It's the hard that makes it great.” – Tom Hanks Tom Hanks is a much-beloved American film actor whose cheerful everyman persona made him a natural for starring roles in many popular films. He is one of the most critically acclaimed actors in Hollywood today and with good reason. Throughout the span of his successful and impressive career, Hanks has excelled in nearly every genre, heading the casts of some of the most well-received films in history. Widely regarded as one of Hollywood’s nicest actors, Hanks is known for his amiable, approachable personality and his ability to portray characters audiences can relate to and love. His characters are often immensely likeable ordinary guys. Despite the fact that he originally wanted to be an astronaut, Hanks has enjoyed great success and fulfillment as an actor. He may even have predicted his future career in film when he was just a teenager. In 1974, Hanks wrote a letter to industry big shot George Roy Hill, the Oscar-winning director of the film Butch Cassidy and the Sundance Kid (1969), with the hope that he might one day be “discovered.” Hanks was eighteen years old at the time and most likely wrote the letter before studying theatre at a junior college in Hayward, California. Hanks was grateful for his community college experience, describing himself as an underachieving high school student with lousy SAT scores and the junior college as one that was humble, but offered salvation and opportunity for many young men and women just like him, all with simple, hometown America roots, and a desire to do something great. In the letter, Hanks introduces himself to Hill as “a nobody.” he continues, saying that no one has ever heard of him, that his looks are not stunning, and that he can’t even grow a mustache. He outlines the details of his future discovery for Hill so that he might recognize the opportunity in the future. Toward the end, Hanks reminds Hill, “I do not want to be some big time, Hollywood superstar with girls crawling all over me, just a hometown American boy who has hit the big time, owns a Porsche, and calls Robert Redford 'Bob'." Hanks was indeed discovered, albeit not by Hill, and has enjoyed enormous success. But the part of Hanks’ prediction that has held remarkably true is that he never has strayed far from his beginnings. Hanks has indeed remained that likeable hometown boy who rubs elbows with – and, in fact, has become friends with – some of the greatest names in movie making history... Buy Now and Discover the Entertaining Story of Tom Hanks

    Alone, that is, until the devilishly handsome surgeon, Aaron Bailey comes into her life. Like her, he is a widower, a heart-broken man in need of a good woman's love and attention.When something seems too good to be true, it usually is. Joyce quickly finds herself trapped in an abusive marriage with someone that is more monster than man.Yet nothing about their marriage is as it first appears. Both of them harbour secrets - but the question is, will either of them live to tell? Joyce will do anything at any cost to protect her daughter, and Aaron will stop at nothing to protect Joyce in the only way he knows how...

    Much has been written about how gays have been portrayed in the movies but no book -- until now -- has looked at their influence behind the screen. Whether out of or in the closet, gays and lesbians have from the very beginning played a significant role in shaping Hollywood. Gay actors were among the earliest matinee idols and gay directors have long been among the most popular and commercially successful filmmakers. In fact, gay set and costume designers created the very look of Hollywood.With this landmark book, Mann fills a void in the Hollywood history archives. Written in the tradition of Neal Gabler's An Empire of Their Own: How the Jews Invented Hollywood and based on hundreds of hours of interviews with survivors of this golden age, Behind the Screen is destined to become a classic of film literature.

    80 black-and-white photos.

    Talking Cock combines answers to questions about sexuality, circumcision, and strange behavior with a deeply researched history, poignant true-life confessions, and insights from the hilarious to the downright obscene.

    Just be ready world, because I might not be very tall but my attitude is six-foot seven and a half.One fae bounty hunter and a cute boy support me. With them and a few friends at my side I'll learn how to use my natural gifts that were hidden and discover who I really am.They wanted a fight? I'll give them one. I just hope I last long enough to learn what I need to do.Scroll UP and click Read Now or Read for Free to learn the history of the Fae Princess!Please note: This is a large(r) book.The Halfling Fae Academy Trilogy is three books in one giant compilation. At some point in the future we may release them as three normal sized books.There are approximately 180,000 words in this trilogy.

    *Includes Lucille Ball's own quotes about her life and career. *Includes a Bibliography for further reading.*Includes a Table of Contents.Lucille Ball, one of the most famous and versatile stars in American history, is above all defined by her charisma. She did not possess the overwhelming beauty of her contemporaries in the entertainment industry, yet her infectious enthusiasm continues to endear her to the American public even decades following her death. Indeed, at the time that I Love Lucy (1951-1957) ended, the show still remained the most-watched show in America. Ball possessed an intangible quality that captivated audiences, who were transfixed by even the most banal plot sequences in her sitcoms. That Ball was able to withhold her popularity even after the ending of I Love Lucy testifies to the fact that she was always the star attraction on the famous sitcom. Indeed, even after separating from Arnaz, Ball continued to achieve high ratings on her subsequent programs, most notably The Lucy Show (1962-1968) and Here’s Lucy (1968-1974). Without doubt, Ball’s longevity and the magnitude of her popularity make her the most cherished comedienne in American history. Given Ball’s immense fame, it is easy to strip her career out of its original context and assume that she would have risen to fame regardless of the medium. However, it is important to remember that I Love Lucy actually began when Ball was already 40 years of age, a relatively advanced age for someone in the entertainment industry. In fact, from 1933 through the end of the 1940s, Ball appeared in over 80 films (with very minor roles in almost all of these) while serving as a contract player for the MGM and RKO film studios. There is thus a massive discrepancy between the fame she achieved in the television medium and her lack of success in cinema. To this end, Ball’s career reflects the evolutions that occurred throughout the mid-1950s with regard to the entertainment industry, mass culture, and the ways in which the American public consumed popular culture. Where Ball was unable to rise to prominence in cinema, she represented the ideal actress for the television medium, and in this regard she introduced a new model for media celebrity, one that was more accessible if less physically dazzling. This biography explores the entirety of Ball’s life and career, with attention paid to her both her childhood and her pre-television and television periods. In so doing, this study provides as complete a picture as possible of the enormity of Ball’s rise to fame and how she was able to capture the favor of the American public. American Legends: The Life of Lucille Ball profiles the life and career of one of America’s most iconic actresses.

    If you liked mash you should have this book!!

    The author recalls the '50s, when the invasion of movie houses by monsters became a national youth craze. 140 photos.

    The fighting skeletons of Jason and the Argonauts. And, of course, the angry T. Rex of Island of the Gwangi. All these creations and many more, seared into our collective consciousness, are the work of one man—Ray Harryhausen. The father of special effects, Ray Harryhausen is revered among film historians, animators, special-effects designers, and everyone who’s ever seen his inspired stop-motion creations. In 2004, Watson-Guptill published Ray Harryhausen: An Animated Life to critical acclaim and sales of over 20,000 copies. Now WG is pleased to present a companion book: The Art of Ray Harryhausen. Concise essays and lavish illustrations look at each of Harryhausen’s many specialties, including aliens, prehistoric creatures, mythological monsters, and much more. At last, fans of Harryhausen can see the progression of his work over time, in a visual celebration of his art and artistry.

    Second only to "Citizen Kane" in work, this film can never be seen as he intended it after being heavily cut by RKO. However, it remains a remarkable picture of dynastic ruin and social change.

    The New York Times called it a "triumphant, cleverly disorienting journey," and thirty-one-year-old Quentin Tarantino, with just three feature films to his name, became a sensation: the next great American director. Nearly twenty years later, those who proclaimed Pulp Fiction an instant classic have been proven irrefutably right. In Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece, film expert Jason Bailey explores why Pulp Fiction is such a brilliant and influential film. He discusses how the movie was revolutionary in its use of dialogue ("You can get a steak here, daddy-o," "Correct-amundo"), time structure, and cinematography--and how it completely transformed the industry and artistry of independent cinema. He examines Tarantino's influences, illuminates the film's pop culture references, and describes its phenomenal legacy. Unforgettable characters like Jules Winnfield (Samuel L. Jackson), Vincent Vega (John Travolta), Butch Coolidge (Bruce Willis), and Mia Wallace (Uma Thurman) are scrutinized from all-new angles, and memorable scenes--Christopher Walken's gold watch monologue, Vince's explanation of French cuisine--are analyzed and celebrated. Much like the contents of Marcellus Wallace's briefcase, Pulp Fiction is mysterious and spectacular. Illustrated throughout with original art inspired by the film, with sidebars and special features on everything from casting close calls to deleted scenes, this is the most comprehensive, in-depth book on Pulp Fiction ever published.

    William Stuart, a compassionate platoon leader from the 7th ANGLICO (Air and Naval Gunfire Liaison Company) survived his unit's last battle but continued to mourn his losses. Douglas Moser, master of the .50 caliber machine gun, was one of those missing in action. Moser, a "gentle giant" of a man, had been Stuart's closest companion. In Valley of the Shadows, Stuart learns that the Red Cross has delivered a letter to Moser's mother informing her that he is a prisoner of war in Laos. "Tell Mr. Stuart," the letter closes. Stuart has his mission. Moser languishes in the POW camp, tormented daily by Nan, the disfigured, soul-dead camp commandant. Meanwhile, Stuart's mission takes him to the mountains of Moser's boyhood home in Georgia and on to the Foreign Legion archives in France as he searches for clues to the exact location of the camp. Along the way, Stuart recruits an old friend from their days together in Da Nang. Fellow navy officer Philip Hooper will bring along his elite team of SEALS (Sea, Air, Land) to form Moser's rescue party. Bureaucratic inertia in Washington and the rising anti-war movement conspire to stall the rescue interminably. Failure of a major operation to liberate the "Hanoi Hilton" adds to the forces arrayed against Moser's rescue. Finally, it is only through the direct intervention of the president that Stuart's mission is a go. But doubts remain: Has Stuart really found the "Valley of the Shadow" mentioned in Moser's letter? Is Moser still alive? And, most importantly, can Stuart, Hooper, and the SEALS really pull it off? Valley of the Shadow is dramatic, vivid, authentic - and surprising. "Old-fashioned heroism in a saga of Vietnam . . ." - Newsday

    Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.

    Between Seventh and Eighth Avenues, 42nd Street was once known for its peep shows, street corner hustlers and movie houses. Over the last two decades the notion of safety-from safe sex and safe neighborhoods, to safe cities and safe relationships-has overcome 42nd Street, giving rise to a Disney store, a children's theater, and large, neon-lit cafes. 42nd Street has, in effect, become a family tourist attraction for visitors from Berlin, Tokyo, Westchester, and New Jersey's suburbs.Samuel R. Delany sees a disappearance not only of the old Times Square, but of the complex social relationships that developed there: the points of contact between people of different classes and races in a public space. In Times Square Red, Times Square Blue, Delany tackles the question of why public restrooms, peepshows, and tree-filled parks are necessary to a city's physical and psychological landscape. He argues that starting in 1985, New York City criminalized peep shows and sex movie houses to clear the way for the rebuilding of Times Square. Delany's critique reveals how Times Square is being renovated behind the scrim of public safety while the stage is occupied by gentrification. Times Square Red, Times Square Blue paints a portrait of a society dismantling the institutions that promote communication between classes, and disguising its fears of cross-class contact as family values. Unless we overcome our fears and claim our community of contact, it is a picture that will be replayed in cities across America.