But behind this archetypal small-town landscape lies a complicated past.Starting with the town's founding as a religious promised land, music journalist and poet Daniel Wolff plots a course through 130 years of entwined social and musical history, touching on John Philip Sousa, Count Basie, Frank Sinatra, and Frankie Lymon on the way to the town Bruce was born to run from. Out of the details of local history-the boardwalk in the Gilded Age; the celebrities who passed through, from Stephen Crane to Martin Luther King; sensational murder trials; the birth of Mob control; and a devastating mid-century "race riot"-emerges a universal story of one small town's fortunes. Told with grace and full of fascinating detail, Daniel Wolff's tour across thirteen decades of the Fourth of July in Asbury Park captures all the allure and heartbreak of the American dream reduced to blight and decay, with gentrification as the one hope for a return to its glory days.

    Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project.The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace

    So she does what any wronged woman would—she gets even. When she breaks in to his empty house, she stumbles onto a large sum of her money. She takes it and boards a boat destined for the Caribbean. All Kate wants is a place to hide. She doesn't expect the other passengers to become friends, and she certainly doesn't expect to fall in love with the ship's captain, Cole Hunter.Although Cole seems to return her feelings, he has a tough time trusting, since he's also been betrayed by an ex. But secrets can be hard to hide, and they could ruin everything between Cole and Kate.

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    From the Cape of Good Hope to the Sea of Galilee, along the Great Rift Valley of East Africa, their goal was to symbolically retrace the passage of early Man, from Australopithecus to Modern Man. Starting where volume I leaves off, this volume entrances readers with new, unexpected events both heart-warming and horrifying.

    Only able to afford a small, rickety boat, the family sets out in the middle of the night in search of a better life. Out at sea Henri dreams of what life will be like across the great waters. Then the small boat overturns, and Henri is placed on top of the boat as his parents drift further out at sea. Overcome with grief, Henri retreats into himself and is no longer able to speak once he reaches land. Encouraged by his uncle and neighbor, Henri takes a bucket and plays on it like a drum. The drumming becomes a link to his past and a conduit for his emotions. Slowly, through his drumming and the kindness of his uncle and friend, Henri learns to navigate this new and foreign world without his parents. Calling the Water Drum is a tender and timely tribute to the bravery of immigrants and refugees, and the resiliency of the human spirit.

    Jacqui Alexander is one of the most important theorists of transnational feminism working today. Pedagogies of Crossing brings together essays she has written over the past decade, uniting her incisive critiques, which have had such a profound impact on feminist, queer, and critical race theories, with some of her more recent work. In this landmark interdisciplinary volume, Alexander points to a number of critical imperatives made all the more urgent by contemporary manifestations of neoimperialism and neocolonialism. Among these are the need for North American feminism and queer studies to take up transnational frameworks that foreground questions of colonialism, political economy, and racial formation; for a thorough re-conceptualization of modernity to account for the heteronormative regulatory practices of modern state formations; and for feminists to wrestle with the spiritual dimensions of experience and the meaning of sacred subjectivity.In these meditations, Alexander deftly unites large, often contradictory, historical processes across time and space. She focuses on the criminalization of queer communities in both the United States and the Caribbean in ways that prompt us to rethink how modernity invents its own traditions; she juxtaposes the political organizing and consciousness of women workers in global factories in Mexico, the Caribbean, and Canada with the pressing need for those in the academic factory to teach for social justice; she reflects on the limits and failures of liberal pluralism; and she presents original and compelling arguments that show how and why transgenerational memory is an indispensable spiritual practice within differently constituted women-of-color communities as it operates as a powerful antidote to oppression. In this multifaceted, visionary book, Alexander maps the terrain of alternative histories and offers new forms of knowledge with which to mold alternative futures.

    and much more—with essential lessons for today’s struggles.In the 40 years since the civil rights movement, many gains have been made—but there is still far to go to win genuine change. Here is a badly needed primer on the history and future of the struggle against racism.Ahmed Shawki is the editor of the International Socialist Review. A member of the National Writers Union, he is also a contributor to The Struggle for Palestine (Haymarket). He lives in Chicago, Illinois.

    In the late 1980s a remarkable popular mobilization known as Lavalas, or “the flood,” sought to liberate the island from decades of US-backed dictatorial rule. After winning a landslide election victory, in 1991 the Lavalas government led by President Jean-Bertrand Aristide was overthrown by a bloody military coup. Damming the Flood analyzes how and why Aristide’s enemies in Haiti, the US and France made sure that his second government, elected with another overwhelming majority in 2000, was toppled by a further coup in 2004.The elaborate international campaign to contain, discredit and then overthrow Lavalas at the start of the twenty-first century was perhaps the most successful act of imperial sabotage since the end of the Cold War. Its execution and its impact have much to teach anyone interested in the development of today’s political struggles in Latin America and the rest of the post-colonial world.

    In Aruba, far from the sparkling beaches and glamorous hotels lies a waning refinery boomtown of barroom brothels, flexible morality, and one tourist trap known as Charlie's Bar. Luz, a young Colombian woman works as a prostitute to pay her family's debt only to discover a place that gives as much as it takes even she risks her soul.

    He had already experienced racism as a soldier in the Free French Army, for which he had volunteered and in whose ranks he saw combat during the liberation of France. In Algeria, he came into contact with the Front de Liberation National whose ruthless struggle for an independent Algeria was met with quite exceptional violence by the French Army. Fanon identified completely with the FLN and soon became a marked man. Forced to flee Algeria when he resigned his post, Fanon subsequently worked with the FLN as a propagandist and ambassador.Based on extensive and original research, this is the most compete and objective biography of Fanon yet written. It sweeps away the myths that have grown up around him and reveals Fanon to be a complex figure, infinitely more interesting than the theorist of anti-colonial violence celebrated by the left in the 60s. Macey shows Fanon to have been a man formed in the context of the French Caribbean, with its history of slavery and racism, and traces Fanon's intellectual career as a political thinker and psychiatrist with great care, setting it against the background of post-war French culture.David Macey has done justice for the first time to the extraordinary life of a complex figure, flawed in some respects but fundamentally a humanist committed to the eradication of colonialism, a man whose angry and eloquent writings are still of fierce relevance today.

    It is a portrait of a ghetto saint - an ordinary man selected by the universe to bring enlightenment to poor belittled people.

    She is able to control all events to her advantage until a funny-looking red-haired man named Columbus changes her plans. He is unimpressed by the wealth of moose, turtles, and beavers in Coyote's land. Instead, he is interested in the human beings he can take to sell in Spain.Native American author Thomas King reinterprets the entire Columbus conquest mythology as a trickster tale, making the point that history is influenced by the culture of the reporter.

    . . a wonderful amalgamation of culture, politics, and love" (Philadelphia Weekly). With economical prose and a clear-eyed vision, Lamazares evokes lives full of hope but fraught with obstacles in this story of a mother and daughter in 1960s Cuba. The story is told in the brave, tough voice of Tanya, a girl at odds with her mother and with the rapidly changing world around her. In the wake of Castro’s revolution, Tanya's mother -- passionate and unreliable -- is determined to leave Cuba at all costs and to take her reluctant daughter with her. THE SUGAR ISLAND presents their embattled relationship against the backdrop of a country in conflict with itself, where the old world chafes against the new and where a parent’s desperate grab for freedom has dire consequences for her child.

    Will take 25-35 days