The place is the Cabinet Room of the White House. An unexpected accident and the law of succession have just made Douglass Dilman the first black President of the United States.This is the theme of what was surely one of the most provocative novels of the 1960s. It takes the reader into the storm center of the presidency, where Dilman, until now an almost unknown senator, must bear the weight of three burdens: his office, his race, and his private life.From beginning to end, The Man is a novel of swift and tremendous drama, as President Dilman attempts to uphold his oath in the face of international crises, domestic dissension, violence, scandal, and ferocious hostility. Push comes to shove in a breathtaking climax, played out in the full glare of publicity, when the Senate of the United States meets for the first time in one hundred years to impeach the President.

    The classic novel of sexual obsession and murder amid the star-making machinery of Hollywood in the 1950s."She was as white as marble, but she looked lovely.  Her hair was splayed out in fine strands of gold, and her lips were bright, rich red, and there was a green eyeshadow on her eyelids.  You could see that because her eyes were closed and she was lying very still.  She was lying still and she wasn't breathing."With its portraits of washed-up directors, jaded leading men, and a ruthless cop whose one-track mind leads straight to a cyanide pellet, I Wake Up Screaming is a magnificent thriller by a Hollywood insider whose screenplays included Lady in the Lake and I, Mobster.

    When bobbed-hair flappers were in vogue and Harlem was hopping, Washington, D.C., did its share of roaring, too.Davy Carr, a veteran of the Great War and a new arrival in the nation's capital, is welcomed into the drawing rooms of the city's Black elite. Through letters, Davy regales an old friend in Harlem with his impressions of race, politics, and the state of Black America as well as his own experiences as an old-fashioned bachelor adrift in a world of alluring modern women -- including sassy, dark-skinned Caroline.With an introduction by Adam McKible and commentary by Emily Bernard, this novel, a timeless love story wonderfully enriched with the drama and style of one of the most hopeful moments in African American history, is as "delightful as it is significant" (Essence).

    Schuyler's satiric romp. Black No More is the story of Max Disher, a dapper black rogue of an insurance man who, through a scientific transformation process, becomes Matthew Fisher, a white man. Matt dreams up a scam that allows him to become the leader of the Knights of Nordica, a white supremacist group, as well as to marry the white woman who rejected him when he was black. Black No More is a hysterical exploration of race and all its self-serving definitions. If you can't beat them, turn into them.Ishmael Reed, one of today's top black satirists and the author of Mumbo Jumbo and Japanese by Spring, provides a spirited Introduction.The fertile artistic period now known as the Harlem Renaissance (1920- 1930) gave birth to many of the world-renowned masters of black literature and is the model for today's renaissance of black writers.

    Unbeknownst to him, his wife, Cherise, and younger brother, Vincent, have ignited a passionate love affair. Overcome with guilt, the pair ends the relationship even though they still possess an undeniable attraction to one another. Years later, as Mason decides he's ready for a career change that would give him more time to spend with his family, he's asked to participate in a huge drug case. He concludes that one last job won't hurt, and it might allow him to leave at the top of his game. Besides, Mason realizes that if things get too tough and he has to be away for too long, he can always count on his brother to step in and take care of his family while he's undercover. What Mason doesn't realize is that putting Vincent and Cherise back together again could be as dangerous as his assignment—and tear his family apart once and for all. Darrien Lee takes readers on a roller coaster of emotions as lives, a marriage, and family ties are at stake. Brotherly Love is a book that readers will contemplate long after turning the last page.

    Opening up the blank casing, a very unapologetic page one sports nothing but black text that starts at the top of the page and small numbering printed on every bottom corner. There are no chapters and there is no chronology or even a plot. Words are broken up in lines or paragraphs and it continues as such for two hundred pages exactly without a break; not dumbed down, allowing the chance to experience truly innovative media.The author himself accomplishes what thousands of writers spend lifetimes trying to depict honestly, some at the expense of their own sanity. He shows the nihilistic and existentialist thoughts suffered by America’s most broken malcontents. This gritty reality may alienate some readers, but for many it tugs at heartstrings and makes us wonder why we pushed our own parallel feelings to the backburner for the sake of fitting into society. It makes us question if we are fooling anyone with those efforts. It makes us really think why, and this book smartly doesn’t assume us incapable of making our own life assessment by offering morals or lessons meant to give us hope. The writing itself is completely bleak (a warning to the vulnerable), and the author basically tells us to find our own reason for living. Unlike most other literature, by the last sentence you are still wondering if he has ever found his.

    Knock on Any Door dramatizes young immigrant Nick Romano's struggle to survive when his father's business folds, leaving his family with no choice but to move to a poor neighborhood across town. A series of petty crimes land the former Catholic altar boy in reform school, where forceful "rehabilitation" only creates a hardened and resistant spirit among the inmates. Once released, Nick returns to Chicago, where family conflicts and a brief, tragic marriage spiral him further downward, culminating in his arrest for the murder of a police officer. The whole city watches the thrilling legal battle unfold as Nick takes the stand to fight for his life. Motley researched his novel on the streets of his native Chicago, talking to immigrants about their experiences and visiting juveniles in Illinois's youth detention centers. In Knock on Any Door, Motley creates a painfully vivid picture of poverty, the struggle for ethnic identity, and the flaws of the penal system in urban America.

    As rendered by Gaines, this country becomes as familiar, and as haunted by cruelty, suffering, and courage, as Ralph Ellison's Harlem or Faulkner's Yoknapatawpha County.STORIES INCLUDE:A Long Day in NovemberThe Sky Is GrayThree MenBloodlineJust Like a Tree

    Nothing more has been heard of him. Gerry Kells, the antihero of his shocking, brutal novel, is equally mysterious. A loner with a reputation but without a visible past, Kells simply appears, arranges the lives of the Los Angeles underworld, and then is heard no more.Only the strong prosper in the world of the depression. Seemingly amoral, Kells does prosper. He strikes to survive, kills without conscience, with­out time for conscience. But he never becomes a mere killing machine. His integrity, his humanity, abides in a code demanding that he pay for all services: those rendered for him, those rendered against him.Fast paced and very readable, the novel limns a true character who should take his place in our national literature, if only for his representation of the individual will to survive in one of the toughest times in American life.

    Sydney seems to have it all—a lucrative career, a comfortable life, and a man who looks good on paper—until the Catholic Church, looking to repair some serious image problems, approaches the ad agency she works for to create a positive campaign. Sydney, told by her boss it's her account to lose, stumbles through the novel trying to figure out how to sell religion to a soulless society. She begins a one-sided argument with the Lord himself via riotous, pleading e-mails, all the time asking why He/She had to enter her neat, secular life and make such a mess of it.Complicating things are her best friend Anna's on-again, off-again wedding; the disturbingly handsome priest serving as the church's liaison; and Jake, the new guy, who looks good in real life but comes equipped with all the real-life complications. Susi Rajah's wickedly funny debut novel introduces an unforgettable new voice in fiction and gives us a ribald, self-deprecating young woman who eventually discovers that love requires even more faith than religion.

    Beidler This book was originally published in 1933. It is the first novel by William March, pen name for William Edward Campbell. Stemming directly from the author's experiences with the US Marines in France during World War I, the book consists of 113 sketches, or chapters, tracing the fictional Company K's war exploits and providing an emotional history of the men of the company that extends beyond the boundaries of the war itself. William Edward Campbell served courageously in France as evidenced by his chestful of medals and certificates, including the Croix de Guerre, the Distinguished Service Cross, and the Navy Cross. However, without the medals and citations we would know of his bravery. For it is clear in the pages of Company K that this book was written by a man who had been to war, who had clearly seen his share of the worst of it, who had somehow survived, and who had committed himself afterward to the new bravery of sense-making embodied in the creation of major literary art. It is of that bravery that we still have the record of magnificent achievement, the brave terrible gift of Company K.

    Since her viscount father passed away, the family’s resources have dwindled, and she dreads becoming a destitute spinster. But when she’s invited to the Duke of Mumshire’s country estate—where she’ll be considered for the heir’s hand—hope returns.A trip to the country will also take her mind off the crime she’d witnessed at the last event of the season—an unbearably handsome stranger stealing a lady’s purse. Catherine and the thief locked gazes in the middle of the act, and while she was quickly been swept away by the crowd, later that night she was introduced to the thief, Henri LaFleur. Now he knows her name and can force her silence.Catherine shakes the memory…until LaFleur shows up as a fellow guest at the Duke of Mumshire’s estate. This time, though, she finds herself terribly, inexplicably drawn to this thief. But is LaFleur who he seems?

    Beautiful, charcoal-skinned Eternity, a spirited and diabolical young African hellcat, is stigmatized by a heart-stopping secret.

    Claimed as a hostage, she's forced from the verdant slopes of her beloved vineyard to serve Herod Antipas' neglected wife. In an opulent palace where Roman culture supersedes the commands of God, Joanna struggles to express her Jewish faith. Despite her misgivings, she is swept into the adventure of traveling with the court, and conflicted by her feelings towards the enigmatic man who took her captive. As the royal marriage fractures, she is caught in the crossfire, and her choice will alter the fates of those she loves.When rumors whisper that a man from Nazareth travels the roads of Galilee, healing and proclaiming the kingdom of God, Joanna yearns to follow. When it becomes impossible to leave the palace, she begins to fear her role in an earthly court will cost her place in the heavenly one.The first novel in the Court of the Tetrarch series imagines the origins of the biblical woman who beholds the empty tomb.

    Our hero, Jurek, answers an ad in the paper for a job there and finds himself keeping the books alongside a knockout strawberry blonde named Sonia. They and their group of friends—vital young people like Marcel, an initial rival for Jurek; Olek, Sonia’s chosen love; and Janka, with whom Jurek becomes involved—do their jobs, picnic on the weekends, and dance in the gardens on the grounds of the hospital.Jurek speaks often of, and even in, verse, whether he is talking to his friends or in letters to a distant and admiring cousin. He and his friends live lives that defy the discord and destruction of the war in Europe, striving to rediscover or save whatever beauty they can. Much of this beauty is embodied by Sonia, who is beloved of all the friends and patients at the asylum.But the revitalizing spring they all hope will come for Poland is not to arrive this year. Despite the relative safety of their odd surroundings, the world and the war soon come for the friends. Olek’s absences are longer and unexplained. Marcel is not what he seems, and he and his wife mysteriously disappear, she says, to the gas. And the perfection that Sonia embodies cannot ultimately be kept, by the friends, by the nation, or even by Sonia herself.