She wants to keep her secrets. Will true love take them both off track?Aspiring country music star, Shay Summerville, only wants to be writing and singing his music, so when his boss at the auto body shop—aka—his father, tells him it’s his turn to pick up the snobby, Harvard stranded princess who needs a tow, he does everything he can to get out of it.Spending her summer at her family’s lake house wasn’t on Jaycee McCade’s happy list. Frankly, not much had been on that happy list since her mother passed away three months before. When a tow truck spirals out of control and nearly hits her, she never imagined she’d be kissing the guy driving the truck. And she really never imagined liking it.When summer love captures both of their hearts, they have to make a choice—give up on their dreams or create a new one together.

    Edited by Cid Corman. The section headings in this book of poems are all vintage Niedecker, but they stake out the poems in three large masses. The earlier work-apprentice to Zukofsky but finding her voice; the central work--when she discovers her range and depth; the final work--much of it known posthumously--showing how she was probing other voices into a larger plenum. One's first impulse, after awe, on reading THE GRANITE PAIL is a double dose of shame: shame at not being more familiar with her work; shame at ever having complained of the narrowness of one's life--Carolyn Kizer.

    Carl is determined to get justice for Kate, whatever it takes. But with few allies, he finds himself incurring the wrath of powerful enemies as he attempts to uncover the truth.

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    Her prize: A rent-free year in a cottage in the Berkshires, where she could finish a first book. But Taylor—outside the city for the first time in nearly a decade, and trying to conceive her first child—found herself alone. To break up her days, she began to intern on a small farm, planting leeks, turning compost, and weeding kale. In this calendric cycle of 28 poems, Taylor describes the work of this year, considering what attending to vegetables on a small field might achieve now. Against a backdrop of drone strikes, “methamphetamine and global economic crisis,” these poems embark on a rich exploration of season, self, food, and place. Threading through the farm poets—Hesiod, Virgil, and John Clare—Taylor revisits the project of small scale farming at the troubled beginning of the 21st century. In poems full of bounty, loss and the mysteries of the body, Taylor offers a rich, severe, memorable meditation about what it means to try to connect our bodies and our time on earth.

    For the special edition slipcase please go here.You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America. This year's slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

    Gun law is out of control. Organized gangs are fighting for supremacy in clubland and the lucrative supply of narcotics. Younger, more ruthless gangs are moving in. Ged, Moby and Ratter, three South End villains, are old-fashioned highwaymen with two decades of meticulously planned jobs behind them. But times are tough. It’s Christmas and Ged is planning a job to see the boys through until spring. As usual, he won’t give them any details until the morning of the job. Until then, they have to stay off the street and keep out of trouble.But Moby loves to go out – girls love him, guys send drinks over – he could live like this forever. And Ratter wants out – he’s invested his loot in the booming property sector. As the heist approaches, Ged needs to summon all his street savvy and killer instinct just to survive.

    He's a narcissistic, judgmental snob who rates women's looks from one to ten; a racist, homophobic megalomaniac who makes fun of people's weight; a cheating, lying, manipulative jerk who sees his older girlfriend as nothing more than an adornment. His only real friend, besides his dog, is a loser who belongs to a pick-up artist group. Guy is completely oblivious to his own lack of empathy, and his greatest talent is hiding it all...until he meets someone who challenges him in a way he's never been challenged before. Darkly funny and utterly offensive, "Guy" is a brilliant and insightful character study that exposes the twisted thoughts of the misogynist bro next door.

    Grief-stricken at the recent loss of her baby, she's failed to give life in the past. Now this four-year-old boy is alive and healthy because of her: it's a heady realization. Anna is desperate to get to know Max, yet terrified at how responsible she feels for him. So she decides not to tell anyone about him or that she's arranged to meet his father. Soon she is immersed in a complicated double life, spending half the week with her husband, who believes her to be filming out of town, and the other half with Adam and Max. But Anna has lied to Adam about who she is. And she's lied about her marriage. And soon these lies will catch up with her... Acclaim for LIFESAVER: ‘Compelling stuff’ - Heat ‘Painful and poignant, Lifesaver is a very touching account of the effect that having children – and not being able to have them – has on relationships’ - Candis ‘Poignant and funny ...A compelling, honest, moving and powerful story of self discovery’ - The Last Word ‘A thought-provoking, all embracing novel of the role of mother, lover, wife and above all, life-saver’ - Western Mail Series

    I enjoyed it a lot. —Nick CaveSet in Camden Town, London, during the late 1980s, Junkie Love is a study of addiction and loss, a nihilistic love story for the blank generation. Focusing on the psycho-pathology of addiction, it takes a look at what happens when hope disappears and hedonism turns to despair and self-loathing. The characters in this tale are rootless and adrift, dislocated from their pasts with no belief in the aims and aspirations of a materialistic society. Instead of turning to politics or religion, they embark on a course of self-destructive sex and manically obsessive drug abuse, a journey to the end of the night from which many do not return. Largely autobiographical and leavened with irony and perverse humor, Junkie Love follows the protagonist into the heart of this morass to the point where corruption and dissipation coalesce into something approaching transcendence.

    A percentage of all profits will be donated to WIRES AUSTRALIA to assist in the ongoing relief efforts. Thank you for your contribution and please keep Australian rural communities, families, firefighters, volunteers and wildlife in your thoughts.

    

    He’s got a killer reputation, social status, unfathomable wealth, fast cars, and all the women he wants. Hell, he even has a video game character made in his likeness. Brother…But, he’s willing to pay the big bucks for my high-end escort services. If the boy needs a monster to prance around his annual Halloween Crawl of Horrors experience, then I’m his ghoul. The only real problem is that I’m terrified of things that go bump in the night. Halloween is NOT my holiday. But, I can swallow my fear for a month and play Barbie to his Ken. The main thing to keep in mind is that the man is a client. None of this is real. Not the wealth, the heat, the steamy moments where I want to give up all of my candies and stop being a trick… all fake. And he is completely off limits. The fact that he keeps making me feel so safe in the swirls of horror around us isn’t helping anything.He might be looking for a rich fake witch, but I’m starting to feel forever. Maybe I’ll just put a spell on him. ‘Cause then he’s mine… right?

    These prose poems and lyrics bring us into collision with the language of fashion and femininity, advertising and the supermarket, the blues and traditional lyric poetry. Recyclopedia is a major gathering of work by one of the most exciting and innovative poets writing in America today.