The volume also includes extracts and translations by the author from Babylonian, Coptic and Biblical texts alongside poems and fairy tales.The book’s cover features artwork by David and design by Ania Goszczyńska; the frontispiece also reproduces a painting by David.

    He was so impressed with the entries that he recommended they be published together in one book, which Cemetery Dance Publications and Hodder & Stoughton are pleased to report has become a reality. The six stories are: WILD SWIMMING by Elodie Harper EAU-DE-ERIC by Manuela Saragosa THE SPOTS by Paul Bassett Davies THE UNPICKING by Michael Button LA MORT DE L'AMANT by Stuart Johnstone THE BEAR TRAP by Neil Hudson Reader beware: the stories will make you think twice before cuddling up to your old soft toy, dipping your toe into the water or counting the spots on a leopard…

    300 copies. (Out of print).Reality is a thin translucent membrane that separates this world from the one beyond, and that membrane bends and buckles as we thrust ourselves against it. Through the barrier we see distorted visions, the merest glimpse of which is enough to infect our minds. . . . Thirteen tales of strangeness and surrealism await the reader of this book; stories of loss, despair, and what happens when those without hope meet that which they cannot understand. Two women vacationing far away encounter the mysteries of island life. . . . A trip north of the city to woods and a lake and a sky hungry for more. . . . Snow is falling, reminding the dying of all they've lost, or the young of all they have yet to lose. . . . The other world, it awaits you in the dark, cold to the touch. Contents: 'Under the Overpass', 'The Other Village', 'The Uninvited Guest', 'A Seed on Barren Ground', 'Writing on the Wall', 'A Chorus of Yesterdays', 'The Sweetest Song', 'Pinholes in Black Muslin', 'Fading Light', 'Poor Stephanie', 'Like Falling Snow', 'Here’s to the Good Life', 'Cold to the Touch, and 'Afterword'.

    Once there, it quickly exerts an evil influence over those with whom it comes into contact; an influence which threatens to spread throughout London and beyond, and which pits the living against the dead in a battle for all mankind.

    Samuel Johnson The History of the Necronomicon The Complete Juvenilia The Alchemist The Beast in the Cave The Little Glass Bottle The Mysterious Ship The Mystery of the Grave-Yard The Secret Cave The Complete Poetry Part I. - Juvenilia (1887-1905) Poemata Minora, Volume II Part II. - Fantasy and Horror Nemesis Astrophobos The Poe-eta-s Nightmare Despair Revelation The House The City To Edward John Moreton Drax Plunkett, Eighteenth Baron Dunsany The Nightmare Lake On Reading Lord Dunsanya-s Book of Wonder The Cats Festival Hallowea-en in a Suburb aka a¬In a Suburba(R) The Wood The Outpost The Ancient Track The Messenger Nathicana Fungi from Yuggoth In a Sequestera-d Providence Churchyard Where Once Poe Walka-d To Clark Ashton Smith, Esq., upon His Phantastick Tales, Verses, Pictures, and Sculptures Part III. - Occasional Verse On Receiving a Picture of Swans Fact and Fancy Laeta; a Lament Part IV. - Satire Unda; or, The Bride of the Sea Pacifist War Songa31917 Waste Paper Dead Passiona-s Flame Arcadia Lifea-s Mystery Part V. - Seasonal and Topographical A Garden Sunset Providence Christmas Christmas Greetings Part VI. - Politics and Society An American to Mother England Lines on Gen.

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    These are stories to be savored late at night in bed, read by the light of a single lamp in an empty, dark house.

    Lovecraft, the most-fevered mind of 20th century horror and weirdness! These weird tales blend horror, science-fiction and fantasy to weave stories of darkness and terror that will alternately leave you checking dark spaces for hidden horrors and wondering at the nature of reality itself. From the horror/mystery of The Altar in the Hills to the private confessions and revelations of one of mankind's most brilliant minds in Through the Ether, these seven stories bring with them Old Gods, strange twists and interesting characters that will both surprise and delight fans of horror fiction.

    He was a dark, cynical and pessimistic soul who had a grim vision of fate and the unfairness of life, which he channelled into his fiction. And in his death, or rather his disappearance, he created a mystery as strange and unresolved as any that he penned himself. But more of that later. Ambrose Gwinett Bierce was born in a log cabin on 21st June 1842, in Horse Creek, Meigs County, Ohio, USA. He was the tenth of thirteen children, ten of whom survived infancy. His father, an unsuccessful farmer with an unseemly love of literature, had given all the Bierce children names beginning with 'A'. There was Abigail, the eldest; then Amelia, Ann, Addison, Aurelius etc. So oddness was a part of Bierce's life from the beginning. Poverty and religion of the extreme variety were the two chief influences on young Ambrose's childhood. He not only hated this period of his life, he also developed a deep hatred for his family and this is reflected in some of his stories which depict families preying on and murdering one another. For example the unforgettable opening sentence of 'An Imperfect Conflagration' seems to sum up his bitter attitude: 'Early in 1872 I murdered my father - an act that made a deep impression on me at the time'.

    Thought to be buried somewhere within the Mato Grosso region of the Amazon rainforest, the lure of the vanished riches has long proven deadly to treasure-seekers who brave the forbidding wilderness and mysterious creatures in search of it. Disgraced historian Dr. Hunter Winslow, fired from a lucrative professorship for stealing rare documents in order to gain a competitive edge over his colleagues, thinks the key to Manuscript 512 lies not in its words, but in its paper itself. The only problem is that to confirm his hypothesis means to destroy the document, something the Brazil National Library in Rio de Janeiro will never allow. But old habits die hard, and Hunter knows his way around a Special Collections room. After a brazen theft that triggers an international manhunt, the rogue historian is able to reveal the document’s secrets in a way no one else can, or ever will be able to again—by using its physical properties to reveal missing sections that had supposedly been irreversibly damaged. Armed with this new information, Hunter embarks on an expedition to the deepest Amazon to put to rest the mystery of the lost city once and for all. But while Hunter is looking for the fabled treasure, the long arm of the law is looking for him. Will they catch up to him before he can locate the treasure of a thousand lifetimes, or will he become as lost as the city he seeks?

    Inside are eight boxes waiting to be picked up by Jodie, the store manager. But something's not quite right about the delivery. Jodie can sense it as soon as she touches the large, coffin-shaped crates: something unnatural and dangerous is stored inside. Almost as soon as the crates are brought into the store, things start to go wrong. Customers seem reluctant to linger. Clothes are thrown off the racks during the middle of the night. And Jodie's co-workers stop answering their phones. As a deadly storm grows on the horizon, Jodie begins to realise just how dangerous the unknown can be.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    They locate ghosts who are haunting places – or people. It’s a well-known fact that the Mill Street Theatre is haunted. And everyone knows the building closes for cleaning work during the first week in September every year. But this is a cover-up. The theatre closes because the hauntings escalate during that week, bringing a threat to human life. The owner decides these hauntings have to be investigated, and any ghosts dealt with. The Laurel sisters offer their help. Their investigations lead them to a heartbreaking story.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.