The two months work will pay his debts, and give him space to sort out his personal demons. Except, the couple are at war, both having affairs, their marriage beyond salvage. The husband fires Jack, she takes him back on – and suddenly he is too involved with their scheming. Complicated further when he falls for her secretary. And when there’s a murder, using his tools as the weapon, Jack is prime suspect.

    Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen”. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

    She abruptly vanishes.In snowy Pittsburgh, her American translator Emma hears the news and, against the wishes of her boyfriend and Beatriz's two grown children, flies immediately to Brazil. There, in the sticky, sugary heat of Rio, Emma and her author's children conspire to solve the mystery of Yagoda's curious disappearance and staunch the colorful demands of her various outstanding affairs: the rapacious loan shark with a zeal for severing body parts, and the washed-up and disillusioned editor who launched Yagoda's career years earlier.

    Technically. For a few minutes. The diagnosis: heart attack at age thirty. Revived with no memory of any tunnels, lights, or angels, Jim wonders what—if anything—awaits us on the other side.Then a ghost shows up. Maybe. Jim and his new wife, Annie, find themselves tangling with holograms, psychics, messages from the beyond, and a machine that connects the living and the dead. As Jim and Annie journey through history and fumble through faith, they confront the specter of loss that looms for anyone who dares to fall in love. Funny, fiercely original, and gracefully moving, The Afterlives will haunt you. In a good way.

    I believed them. That was my mistake.There isn’t anyone else in the world like me.I’m different. I’m an anomaly. I’m a monster. For two years, six months, fourteen days, eleven hours and sixteen minutes, Subject Six-Eight-Four — ‘Jane Doe’ — has been locked away and experimented on, without uttering a single word.As Jane’s resolve begins to crack under the influence of her new — and unexpectedly kind — evaluator, she uncovers the truth about Lengard’s mysterious ‘program’, discovering that her own secret is at the heart of a sinister plot … and one wrong move, one wrong word, could change the world.

    Is anything solely mine, or will I always dwell in someone else’s shadow?” Twenty-four-year-old bookseller and New Yorker Naomi Ackerman, desperate to write a novel, struggles to find the right story to tell. When, after years of disastrous Tinder dates, she meets Caleb—a perfectly nice guy with a Welsh accent and a unique patience for all of her quirks—she feels she's finally stumbled onto a time-honored subject: love. But then Caleb's ex-girlfriend, Rosemary, enters the scene. When Naomi learns that Rosemary is not safely tucked away overseas as she'd assumed but in fact lives in New York and works in the literary world, she is fundamentally threatened and intrigued in equal measure. On paper, Rosemary sounds like a better version of Naomi—but if they both fell for the same man, they must have something more essential in common. Determined to figure out how their stories intertwine, Naomi's casual Instagram stalking morphs into a full-blown friendship under false pretenses. She can't seem to get herself to quit Rosemary, in whom she discovers an unexpected confidant—and she can't stop writing about her either, having now found a more interesting subject for her nascent novel. As her lies and half-truths spiral out of her control, and fact and fiction become increasingly difficult to separate, Naomi manipulates the most important people in her life—her family, her friends, Caleb, Rosemary, and, perhaps most devastatingly, herself—in pursuit of her craft. Ultimately, she’s forced to decide who and what she's willing to sacrifice to write them all the perfect ending.

    With no idea how to cure himself of this odd new compulsion, he decides to let it take its course and go for a drive, hoping that once he proves to himself that there is nowhere to go, he can return to his normal life. Instead, he finds himself hurled headlong into a nightmare adventure across a fractured Wisconsin as the dream reveals itself one heart-pounding detail at a time. <br><br>Horror, science fiction, dark fantasy. From the author of The Temple of the Blind. 84,000 words.

    He regularly gives lifts to Valerie—beautiful, haunting, but terminally ill—from 13 Wish Road to her "positive thinking classes" at the community center. When he is no longer asked to drive her, he fears that she is dead, and questions Sal, one of the night operators. Her response turns Stephen’s world upside down. "But Stephen," she tells him, "there is no such address. Wish Road doesn’t have a number 13." As time passes, the world gets weirder. People appear (and disappear) who know far too much about Stephen and his past, and who lure him further and further into the twilight world of Thirteen. But if he asks any questions, he gets hurt. Ultimately, he decides, for the sake of both his safety and his sanity, he must walk away—but Thirteen has no intention of letting him go

    An extensive cover-up thwarts her efforts to report the crime, shaking her trust in the authorities. Only her older brother, Devin, believes her account.Devin hopes to leave behind his violent past and find peace in a marriage to the woman he loves. That hope shatters when he discovers a shocking secret that causes him to be framed for murder.With little more than a cocky attitude, Jane leaves everything she knows to flee with Devin, racing through the most lawless corners of the galaxy as she searches for Adam and proof of her brother’s innocence. Her journey uncovers truths about both of them, leading her to wonder just how much she doesn’t know about the people she loves.

    Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy’s only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all.In the tradition of The Turn of the Screw, Keith Donohue’s The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.

    Almost.
 He returns stolen items to their rightful owners.
 For a price.

 A man has to make a living, and Jake more than most. Because he's still paying for mistakes made a long time ago. And they weren't even his.

    Alike in almost every way, they promised to always take care of each other while facing the challenges of growing up different in suburban America. And when life became too much for them, they created their own space in the woods behind their house: a fantasy world of their own making, where no one else could find them. And it was enough, for a while. But then came middle school when Jamie grew dark and distant. He found new friends, a girlfriend, and a life away from Annie and their shared world. By the time Annie was in eighth grade, it was as if she hardly knew the brother who was her other half.And then, one day, he disappears.Annie, her family, and the entire community are devastated. And as the days turn into months turn into years, everyone begins to accept that Jamie is gone for good. Everyone, that is, except Annie, who believes that Jamie, somehow, has entered the world they created, and who believes that she's the only one who can bring him back. But as Annie searches for answers and finds a new relationship with a girl she did not expect, she makes startling discoveries about her brother's disappearance—and has to decide how much of herself she’s willing to give up in order to keep hope alive.

    By our imagination, by our affirmations, we can change our world, we can change our future. I have always preached that if we strive passionately to embody a new and higher concept of ourselves, then all things will be at our service. Most men are totally unaware of the creative power of imagination and invariably bow before the dictates of "facts" and accepts life on the basis of the world without. But when you discover this creative power within yourself, you will boldly assert the supremacy of imagination and put all things in subjection to it.

    Yearning to make sense of his shocking departure and to escape her overbearing mother—a woman as grounded as her father is mercurial—Olivia runs away from home and retraces his path to a place known as the Levitation Center.Once there, she enrolls in their summer program for troubled teens, which Olivia refers to as “Buddhist Boot Camp for Bad Girls”. Soon, she finds herself drawn into the company of a close-knit trio of girls determined to transcend their circumstances, by any means necessary. Led by the elusive and beautiful Serena, and her aloof, secretive acolytes, Janet and Laurel, the girls decide this is the summer they will finally achieve enlightenment—and learn to levitate, to defy the weight of their bodies, to experience ultimate lightness. But as desire and danger intertwine, and Olivia comes ever closer to discovering what a body—and a girl—is capable of, it becomes increasingly clear that this is an advanced and perilous practice, and there’s a chance not all of them will survive. Set over the course of one fateful summer that unfolds like a fever dream, The Lightness juxtaposes fairy tales with quantum physics, cognitive science with religious fervor, and the passions and obsessions of youth with all of these, to explore concepts as complex as faith and as simple as loving people—even though you don’t, and can’t, know them at all.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?