I require so much!'Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    She hunts for men at bars, online, at home— the place doesn’t matter, neither does the man. Her victims then must live the aftermath of their assault in the form of doubt from the police, feelings of shame alienation from their friends and family and the haunting of a horrible woman who becomes the phantom on which society projects its greatest fears, fascinations and even misogyny. All the while the police are without leads and the media hound the victims, publicly dissecting the details of their attack.What is extraordinary is how as years pass these men learn to heal, by banding together and finding a space to raise their voices. Told in alternating viewpoints signature to each voice and experience of the victim, these pages crackle with emotion, ranging from horror to breathtaking empathy.

    And then, on that particular October evening, it literally arrived at my doorstep."Eight months after dropping out of Tarble, an all-women's college, twenty-two-year-old Ruby Rousseau is still haunted by the memories of her senior year-a year marred by an affair with her English professor and a deep depression that not only caused her to question her own sanity but prompted a failed suicide attempt.And then a mysterious paisley print suitcase arrives, bearing Ruby's name and address on the tag. When Ruby tries to return the luggage to its rightful owner, Beth Richards, her dorm mate at Tarble, she learns that Beth disappeared two days earlier, and the suitcase is the only tangible evidence as to her whereabouts.Consumed by the mystery of the missing girl and the contents of the luggage-a tattered copy of Virginia Woolf's A Room of One's Own, the book on which Ruby based her senior thesis, and which she believes instigated her madness-she sets out to uncover the truth, not only about Beth Richards's past but also her own. In doing so, Ruby is forced to reexamine the people from her past: the professor who whisked her away to New Orleans and then shattered her heart and the ghosts of dead women writers who beckoned her to join their illustrious group. And when Ruby's storyline converges with Beth's in a way she never imagined, she returns to the one place she swore she never would: her alma mater.

    Through the good and bad; through raising a son and sending him off to life after university. So long, in fact, that Marta finds it difficult to remember her life before Hector. He has always taken care of her, and she has always done everything she can to be a good wife—as advised by a dog-eared manual given to her by Hector’s aloof mother on their wedding day.But now, something is changing. Small things seem off. A flash of movement in the corner of her eye, elapsed moments that she can’t recall. Visions of a blonde girl in the darkness that only Marta can see. Perhaps she is starting to remember—or perhaps her mind is playing tricks on her. As Marta’s visions persist and her reality grows more disjointed, it’s unclear if the danger lies in the world around her, or in Marta herself. The girl is growing more real every day, and she wants something.

    Morvern's reaction is both intriguing and immoral. What she does next is even more appalling. Moving across a blurred European landscape-from rural poverty and drunken mayhem of the port to the Mediterranean rave scene-we experience everything from Morvern's stark, unflinching perspective.Morvern is utterly hypnotizing from her very first sentence to her last. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, giving the stunning effect of a sound track running behind her voice.In much the same way that Patrick McCabe managed to tell an incredibly rich and haunting story through the eyes of an emotionally disturbed boy in The Butcher Boy, Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the ecstasy generation. Morvern is a brilliant creation, not so much memorable as utterly unforgettable."

    Unlike the "New Woman" novels of the era which challenged the idea that the unmarried woman was superfluous, Gissing satirizes that image and portrays women as "odd" and marginal in relation to an ideal. Set in a grimy, fog-ridden London, Gissing's "odd" women range from the idealistic, financially self-sufficient Mary Barfoot to the Madden sisters who struggle to subsist in low paying jobs and little chance for joy. With narrative detachment, Gissing portrays contemporary society's blatant ambivalence towards its own period of transition. Judged by contemporary critics to be as provocative as Zola and Ibsen, Gissing produced an "intensely modern" work as the issues it raises remain the subject of contemporary debate.

    After the disappearance of Leon Owenby, his younger brother and central narrator, Martin, returns to the family’s Willoby County, N.C., mountain town from his life as a destitute writer in New York City to aid in the search for Leon and support his other siblings. The year is 1986; Martin leaves behind his ex-lover, Dennis, and their many friends sick and dying from AIDS. Back home, he must face his painful past, his extended family to whom he is closeted, and his high school girlfriend (who still carries a torch for him). Many months of searching reveal more about the searchers than about Leon; the secrets and resentments in the Owenby family run deep and bubble to the surface unexpectedly. It’s problematic that with so many family issues coming to light, Martin’s sexuality is ignored and remains a secret, but Newton’s use of multiple viewpoints and distinct voices is adept and lively, and helps to fill in the thin premise of Leon’s disappearance. With many novels of this construction, a reader tends to favor one voice over the rest. Not so here; Newton delivers across the board with these characters, who run the gamut from perky to depressive, desperate to schizophrenic.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Doctor Sleep, one of his best novels, is a taut and satisfying psychological thriller planned to be released as a major motion picture under the title Hypnotic. Adrian Strother is a hypnotherapist who, paradoxically, can't get to sleep. He plies his trade in a depressed section of London, doing the occasional job for Scotland Yard, which brings him into contact with an unsavory drug trafficker. As little girls become the target of a serial killer, Adrian treads the line between tortured wakefulness and surreal sleep, and the gifts of his insomnia are called upon to unlock the secrets of a man who believes he has discovered the key to immortality. Part spiritual pilgrimage, part thriller, Doctor Sleep is witty, menacing, and deeply satisfying, a bravura performance by one of today's finest writers.

    Over the course of a year, each of these women’s lives becomes intertwined, both through the books they read and the real-life stories they tell.Inspired by a shared desire for conversation, a good book and a glass of wine, Clare, Harriet, Nicole, Polly and Susan undergo startling revelations and transformations despite their difference in background, age and respective dilemmas.In The Reading Group, Noble reveals the many complicated paths in life we all face as well as the power and importance of friendship.

    Nugent all smiles when she met us and how are you getting on Mrs and young Francis are you both well? . . .what she was really saying was: Ah hello Mrs Pig how are you and look Philip do you see what's coming now -- The Pig Family!" This is a precisely crafted, often lyrical, portrait of the descent into madness of a young killer in small-town Ireland. "Imagine Huck Finn crossed with Charlie Starkweather," said The Washington Post. Short-listed for the Bram Stoker Award and the Man Booker Prize.

    Billed as The Lucky Chances, the sisters are the illegitimate and unacknowledged daughters of Sir Melchior Hazard, the greatest Shakespearean actor of his day. At once ribald and sentimental, glittery and tender, this rambunctious family saga is Angela Carter at her bewitching best.

    Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever...

    But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.