It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    When the stunning public defender, Kathryn Andrews, asks him to bring a wrongful death suit against Wycliffe Pharmaceutical for the death of her public defender husband, Tom, Hugh agrees to take the case. But from their first meeting, Hugh has misgivings because he is convinced Kathryn is hiding a dark secret about her marriage. As Hugh and his team of high-priced of Goldstein, Miller attorneys prepare their case, they find more and more evidence that Wycliffe has covered up the deadly properties of the drug that killed Tom. And, at the same time, multiple attempts on Kathryn’s life confirm that the Goldstein, Miller lawyers are very close to uncovering the truth. Feeling certain of a big win, Hugh and his team take the Andrews’ case to trial. But one by one his witnesses start to die, Hugh himself is arrested in front of the jury, and a surprise witness reveals the disastrous secret of the Andrews’ marriage. Will the Andrews’ case be the end of Hugh and his empire?

    Mother of three, Sarah Glen, loses her life under unusual circumstances when her car is forced from the road in what appears to be a random act of road rage.What follows is a breathtaking story of adventure and excitement as Sarah explores the limitless wonder of her new home, Paradise.The Throne Room, New Jerusalem, departed loved ones, all these and more are unveiled in this thought provoking tale.While Sarah's remaining family and friends struggle to come to terms with the passing of the popular mom, angels, good and evil, fight for supremacy in the age-old battle between the kingdoms of darkness and light.

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.

    She also "inherits" a half-batty store manager; a strange bunch of little old people from the neighborhood who meet at the store once a week, but never read books, called the Granny Oakleys Book Club; and Aunt Verline, who fancies herself an Iron Chef when in reality you need a cast iron stomach to partake of her culinary disasters. And with a group like this you should never ask, “What else can go wrong?” A lot! Sloane begins to receive cyber threats. While Sloane uses her computer forensic skills to uncover the source of the threats, it is discovered someone is out to kill her. Can her life get more crazy?

    As the last one to see his father, Cohen is the primary suspect.Over the next week, Cohen's childhood memories come back in living color. The dramatic events that led to his father being asked to leave his pastoral position. The game of baseball that somehow kept them together. And the two children in the forest who became his friends--and enlisted him in a dark and dangerous undertaking. As the lines blur between what was real and what was imaginary, Cohen is faced with the question he's been avoiding: Did he kill his father?In Light from Distant Stars, master story weaver Shawn Smucker relays a tale both eerie and enchanting, one that will have you questioning reality and reaching out for what is true, good, and genuine.

    This faith-expanding thriller aims to revitalize awareness of unseen spiritual forces at work in our world.

     Celebrated Seattle restaurateur Callie James is more than a little thrown when her ex-husband, French investigative reporter Daniel Odile-Grand, shows up after fourteen years asking for her help. Even more disturbing: as she throws him out, Daniel is deliberately hit by a car, hurled through the front window of her restaurant--broken, bloody and unconscious. He flees from the hospital and breaks into Callie's apartment, where he passes out. Reluctantly, Callie hides him. When she gets back to her restaurant, two assassins walk in, insisting that she find Daniel for them by tonight or pay the consequences. Overwhelmed and hopelessly out of her depth, Callie hires the only man she knows who can help her: Cash Logan, her former bartender, a man she had arrested for smuggling ivory through her restaurant two years earlier, and who still hasn't forgiven her. The assassins blow up her restaurant. It's Callie's nightmare. And the worst is yet to come as she and her unlikely, incompatible ally discover that the most perilous dangers are far closer to home than they'd imagined.

    Help! Help me, please.Daphne Mayfield sought a moment of quiet in a park—a break from city life, a tense relationship, and chronic overwork—but then an elderly woman makes a desperate plea. Daphne is reluctant to get involved when she’s not sure what’s happening, but she wants to help the stranger. Is the rambling old lady the victim of a crime or a victim of dementia?As her unease grows, Daphne can’t let go of the encounter. No matter what her boyfriend or her friends say. No matter what the retired homicide detective warns. Though she knows she’s meddling in other people’s lives, her instincts scream that the danger is real.With each increasingly bold intervention, Daphne involves herself in someone else’s crisis until she’s in too deep to turn back. She’s not just fighting for a stranger’s life…she’s fighting for her own.

    That’s what Sarah thinks as she settles into life with her new husband, Dr. Johnny McDonald. But all too soon she discovers an undercurrent of deception. And one October evening when Johnny is away, sudden tragedy destroys Sarah’s happiness.Dazed and stricken with grief, she and Johnny begin to rebuild their shattered lives. As she picks up the pieces of her broken home, Sarah discovers a shocking secret that forces her to doubt everything she thought was true—about her neighbors, her friends, and even her marriage. With each stunning revelation, Sarah must ask herself, Can we ever really know the ones we love?

    But when Rhea agrees to do a simple, harmless favor for Kay, she unwittingly sets off a series of events that ends up with a secret society appearing right at her door. The stakes are higher than ever - solving the case means more than just collecting her weekly paycheck. This time, it's a matter of life and death.

    It means someone in authority over you has decided that “coming in from the cold” is out of the question. It means you’d better run. Laynie Portland has masqueraded as Swedish citizen Linnéa Olander for close to two decades, the last seven years as the companion of Vassili Aleksandrovich Petroff, a reputable Russian scientist, former officer of the KGB and, at present, senior technology advisor to the Secretary of the Russian Federation’s Security Council. What Petroff doesn’t know is that, during her time as his woman, Laynie (Linnéa) has ferreted out and fed her handlers a treasure trove of political and technological intel. However, Petroff is a man with a pathological need to control every aspect of Laynie’s life. When Petroff’s jealous rages worsen, Laynie has had enough and petitions her agency to pull her out. She is told, however, that she is too well-placed to decommission; she is too valuable an asset where she is—and she fears that someone, someone in her chain of command, would rather risk her death under Petroff’s hand than lose the value and prestige her intel engenders. She is told, furthermore, that her request to withdraw poses a larger danger—because the abrupt departure of Linnéa Olander would trigger an avalanche of Russian suspicions, and those suspicions would extend to her company, Marstead International, the front for a joint U.S./NATO covert intelligence gathering venture. But Laynie is desperate: She knows how close to the edge she stands. She has acted the part of Linnéa Olander too long and her ability to maintain the façade she presents to Petroff is fragile at best. A single misstep could blow her cover. Faced with no viable alternative, Laynie runs. Petroff views Linnéa Olander’s disappearance as a personal affront. In his eyes, Linnéa’s disloyalty is the ultimate act of betrayal, and he swears to find and punish her. Simultaneously, Laynie’s Marstead superiors brand her as a rogue agent, a loose cannon who can no longer be trusted—and the “retirement package” they order for her includes a short walk off the deck of a ferry into the black, icy rollers of the Baltic Sea. How can Laynie escape both the Russians and her own agency—the very people she once trusted? Will no one help her? Or will the God in whom her sister Kari trusts extend his protection over her life? But why would he do that, Laynie asks herself, given the life I have lived?Laynie PortlandBook 1: Laynie Portland, Spy Rising—The PrequelBook 2: Laynie Portland, Retired SpyBook 3: Laynie Portland, Renegade Spy 12.02.2019Book 4: Laynie Portland, Spy Resurrected 06.02.2020

    Since then, twelve more children have been abducted, and the man responsible is still at large. With the abductor taunting the detectives with mysterious texts, they have pushed themselves to the brink, and their obsession of bringing the kidnapper to justice could cost them everything.

    

    While mourning the death of her husband, Senior Tissue Engineer, Stephani Robbins, is plagued by recurring visions of a child being locked up in a chicken coop. Meanwhile, someone is sending her creepy love poems, roses, and photos that have been taken without Stephani's knowledge. As more photos appear, the police suspect that Stephani has hired someone to take these photos. She before she can convince the police to take her seriously she is kidnapped. While imprisoned she discovers why she has been having these visions and it is more chilling than she ever imagined. Can she make it out alive? What some of my beta readers said... Wow! You've got a thriller with a level of horrific reality here. You take the reader inside a perverted serial killer's head and an innocent woman whose life has been ripped from her and whose present season of recovery is being trespassed. You describe the love of an adoring niece for her mourning auntie and this connects the reader to the prologue and adds another level of emotion to this already captivating plot. What a book! I have to say 'wow' because your writing style is so picturesque. You show a every detail to plainly. I was captured right away. The showing is real and to telling, which is a top virtue in any real book. The main character Stephanie has a sassy attitude underneath all of the hurt. Her story is heart breaking and so deep I felt her agony. This is a worthy read. O.N. Stefan, this one is so chilling and well written. The villain jumps off the page at the reader and scare the bejeebers out of you. You descriptions of the lab scene in the first chapter are right on and her getting the poem was quite spooky. The conflict of the mother and Puddles was well done showing just the type of upbringing or lack of this man had. High stars! I think you have a great novel here. The prologue is intense and urged me to keep reading, as well as setting the stage for when she discovers the pictures to give a sensation of malice. Your voice is exciting and the dialogue is good. It does seem more formal at times, but that is to be expected when having highly educated characters. I especially like your detailed descriptions and the use of medical terminology.