When a fox bursts into his domain, dupes him into crowing, and then grabs him in a viselike grip, Chanticleer must do some quick thinking to save himself and his barnyard kingdom.

    After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.

    When he realizes that humans are upset by mice sampling their leftovers, he is shocked! He must provide for his beloved family--but he is determined to find a way to earn his supper. And so he heads for the tasting room at the Duvall Cheese Factory. On each cheese, he leaves a small note--"good," "not so good," "needs orange peel"--and signs his name. When workers at the Duvall factory find his notes in the morning, they are perplexed--but they realize that this mysterious Anatole has an exceptional palate and take his advice. Soon Duvall is making the best cheese in all of Paris! They would like to give Anatole a reward--if only they could find him...

    . . . It's all done with a commendable amount of taste, imagination, and style."--School Library Journal (starred review)"A beautifully convincing tale."--The New York Times Book Review"Using elements of traditional Japanese art, the illustrator has made marvelously imaginative pictures."--The Horn Book"Lent's pictures are a lively blend of finely detailed, delicate drawings and rip-roaring good humor."--The Boston Globe"A good read-aloud with lots of suspense."--LearningAwards: ALA Notable Children's Book Child Study Association Book of the Year The Horn Book Fanfare

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    The oxcart man packs his goods - the wool from his sheep, the shawl his wife made, the mittens his daughter knitted, and the linen they wove. He packs the birch brooms his son carved, and even a bag of goose feathers from the barnyard geese.He travels over hills, through valleys, by streams, past farms and villages. At Portsmouth Market he sells his goods, one by one - even his beloved ox. Then, with his pockets full of coins, he wanders through the market, buying provisions for his family, and returns to his home. And the cycle begins again."Like a pastoral symphony translated into picture book format, the stunning combination of text and illustrations recreates the mood of 19-century rural New England."--The Horn Book

    A wild stallion becomes her friend and she decides to ride free with the herd even after she is found.

    Human and canine both struggle to rouse themselves, eat breakfast from bowls, and have an intimate knowledge of their route. Pilkey paints their shared experiences with a graceful economy of language.

    "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.

    Though it was written for one little girl, the prayer is for all boys and girls, and it carries a universal appeal for all ages and races.

    "Another virtuoso performance. . . . Such an astute blend of aesthetics and information is admirable, the child's eye will be rewarded many times over."--Booklist. ALA Notable Book; Caldecott Medal.

    Perfect entertainment for bath time or for bedtime, the joyful music and hilarious rhyming tale will provide hours of fun for young readers.

    Ceci's first Christmas posada party and pinata have made her Mexican town come alive for generations of readers. "The youngest child will be completely transported by this lovely story".--The Atlantic. Three-color illustrations.

    In dialogue between a not-at-all sleepy child and understanding parents, the little girl decides “in a cocoon of sheets, a nest of blankets,” she is ready to sleep, warm and strong, just like a tiger.

    A mission to find something spectacular. So they dig a hole. And they keep digging. And they find . . . nothing. Yet the day turns out to be pretty spectacular after all. Attentive readers will be rewarded with a rare treasure in this witty story of looking for the extraordinary—and finding it in a manner you’d never expect.