It is Wolfe's first novel, and is considered a highly autobiographical American Bildungsroman. The character of Eugene Gant is generally believed to be a depiction of Wolfe himself. The novel covers the span of time from Gant's birth to the age of 19. The setting is the fictional town and state of Altamont, Catawba, a fictionalization of his home town, Asheville, North Carolina. Playwright Ketti Frings wrote a theatrical adaptation of Wolfe's work in a 1957 play of the same title.

    He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.

    But I kept hearing the splash." So begins The Well and the Mine, a magnificent debut novel set in 1930s Alabama. The place is Carbon Hill, a small coal-mining community, in the midst of the Depression. The Moore family, a loving brood of five, is better off than most, generous to their less fortunate neighbors. But darkness arrives at their doorstep when a mysterious woman throws a baby down the Moores' well, and the story slowly unfolds, through the alternating voices of nine-year-old Tess (who witnessed the crime); her older sister, Virgie; her brother, Jack; and her parents, Albert and Leta.The mystery of the baby and why the Moores' well was the chosen location for its disposal is the catalyst of this intimate novel -- the splash whose ripples widen to reveal a community divided by race and class. The revelation of this shadowy side of life in Carbon Hill is leavened by the awakening conscience of a family that survives adversity with pluck and determination. In her first novel, Phillips has found beauty, depth, and the promise of salvation in one strong Southern clan.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    The memory of this journey will haunt him for the rest of his life. On this trip, he meets the enigmatic Cousin Aubrey, a man of "irregular kinship," the black sheep of the Longfort clan. As the years pass, and Aubrey disappears into the world, Nathan begins to compulsively collect rumors about his faraway life—as Nathan's mother's first true love, a charmer of European society, a Don Juan, a worldly success—and sees it in stinging contrast to his own unfulfilled dreams of becoming an artist. Much later in life, the two men—now old—will meet again.

    The chronicle of an elderly black farmer arrested for the murder of a white man and under threat from the lynch mob is a characteristically Faulknerian tale of dark omen, its sole ray of hope the character of the young white boy who repays an old favour by proving the innocence of the man who saved him from drowning in an icy creek.

    Even before the Great Depression struck, Jeeter Lester and his family were desperately poor sharecroppers. But when hard times begin to affect the families that once helped support them, the Lesters slip completely into the abyss. Rather than hold on to each other for support, Jeeter, his wife Ada, and their twelve children are overcome by the fractured and violent society around them. Banned and burned when first released in 1932, Tobacco Road is a brutal examination of poverty’s dehumanizing influence by one of America’s great masters of political fiction.

    In this semiautobiographical coming-of-age novel, thirteen-year-old Joel Knox, after losing his mother, is sent from New Orleans to live with the father who abandoned him at birth. But when Joel arrives at Skully’s Landing, the decaying mansion in rural Alabama, his father is nowhere to be found. Instead, Joel meets his morose stepmother, Amy, eccentric cousin Randolph, and a defiant little girl named Idabel, who soon offers Joel the love and approval he seeks.Fueled by a world-weariness that belied Capote’s tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place.This new edition, featuring an enlightening Introduction by John Berendt, offers readers a fresh look at Capote’s emerging brilliance as a writer of protean power and effortless grace.From the Hardcover edition.

    Sent on a mission to New York by Grady Fring, the Kredit King, Norwood has visions of "speeding across the country in a late model car, seeing all the sights." Instead, he gets involved in a wild journey that takes him in and out of stolen cars, freight trains, and buses. By the time he returns home to Ralph, Texas, Norwood has met his true love, Rita Lee, on a Trailways bus; befriended Edmund B. Ratner, the second shortest midget in show business and "the world's smallest perfect fat man"; and helped Joann, "the chicken with a college education, " realize her true potential in life.

    It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Conner's work. In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle--that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul.O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos, resulting in a novel where range and depth reveal a brilliant and innovative writers acutely alert to where the sacred lives and to where it does not.

    Will Barrett is a 25-year-old wanderer from the South living in New York City, detached from his roots and with no plans for the future—until the purchase of a telescope sets off a romance and changes his life forever.Publisher: Spring Arbor/Ingram.

    She was the carefully raised daughter of Carolina gentry and he was a skinny tenant farmer who had never owned anything in his life. She was newly widowed after a disastrous marriage to a brutal drifter. He had never asked a woman to do more than help him hitch a mule. They didn't fall in love so much as they simply found each other and held on for dear life.Kaye Gibbons's first novel, Ellen Foster, won the Sue Kaufman Prize for First Fiction from the American Academy and Institute of Arts and Letters and the praise of writers from Walker Percy to Eudora Welty. In A Virtuous Woman, Gibbons transcends her early promise, creating a multilayered and indelibly convincing portrait of two seemingly ill-matched people who somehow miraculously make a marriage.

    To friends and strangers, he’s also the most generous, having given away heirlooms, a watch, and so far, at least one family business. His niece, Edna Earle, has a solution to save the Ponder fortune from Daniel’s mortifying philanthropy: As much as she loves Daniel, she’s decided to have him institutionalized.Foolproof as the plan may seem, it comes with a kink ??—?? one that sets in motion a runaway scheme of mistaken identity, a hapless local widow, a reckless wedding, a dim-witted teenage bride, and a twist of dumb luck that lands this once-respectable Southern family in court to brave an embarrassing trial for murder. It’s become the talk of Clay County. And the loose-tongued Edna Earle will tell you all about it.“The most revered figure in contemporary American letters,” said The New York Times of Eudora Welty, which also hailed The Ponder Heart ??—?? a winner of the William Dean Howells Medal which was adapted into both a Broadway play and a PBS Masterpiece series ??—?? as “Miss Welty at her comic, compassionate best.”

    Suspecting that something is amiss with their father’s burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead.Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first, he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods filled with tangled roads, rusted machinery, and eccentric squatters–old men, witches, and families among them–who both shield and imperil Tyler as he runs for safety. With his poetic, haunting prose, William Gay rewrites the rules of the gothic fairy tale while exploring the classic Southern themes of good and evil.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.