Among the missing is Emile Haddock, Lia’s uncle. What happened to the people of Limetown? It’s all anyone can talk about. Except Lia’s parents, who refuse to discuss what might have happened there. They refuse, even, to discuss anything to do with Emile.As a student journalist, Lia begins an investigation that will take her far from her home, discovering clues about Emile’s past that lead to a shocking secret—one with unimaginable implications not only for the people of Limetown, but for Lia and her family. The only problem is…she’s not the only one looking for answers. Zack Akers and Skip Bronkie are first-rate storytellers, in every medium. Critics called their podcast Limetown “creepy and otherworldly” (The New York Times) and “endlessly fun” (Vox), and their novel goes back to where it all began. Working with Cote Smith, a PEN/Robert W. Bingham Prize Finalist, they’ve crafted an exhilarating mystery that asks big questions about what we owe to our families and what we owe to ourselves, about loss, discovery, and growth. Threaded throughout is Emile’s story—told in these pages for the first time ever.

    For many children, the summer of 1988 was filled with sunshine and laughter. But for ten-year-old Kris Barlow, it was her chance to say goodbye to her dying mother. Three decades later, loss returns—her husband killed in a car accident. And so, Kris goes home to the place where she first knew pain—to that summer house overlooking the crystal waters of Lost Lake. It’s there that Kris and her eight-year-old daughter will make a stand against grief. But a shadow has fallen over the quiet lake town of Pacington, Kansas. Beneath its surface, an evil has grown—and inside that home where Kris Barlow last saw her mother, an old friend awaits her return.

    Elodie was smart. Elodie was manipulative. Elodie is dead.When Sylvie Durand receives a letter calling her back to her crumbling family home in the South of France, she knows she has to go. In the middle of a sweltering 1990's summer marked by unusual fires across the countryside, she returns to La Reverie with her youngest daughter Emma in tow, ignoring the deep sense of dread she feels for this place she's long tried to forget.As memories of the events that shattered their family a decade earlier threaten to come to the surface, Sylvie struggles to shield Emma from the truth of what really happened all those years ago. In every corner of the house, Sylvie can't escape the specter of Elodie, her first child. Elodie, born amid the '68 Paris riots with one blue eye and one brown, and mysteriously dead by fourteen. Elodie, who reminded the small village of one those Manson girls. Elodie who knew exactly how to get what she wanted. As the fires creep towards the villa, it's clear to Sylvie that something isn't quite right at La Reverie . . . And there is a much greater threat closer to home.

    But twenty years later, newly divorced and with two daughters in tow, she finds herself tending bar at the local dive and living with her parents on the historic Fielding Plantation. Here, the past haunts her and the sinister crimes of her father--the former director of an infamous boys' school--make her as unwelcome in town as she was the day she left.Ostracized by the people she was taught to trust, Lane's unsteady truce with the town is rattled when her older daughter suddenly vanishes. Ten days earlier, a college student went missing, and the two disappearances at first ignite fears that a serial killer who once preyed upon the town has returned. But when Lane's younger daughter admits to having made a new and unseemly friend, a desperate Lane attacks her hometown's façade to discover whether her daughter's disappearance is payback for her father's crimes--or for her own.With reporters descending upon the town, police combing through the swamp, and events taking increasingly disturbing turns, Lane fears she faces too many enemies and too little time to bring her daughter safely home. Powerful and heart-pounding, The Disappearing questions the endurance of family bonds, the dangers of dark rumors and small town gossip, and how sometimes home is the scariest place of all.

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    Maybe Tess is overprotective, but passing her daughter off to her ex and his new young wife fills her with a sense of dread. It's not that Jason is a bad father--it just hurts to see him enjoying married life with someone else. Still, she owes it to her daughter Poppy to make this arrangement work.But Poppy returns from the weekend tired and withdrawn. And when she shows Tess a crayon drawing--an image so simple and violent that Tess can hardly make sense of it----Poppy can only explain with the words, "He did kill her."Something is horribly wrong. Tess is certain Poppy saw something--or something happened to her--that she's too young to understand. Jason insists the weekend went off without a hitch. Doctors advise that Poppy may be reacting to her parents' separation. And as the days go on, even Poppy's disturbing memory seems to fade. But a mother knows her daughter, and Tess is determined to discover the truth. Her search will set off an explosive tempest of dark secrets and buried crimes--and more than one life may be at stake.

    When she meets Leo Drakos, a handsome, successful lawyer, the wedding ring on his finger is the only thing she doesn’t like about him. Yet as Piper well knows, no marriage is permanent.Meanwhile, Joanna has been waiting patiently for Leo, the charismatic man she fell in love with all those years ago, to re-emerge from the severe depression that has engulfed him. Though she’s thankful when Leo returns to his charming, energetic self, paying attention again to Evie and Stelli, the children they both love beyond measure, Joanna is shocked to discover that it’s not her loving support that’s sparked his renewed happiness—it’s something else.Piper. Leo has fallen head over heels for the flaky, New Age-y newcomer, and unrepentant and resolute, he’s more than willing to leave Joanna behind, along with everything they’ve built. Of course, he assures her, she can still see the children.Joanna is devastated—and determined to find something, anything, to use against this woman who has stolen her life and her true love. As she digs deeper into Piper’s past, Joanna begins to unearth disturbing secrets . . . but when she confides to her therapist that she fears for the lives of her ex-husband and children, her concerns are dismissed as paranoia. Can she find the proof she needs in time to save them?

    Until he meets Emily.Emily is perfect.Scott offers Emily a summer job as a housekeeper on his remote, beautiful French estate. Enchanted by his lovely wife Nina, and his eccentric young daughter, Aurelia, Emily falls headlong into this oasis of wine-soaked days by the pool. But soon Emily realizes that Scott and Nina are hiding dangerous secrets, and if she doesn't play along, the consequences could be deadly.Superbly tense and oozing with atmosphere, Anna Downs's debut is the perfect summer suspense, with the modern gothic feel of Ruth Ware and the morally complex family dynamics of Lisa Jewell.Welcome to paradise...will you ever be able to leave?

    At twenty-seven, Marissa’s moved beyond the trauma and is working under a new name as a freelance photographer. But when she accepts a job covering a string of macabre murders in Portland, it’s impossible for Marissa not to remember.Everything is eerily familiar. The same underground lairs. Sad trinkets and toys left behind, identical to those Marissa had as a child. And then there is the note meant just for her that freezes Marissa’s blood: See you soon, Missy.To determine the killer’s next move, Marissa must retrieve her long-forgotten memories and return to a past she’s hidden away. But she won’t be facing her fears alone. Someone is waiting for her in the dark.

    Doesn’t matter how long it’s been, or how badly they’ve occasionally behaved, or how late it is when that call finally comes—you show up. No questions asked.Honestly, that’s how the five of us ended up here in the Catskills. We did have the best of intentions. Especially after what happened to Alice all those years ago, we can’t bear to think of losing anyone else. In fact, we’ll do anything to make sure that doesn’t happen. We’ll go so much farther than we ever thought we would. In the end, maybe that’s what caught up with us. That, and the fact that we’re such a complicated group—so much history and so many big personalities. Secrets, too, that can slip out at the most inopportune moments. Of course, we love each other despite all of those things. We love each other no matter what.There’s something so beautiful about that kind of unconditional love. It can turn ugly, though. Or maybe that’s just us. After all, we’ve already been through so much together. And we have so very much to hide.

    Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she has spent the last several years living on her own, but unable to move beyond her past—especially the disappearance of her twin brother Andy when they were sixteen. With her father’s death, Dahlia returns to the house she has avoided for years. But as the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body—Andy’s, his skull split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic façade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

    A nice house in the suburbs of Washington, DC. Two well-behaved, healthy teenage children. Important government jobs—Rebecca working in counterterrorism for the Federal Bureau of Investigation, Brian serving as a coder for the National Security Agency. Their lives stand to improve even more as Brian, in his off-hours, has just developed and sold a highly profitable app. However, the Unsworths’ marriage isn’t as perfect as it seems. After two decades together, they’ve drifted apart, talking little and having sex even less. Seeking to revive their strained relationship, they decide for their twentieth wedding anniversary to take their two kids, Kira and Tony, on a European getaway. They have a blast…until one night in Barcelona when Kira doesn’t come home from a dance club. She’s gone. Abducted. Over the course of a single weekend, the Unsworths will do everything possible to find her—as Kira herself discovers just how far she’ll go to break free of the trap that’s been set for her. And even as Rebecca and Brian come together for Kira, they realize their marriage is more tenuous than they realized. The Power Couple is both a fast-paced, globe-trotting espionage novel full of surprising twists and a nuanced look at modern marriage—the challenges of balancing career, parenthood, sex, and love.

    It feels like a fairy tale when Alberta ”Bert” Monte receives a letter addressed to “Countess Alberta Montebianco” at her Hudson Valley, New York, home that claims she’s inherited a noble title, money, and a castle in Italy. While Bert is more than a little skeptical, the mystery of her aristocratic family’s past, and the chance to escape her stressful life for a luxury holiday in Italy, is too good to pass up.At first, her inheritance seems like a dream come true: a champagne-drenched trip on a private jet to Turin, Italy; lawyers with lists of artwork and jewels bequeathed to Bert; a helicopter ride to an ancestral castle nestled in the Italian Alps below Mont Blanc; a portrait gallery of ancestors Bert never knew existed; and a cellar of expensive vintage wine for Bert to drink.But her ancestry has a dark side, and Bert soon learns that her family history is particularly complicated. As Bert begins to unravel the Montebianco secrets, she begins to realize her true inheritance lies not in a legacy of ancestral treasures, but in her very genes.

    A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.All these things are true. And yet they are all lies...You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong.In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

    Only one person even knows they’re there. Meanwhile, Clara, a young boardwalk psychic, struggles to attract clients for the tarot readings that pay her rent. When she begins to experience very real and disturbing visions, she suspects they could be related to the recent cases of women gone missing in town. When Clara meets Lily, an ex-Soho art gallery girl who is working at a desolate casino spa and reeling from a personal tragedy, she thinks Lily may be able to help her. But Lily has her own demons to face. If they can put the pieces together in time, they may save another lost girl—so long as their efforts don’t attract perilous attention first. Can they break the ill-fated cycle, or will they join the other victims?