In this dark rendition, a greedy Geppetto builds Pinocchio as a metallic weapon of war, while Jiminy Cockroach is a homeless squatter living the good life in Pinocchio's skull. Critically acclaimed, Pinocchio won the Grand Prize at France's Angouleme comics festival in 2009. Exquisite drawings by celebrated cartoonist Winshluss bring to life a rich tale of greedy fools, lust, sadness, redemption, and hope. Teamed with brilliant colorist Cizo, Winshluss creates an epic adventure through a lush world. As we follow Pinocchio along the way, the stories and vinettes intertwine, offering subtle political critiques and send ups of popular culture. We meet seven sleazy dwarves, follow Jiminy's struggles as a novelist, watch a blind tramp find God, and see the innocent, yet powerful Pinocchio encircled by those who would use him for their own ends. Winshluss has perfected the wordless comic. Each page is perfectly composed - not a panel is wasted. The artwork is primarily done in pen and ink, and watercolor but switches to paint for larger splash panels. The art also references a terrific range of illustrative styles and history in the story from late 18th century pen and ink, to early French film pioneer Georges Melies, through early Disney, and underground comix. Born in 1970, Winshluss is the creator of numerous comics and graphic novels that have garnered awards and acclaim across Europe. Winshluss is the pen name of Vincent Parronnaud, perhaps best known as co-director of the animated film Persepolis (with Marjane Satrapi), which won the Jury Prize at Cannes and was nominated for numerous awards, including the Academy Award, Golden Globe and Cannes' Palm d'Or. Currently, he and Satrapi are teaming up again to adapt Satrapi's 2006 book "Chicken with Plums.""

    Cancer Simplicimus Vulgaris, or the square crab, has suffered with the same evolutionary defect for millennia: it cannot change direction. Condemned to walk in one straight line forever, these crabs living along the Gironde estuary have largely resigned themselves to their fate. However, one seemingly ordinary summer, three crabs decide to take matters into their own claws and rebel against the straight and narrow path they have been sentenced to, upending the entire ecosystem in the process. From critically-acclaimed French illustrator and animator Arthur de Pins comes the first volume in his hilarious and touching trilogy about scuttling towards your own destiny.

    It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City.As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super’s dog before doing in the super as well.In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner’s own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck.Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents—the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans—whose faces changed yet whose lives presented an unending "story of life, death, and resurrection."The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner’' most poignant and enduring literary legacy.

    In the past, the mouse world endured a tyrannical Weasel Warlord until a noble band of mouse soldiers fought back. Ever since, the Mouse Guard has defended the paces and prosperity of its kingdom. For generations, this league of scouts, weather-watchers, trailblazers, and protectors has passed won its knowledge and skills.Now three of the Guard's finest have been dispatched. The mission seems simple: They are to find a missing mouse, a grain merchant who never arrived at his destination. But when they find him, they make a shocking discovery—one that involves a treacherous betrayal, a stolen secret, and a rising power that has only one goal: to bring down the Guard...

    In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.

    From celebrated author Beryl Evans and illustrator Ned Dameron comes a story about friendship, loyalty, and hard work.Beryl Evans is the pseudonym adopted by Stephen King for this picture book, 'Charlie the Choo-Choo'.

    The young scientist, who disappeared underground several months ago, claimed, to everyone’s astonishment, to be able to prove the existence of Hell by using Darwin’s theory of evolution. The little group, led by Charlie, plunge underground in his pursuit. The deeper they progress into the entrails of our planet, the more they enter another world that hides other forms of life heretofore never experienced. The discovery changes them gradually in a way they cannot at first perceive…

    . . and they even smell like the Bad Guys. But Mr Wolf, Mr Piranha, Mr Snake and Mr Shark are about to change all of that! Mr Wolf has a daring plan for the Bad Guys first good mission. The gang are going to break 200 dogs out of the Maximum Security City Dog Pound. Will Operation Dog Pound go smoothly? Will the Bad Guys become the Good Guys? And will Mr Snake please spit out Mr Piranha?

    Orfi, a wildly successful young singer, lives there, and it’s there that one night he sees his gorgeous girlfriend Eura disappear, “like a spirit,” through a little door in the high wall that surrounds a mysterious mansion across the way. Where has Eura gone? Orfi will have to venture with his guitar across the borders of life and death to find out.Featuring the Ashen Princess, the Line Inspector, trainloads of Devils, Trudy, Valentina, and the Talking Jacket, Poem Strip—a pathbreaking graphic novel from the 1960s—is a dark and alluring investigation into mysteries of love, lust, sex, and death by Dino Buzzati, a master of the Italian avant-garde.

    Baron Munchausen's astounding feats included riding cannonballs, traveling to the Moon, and pulling himself out of a bog by his own hair. Listeners delighted in hearing about these unlikely adventures, and in 1785, the stories were collected and published as Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia. By the nineteenth century, the tales had undergone expansions and transformations by several notable authors and had been translated into many languages.A figure as colorful as the Baron naturally appeals to the artistic imagination, and he has been depicted in numerous works of art. His definitive visual image, however, belongs to Gustave Doré. Famed for his engravings of scenes from the Bible, the Divine Comedy, Don Quixote, and other literary classics, Doré created theatrical illustrations of the Baron's escapades that perfectly re-create the stories' picaresque humor.

    She's always getting her spells wrong and she can't even ride a broomstick without crashing it. Will she ever make a real witch?

    Every night, Tiger and Monster play games until it’s time for lights out. Of course, Monster would never try to scare Tiger—that’s not what best friends do.But Monster needs to scare someone…it’s a monster, after all. So while Tiger sleeps, Monster scares all of her nightmares away. Thanks to her friend, Tiger has nothing but good dreams. But waiting in the darkness is a nightmare so big and mean that Monster can’t fight it alone. Only teamwork and a lot of bravery can chase this nightmare away.In this charming graphic novel for young readers, cartoonist Emily Tetri proves that unlikely best friends can be an unbeatable team, even agianst the scariest monsters.

    During a chance encounter, the two realize they are identical and, as a lark, decide to exchange clothes and roles--a situation that briefly, but drastically, alters the lives of both youngsters. The Prince, dressed in rags, wanders about the city's boisterous neighborhoods among the lower classes and endures a series of hardships; meanwhile, poor Tom, now living with the royals, is constantly filled with the dread of being discovered for who and what he really is.

     There’s a lot that’s great about his new school, but there’s also one big problem—Doug, the school bully whose hobby is stuffing Max in his locker. If only Max could be like the hero in his favorite comics. Unfortunately, Max’s uncanny, almost superhuman ability to smell pizza from a block away won’t exactly save any lives or foil bad guys. But that doesn’t mean Max won’t do his best to be the hero his school needs!

    Because: ANYTHING can happen in a 13-storey treehouse.This is a major new series from Andy and Terry- and it's the logical evolution of all their previous books. There are echoes of the Just stories in the Andy and Terry friendship, the breakaway stories in the Bad Book (the Adventures of Super Finger), there's the easy readability of the Cat on the Mat and the Big Fat Cow, and like all these books, the illustrations are as much a part of the story as the story itself.