With Odd Girl Out, Bannon introduces Laura Landon, whose love affair with her college roommate Beth launched the lesbian pulp fiction genre.

    Back home, the desert preys on those who cannot conform: an alfalfa farmer on the outskirts of town; two young girls whose curiosity leads to danger; a black politician who once served as his school's confederate mascot; Daley's mother, an immigrant from Armenia; and Daley himself, introspective and queer. Meanwhile, in another desert on the other side of the world, war threatens to fracture Daley's most meaningful - and most fraught - connection to home, his friendship with Robert Karinger.A luminous debut, Desert Boys by Chris McCormick traces the development of towns into cities, of boys into men, and the haunting effects produced when the two transformations overlap. Both a bildungsroman and a portrait of a changing place, the book mines the terrain between the desire to escape and the hunger to belong.

    It differs from most other Victorian novels in that the main characters who meet and fall in love are both men, one an adopted son with a dark secret and Dickensian background who has taken on a new identity, and the other an uptight doctor with a strong religious background.

    Sarcastic, satiric, violent, and exhilarating, "Tim & Pete" is a fiercely imagined, boldly realized vision of the cultural war raging in the hearts of the disenfranchised and in the streets of America.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    This collection of stories provides an overview of his evolution and, as William T. Vollmann wrote in The New York Times Book Review, a portrait of “our soulless and decaying society.”

    Kevin would do anything to prevent his teammates on the baseball team from finding out. Min and Terese tell everyone they're really just good friends. But after a while, the truth's too hard to hide - at least from each other - so they form the "Geography Club." Nobody else will come. Why would they want to? Their secret should be safe.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders. It welcomes Spanish and English, Mexicans and gringos, poor and rich, gay and straight, drug addicts and drunks, laughter and sadness, and even despair. It's a place of rich history and good drinks and cold beer and a long polished mahogany bar. Some days it smells like piss. "I'm going home to the other side." That's a strange statement, but you hear it all the time at the Kentucky Club.Benjamin Alire Sáenz is a highly regarded writer of fiction, poetry, and children's literature. Like these stories, his writing crosses borders and lands in our collective psyche. Poets & Writers Magazine named him one of the fifty most inspiring writers in the world. He's been a finalist for the Los Angeles Times Book Prize and PEN Center's prestigious award for young adult fiction. Sáenz is the chair of the creative writing department of University of Texas at El Paso.Awards:PEN/Faulkner Award for FictionLambda Literary AwardSouthwest Book Award