First, she had to cover a story on a barricaded gunman who likes to dance naked in his window. Second, she's receiving death threats with her morning newspaper. Lastly, and most importantly, her mom keeps vetoing her outfit choices.It's all in a day's work for this hardworking, if easily distracted, reporter.Avery Shaw is hot on the trail of the story, even if it means tangling with her hot ex-boyfriend -- the county sheriff -- and the equally hot, if slightly shadier pawnshop owner down the street.Getting the story is going to be totally worth it -- that is if Avery can survive the week.

    A Chief Warrant Officer in the Criminal Investigation Detachment of the U.S. military, he lost a leg in Iraq. His outspoken criticism of his medical treatment resulted in his transfer to the Veteran’s Hospital in Asheville, NC. Disillusioned with the military, grieving over the recent death of his parents, and at odds with his brother, Sam’s life is in shambles. Then an ex-marine and fellow amputee named Tikima Robertson walks into his hospital room.Tikima hints she has an opportunity for Sam to use his investigative skills—if he can stop feeling sorry for himself. But before she can return, Tikima is murdered, her body found floating in the French Broad River. Sam was the last person to see her alive.Tikima’s sister, Nakayla, brings Sam a journal she finds in Tikima’s apartment. A note stuck to the in-side cover reads “For Sam Blackman.” The volume dates to 1919 and contains the entries of a twelve-year-old boy who accompanies his father, a white funeral director, as they help a black man, Elijah Robertson, transport his deceased relative from Asheville to a small family plot in Georgia. The link to the present? Nearly 90 years ago, Elijah’s body was also found in the French Broad River, a crime foreshadowing the death of his great-great-granddaughter Tikima.Sam and Nakayla must delve into Asheville’s rich history, the legacy of the Vanderbilts at the Biltmore estate, and of author Tom Wolfe to uncover the murderous truth.

    After a chance encounter with a mugger he decides he might just be meant to save the world one crime at a time. And voilà, Burt’s Private Investigations is born. Before he knows it, he’s in deep and possibly over his head. He stumbles onto a dead body, which turns out to be the daughter of the town’s country club owner who has rumblings of mob ties in his past. The clues lead him all over the North Georgia mountains, but the most intriguing ones lead to an end of the world compound and its charismatic leader. Thrown into a bizarre new world, Burt uses his humor to charm potential suspects, his eccentric friends to aid in his discoveries, and his new zest for life to charge directly ahead into the unknown as he learns on the job how to catch a killer.

    She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes—meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven.But plain Jane is hiding something. And Steven’s bringing out the worst in her.Nothing can distract Jane from going straight for his heart: allowing herself to be seduced into Steven’s bed, to insinuate herself into his career and his family, and to expose all his dirty secrets. It’s time for Jane to dig out everything that matters to Steven. So she can take it all away.Just as he did to her.

    Three years ago, she was involved in a tragic incident that left three classmates dead. She served her time, and now her mother, Maria, is resolved to keep that devastating fact tucked far away from their new beginning, hiding the past even from her new husband and demanding that Zoe do the same.Tonight Zoe is giving a recital that Maria has been planning for months. It needs to be the performance of Zoe’s life. But instead, by the end of the evening, Maria is dead.In the aftermath, everyone—police, family, Zoe’s former solicitor, and Zoe herself—tries to piece together what happened. But as Zoe knows all too well, the truth is rarely straightforward, and the closer we are to someone, the less we may see.

    Your goal is simple. Get out alive.In the lucrative world of finance, Vincent, Jules, Sylvie, and Sam are at the top of their game. They’ve mastered the art of the deal and celebrate their success in style―but a life of extreme luxury always comes at a cost.Invited to participate in an escape room challenge as a team-building exercise, the ferociously competitive co-workers crowd into the elevator of a high-rise building, eager to prove themselves. But when the lights go off and the doors stay shut, it quickly becomes clear that this is no ordinary competition: they’re caught in a dangerous game of survival.Trapped in the dark, the colleagues must put aside their bitter rivalries and work together to solve cryptic clues to break free. But as the game begins to reveal the team’s darkest secrets, they realize there’s a price to be paid for the terrible deeds they committed in their ruthless climb up the corporate ladder. As tempers fray, and the clues turn deadly, they must solve one final chilling puzzle: which one of them will kill in order to survive?

    Allergic to danger and exercise, Andy is thrown into grave confusion as he discovers not everyone is human. Not only must he come to terms with Hobbes's extreme oddness, and the tooth-collection of Hobbes's housekeeper, the indomitable Mrs Goodfellow, but he must work out if a suicide, a murder, and several robberies are connected? And what is the connection? Hobbes goes missing. The cops decide he's big and bad enough to look after himself, but Andy, striving against deep-rooted incompetence and clumsiness, sets out to find him. With a big bad dog to assist, armed only with a leg of lamb, and despite losing his trousers, he discovers the key to the mystery is in the blood. But whose blood? Where is Hobbes? And can he catch vampirism off false teeth? This is the first in Wilkie Martin's unhuman series of fast-paced, comic fantasy crime adventures, with lashings of great food.'I ought to tell you, dear, he can get rather wild when he's hungry'Shortlisted for the Impress Prize for New Writers 2012

    Doing menial tasks and getting hassled by superiors he doesn't respect are definitely not “finer things.” Good police work and bad luck lead him to crack a case that changes quickly from a career-making break into a high-profile humiliation when footage of his pursuit of the suspect—wildly inappropriate murder weapon in hand—becomes an Internet sensation. But the very publicity that has made Rutherford a laughing stock in the department lands him what could be the job opportunity of a lifetime: the chance to work with a team of eccentric experts, at the direction of a demanding but distracted billionaire. Together, they must solve the murder of a psychologist who specialized in the treatment of patients who give people “the creeps.” There is no shortage of suspects.

    She just never expected the lows to be so… sparkly. After falling on her face during an attempt to follow in her recently-deceased mother’s stripper-boots, Lacey realizes she’s not cut out for life on stage. She sets out on a year-long investigation to find her true family, never expecting she’ll find it with a capital “F.” With a rumbling stomach, a need for money (check engine lights don’t fix themselves!), and a conscience that operates at 78% on a good day, Lacey is sucked into a whirlwind of Family secrets, hard-as-cement cookies, and mysterious, sexy men who unfortunately shoot guns, sometimes aimed at her face. The long-lost-granddaughter of Carlos Luzzi, the Godfather of the Italian Mafia, Lacey accepts her first assignment for the mob: finding fifteen million dollars of ‘the good stuff.’ Even after she enlists the help of her mouthy best-friend and her cousin, a technical genius and social disaster, she finds that going toe-to-toe with the rival Russian mob is more dangerous than expected. No one chooses their Family, but Lacey Luzzi will be lucky if she can survive hers. ** ** Lacey Luzzi: Sprinkled, is a full-length, laugh-out-loud, humorous cozy mystery with a strong female protagonist in the spirit of Janet Evanovich’s Stephanie Plum, albeit one working for the wrong side of the law…

    She never came home ...When five-year-old Ava Sawyer goes missing from a birthday party at a local garden centre, the police are bewildered by the lack of leads. That is until two years later, when Ava's body is found and another little girl, Audrey Briggs, goes missing. Audrey also attended that party ...Leading the investigation is Detective Natalie Ward. A mother of two teenagers, this case chills her to the bone, and is a disturbing reminder of the last job she worked on. One that ended very badly.Natalie soon discovers that Ava's mother has some worrying gaps in her alibi and as she digs deeper, she's sure Ava's father is not telling the full story. And what did the owner of the garden centre Elsa see that day? Something that she's not telling Natalie ...Just as Natalie is facing up to the grim possibility that Ava and Audrey were killed by someone close to home, another little girl from the party doesn't come home from her ballet lesson. Can Natalie find a way to stop this killer before more innocent lives are taken?

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    . . When New York journalist and recently bereaved mother Charlotte “Charlie” Cates begins to experience vivid dreams about children she’s sure that she’s lost her mind. Yet these are not the nightmares of a grieving parent, she soon realizes. They are messages and warnings that will help Charlie and the children she sees, if only she can make sense of them.After a little boy in a boat appears in Charlie’s dreams asking for her help, Charlie finds herself entangled in a thirty-year-old missing-child case that has never ceased to haunt Louisiana’s prestigious Deveau family. Armed with an invitation to Evangeline, the family’s sprawling estate, Charlie heads south, where new friendships and an unlikely romance bring healing. But as she uncovers long-buried secrets of love, money, betrayal, and murder, the facts begin to implicate those she most wants to trust—and her visions reveal an evil closer than she could’ve imagined.A Southern Gothic mystery debut that combines literary suspense and romance with a mystical twist, The Gates of Evangeline is a story that readers of Gillian Flynn, Kate Atkinson, and Alice Sebold won't be able to put down.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Time to burn and time to kill, time for two young orphans to learn that life isn’t won without a fight. Julian survives only because his older brother, Michael, is fearless and fiercely protective. When tensions boil over and a boy is brutally killed, there is only one sacrifice left for Michael to make: He flees the orphanage and takes the blame with him.To keep her safe...      For two decades, Michael has been an enforcer in New York’s world of organized crime, a prince of the streets so widely feared he rarely has to kill anymore. But the life he’s fought to build unravels when he meets Elena, a beautiful innocent who teaches him the meaning and power of love. He wants a fresh start with her, the chance to start a family like the one he and Julian never had. But someone else is holding the strings. And escape is not that easy. . . . Go to Hell, and come back burning....    The mob boss who gave Michael his blessing to begin anew is dying, and his son is intent on making Michael pay for his betrayal. Determined to protect the ones he loves, Michael spirits Elena—who knows nothing of his past crimes, or the peril he’s laid at her door— back to North Carolina, to the place he was born and the brother he lost so long ago. There, he will encounter a whole new level of danger, a thicket of deceit and violence that leads inexorably to the one place he’s been running from his whole life: Iron House.

    Her deceitful co-worker, Tiffany Roberts, has other ideas, and she always manages to get what she wants. Tired of being manipulated, Cindy tells her to back off - or else! But when Cindy stumbles upon Tiffany’s lifeless body, she suddenly finds herself front and center in a deadly investigation. Now everyone from her kids' classmates to her monstrous mother-in-law is sold on the idea that Cindy's guilty. Determined to find out who's trying to frame her, Cindy enlists the help of her best buddy, Jacques, to negotiate a slew of suspects, a host of clues, and an office full of cutthroat agents...before the next contract is out on her!