the cause of these family murders... Will Phil be able to keep her identity hidden long enough for her to find out the truth? Praise for Michael Kurland: "A perfect tale of childhood terror." - Tom Kasey Michael Kurland grew up in New York City, attended Columbia University, spent four years in the Army, much of it in Europe, and now lives in California with his partner, novelist Linda Robertson, a dog, a cat, and an occasional visiting family of raccoons. He has been a teacher of obscure subjects to disinterested children, the editor of a magazine even more idiosyncratic than himself, a seeker of absent persons, a magical explainer, and guest lecturer at numerous unrelated events. Kurland has written a dozen or so science fiction novels, a brace of mysteries, and several books that fit into that tenuous genre known as “mainstream.” He has been nominated for an Edgar (twice) and for the American Book Award. His books have been translated into eleven other languages. His other novel with Venture Press is Psi Hunt.

    . . . Mr. Eno's voice, which teases out the poetry in the pedestrian and finds glinting humor in the static that infuses our faltering efforts to communicate, is as distinctive as any American playwright's today."—The New York Times"Weird and wonderful . . . Eno's familiar sudden-shifting between profound and playful verbiage is delightfully disarming and sometimes awfully funny."—VarietyA wonderfully moving new play by the Pulitzer Prize–finalist author of Thom Pain (based on nothing).Meet Bob and Jennifer and their new neighbors John and Pony, two suburban couples who have more in common than their identical last names. Boasting the playwright's quintessential existential quirkiness, this new comedy finds poetry in the banal while humorously exploring our ever-floundering efforts at communication. Listed as one of New York Times's Best Plays of 2012, The Realistic Joneses will receive its Broadway premiere in spring 2014 starring Toni Collete, Michael C. Hall, Tracy Letts and Marisa Tomei.Will Eno is the author of Thom Pain (based on nothing), which ran for a year Off-Broadway and was a 2005 Pulitzer Prize finalist. Other works include Middletown, The Flu Season, Tragedy: a tragedy, Intermission, and Gnit, an adaptation of Henrik Ibsen's Peer Gynt. His many awards include the PEN/Laura Pels International Foundation for Theatre Award, the Horton Foote Prize, and the first-ever Marian Seldes/Garson Kanin Fellowship by the Theater Hall of Fame.

    Its discovery throws into question everything we know about the origins of mankind. Inside lies incredible technology, proof of a culture far more advanced than our own. Something dark lurks within, eager to resume a war as old as mankind. When it is unleashed it heralds the end of our species’ reign. A plague of werewolves spreads across the world. A sunspot larger than anything in recorded history begins to grow. Yet both pale in comparison to the true threat, the evil the werewolves were created to fight. "It's like Indiana Jones went through the Stargate and ended up in Aliens versus Predator." - One of the author's totally biased friends. This collection gathers No Such Thing As Werewolves, No Mere Zombie, Vampires Don't Sparkle, and The Great Pack. It's over 1,500 pages!

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    But the arrival of Ericka, a new student with undeniable talent and beauty, captures the attention of the pageant recruiter – and Paulina's hive-minded friends. This buoyant and biting comedy explores the universal similarities (and glaring differences) facing teenage girls across the globe.

    7-9 - Three novels in OneThe Vigilante (Sarah Roberts Book Seven)*Starring Sarah Roberts and guest starring Aaron Stevens from The SpecterDuring a five-month break in Toronto, Sarah has fallen for Aaron Stevens. When the police seek her help to find a serial killer who has operated in the Toronto area for more than twelve years, Sarah receives a series of messages from her dead sister, Vivian.As she closes in the on The Leap Year Killer, Sarah runs into a street gang bent on revenge for her shooting one of their members. Aaron won't accept that she willingly puts herself at risk doing her sister's bidding. Sarah wonders whether the messages are truly from Vivian, or if she possesses a unique psychic ability.With all that she has seen of man's darkest nature, it makes her question why she hasn't given up on humanity yet.The Rogue (Sarah Roberts Book Eight)*Starring Aaron Stevens and guest starring Darwin and Rosina Kostas from The Mafia TrilogySarah Roberts travels to Rome to assist the FBI with their hunt for an Italian-American drug lord with a penchant for violence, despite the warning that she will die within twenty-four hours.Shortly after arrival, Special Agent Penn Kierian is murdered in his hotel room, and Sarah's fingerprints are on the murder weapon. The Italian authorities want to talk to her, but she can't risk exposure to an unseen enemy. She flees to a city she had visited years ago, Umbertide, where she runs into hit men and the ruthless man who wants her out of his way.Parkman, her colleague, an ex-cop turned private investigator, is summoned to Italy to identify Sarah's remains after a massive explosion.Sarah's parents, and the people she loves, must face reality and prepare for her funeral, but Sarah has one more trick up her sleeve.Killing Sarah (Sarah Roberts Book Nine)Sarah Roberts receives a phone call from her colleague Parkman. It's important they meet right away as it's a matter of life and death. Because Parkman is a close friend, Sarah ignores a warning from her dead sister Vivian to stay away. When Sarah is shot, Parkman fires on the retreating four-door sedan, but is not successful in stopping the shooter. He attempts to revive Sarah until the paramedics arrive to take over. When Parkman gets to the hospital, the police question him about who really shot Sarah. After emergency surgery to remove the bullet and reduce the swelling on Sarah's brain, preliminary results show the bullet came from Parkman's gun.He asks to visit Sarah in the ICU, but now no one can find her. He is informed that Sarah Roberts was never admitted to their hospital and the doctor Parkman was talking to earlier about her condition has mysteriously disappeared.Sarah is gone.When Sarah wakes in a modified ambulance, far from the hospital in Toronto, she has retrograde amnesia, leaving her with temporary short-term memory loss. All she can remember of the night she was shot is the image of a man named Parkman. He is standing in front of her with a gun in his hand as a bullet enters her head.The people who shot Sarah are still after her. She needs to work with Parkman in order to stay alive, but all Sarah can think about is revenge for the head wound and Parkman is in her sights.The pain of betrayal goes deeper than the physical wound as Sarah hunts for her former friend while sorting the memories that return in pieces.Killing Sarah is an explosive ride into the depths of a strong woman who makes mistakes and learns the consequences the hard way.

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.