He also learns that she had left certain letters for him fifteen years back that never reached him. It disturbs him so much that he rushes to the hospital in his old hometown. There he discovers an eclipsed past buried in time that is riddled with dangerous surprises, trauma, twists of fate, sacrifices that exemplify true love and the real reasons for the tragic end of their childhood love story. But will Hazel ever open her eyes to see him..."

    What happens when a 10 year old child, who claims to be your future son, comes to you to help you find a perfect match for his mother? What happens when eventually you start to doubt on his intentions? What happens when a girl starts to turn your dreams into nightmares? What happens when your ‘Future son’ starts to haunt you? What happens when your FUTURE starts to bleed in your PRESENT through your PAST? ‘Hey Dad! Meet My Mom!!!’ is nothing less than a roller coaster ride of comedy, fear, love and don't forget to expect the unexpected!

    She is a hit with her students for her unconventional teaching techniques such as bringing a dead man's heart to school to explain her lessons. But, though she seems ebullient on the outside, within her own heart she harbors the pain of a recently and mysteriously deceased husband. In such a state, Maya's paths cross with the whimsical and weird art teacher of her school, Bhaskar Sadachari. An inexplicable chemistry begins working between the two and Maya feels strangely drawn to this person.Meanwhile, a serial killer is loose in the city. People are going missing, leaving absolutely no trace behind as though snatched by some supernatural entity. And somewhere within all this, there's a diabolical plot being hatched for Maya.Maya's New Husband is a psychological horror tale of the most vicious kind, which will leave you squirming in abject terror for days on end.

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    A drunkard in a Mumbai slum tries to compete with the torrential rain, even as it washes his dwelling away. An army man at the border has become so accustomed to speaking over the wireless that he ends every sentence with ‘Over!’ And in the title story, a cop drags a dead cow from Vinayak Rao Patwardhan Road to the adjoining Bapu Road, since the latter is so much easier to spell.From real-life stories about Javed Akhtar, Sahir Ludhianvi and Kuldip Nayyar to tales set in Kashmir, in the hinterland, in the modern megapolis and on the LoC, from anecdotes of love and betrayal to fables of courage and conviction, this is an enthralling collection available in English for the very first time.

    Weaving tales of India and of the new settlers in America, Chitra Divakaruni's stories explore themes of solitude, expectations, love and betrayal, as well as other reflections on life in both the East and the West.

    His teenage son is calling. What could he want?A seemingly simple demand torments Kumarasurar, who fears it might put his finances—and perhaps his son’s life—in jeopardy. As a father’s anxieties unravel, his memories undermine his self-worth and imaginary scenes of damnation taunt him.Estuary brings alive the different ways—absurd and endearing by turns—in which a man and his young son navigate the contemporary world. In the process, it peels back the layers of Kumarasurar’s loneliness: the hurt of a married man whose wife cares only for the happiness of their child, the endless monotony of an office job, and the struggle of the salaried middle-class to give their children the best chance of success.Perumal Murugan’s latest novel, his first in an urban setting, is also a razor-sharp parody of everything from e-commerce to the fitness industry, art appreciation to political manipulation, cram schools to social networks. Through a meditative exploration of a father’s emotional landscape, Murugan tells of a world wrecked by unchecked consumerism and an obsession with growth, where technology overrides common sense and degrees don’t guarantee education. And, with characteristic tenderness, he also weaves in a way to redemption.ABOUT THE AUTHORPERUMAL MURUGAN is the author of eleven novels, five collections of short stories and five anthologies of poetry in Tamil. Three of his novels translated into English—Poonachi: Or the Story of a Black Goat, Trial by Silence and A Lonely Harvest—were shortlisted for the JCB Prize for Literature in 2018 and 2019. His other novels translated into English include Seasons of the Palm, shortlisted for the Kiriyama Prize in 2005, Pyre, Current Show and One Part Woman. Murugan is now the principal at the Government Arts College in Namakkal.ABOUT THE TRANSLATOR:NANDINI KRISHNAN lives in Madras with assorted four-legged and two-legged beings. She is the author of Hitched: The Modern Indian Woman and Arranged Marriage (2013) and Invisible Men: Inside India’s Transmasculine Networks (2018). This is her first translation from Tamil.

    His once prosperous landowning family has slipped low down the class ladder. Arif ’s sole ambition in life is to crack the civil service examination and become an IAS officer. He believes this will restore the family’s fortunes and works hard at his studies. Until his first glimpse of Sumitra, a voluptuous long-haired beauty. Married, Hindu and several years older than him, she is wrong for him in every way. It is the beginning of an infatuation that will consume his life.‘Reading Patna Blues is like pedalling your way through a littleknown India. It is certain to fill you with inexplicably candid and absolutely stunning tales. Patna Blues marks an impressive debut and brings us an important voice.’ —Anees Salim‘I am familiar not only with the places where this novel is set, the cramped rooms, the names of shops, or the streets, but, it seems to me, even the people, their little joys, their struggles, their often irrational hopes and desires, their guilt, and their beauty. Part literary novel, part-pulp fiction, Patna Blues is a report from a rarely seen world in Indian writing in English, the contemporary lives of provincial Muslims.’ —Amitava Kumar

    It's on India's southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It's blessed with rich soil and scenic beauty, and it's been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl's first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of "intimates" who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. Between the Assassinations showcases the most beloved aspects of Adiga's writing to brilliant effect: the class struggle rendered personal; the fury of the underdog and the fire of the iconoclast; and the prodigiously ambitious narrative talent that has earned Adiga acclaim around the world and comparisons to Gogol, Ellison, Kipling, and Palahniuk. In the words of The Guardian (London), "Between the Assassinations shows that Adiga...is one of the most important voices to emerge from India in recent years." A blinding, brilliant, and brave mosaic of Indian life as it is lived in a place called Kittur, Between the Assassinations, with all the humor, sympathy, and unflinching candor of The White Tiger, enlarges our understanding of the world we live in today.

    Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

    And yet, have we never wondered why his young wife, Yashodhara, still recovering from the birth of their son nine days ago, sleeps soundly as her husband, the over-protected prince departs, leaving behind his family and wealth and kingdom? In Yashodhara, the gaps of history are imagined with fullness and fierceness: Who was the young girl and what shaped her worldview? When she married Siddhartha at the age of sixteen, did she know her conjugal life would soon change drastically? The Yashodhara we meet in Volga's feminist novel is quick-witted, compassionate and wants to pave a way for women to partake in spiritual learning as equals of men.

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

    He has friends like the coward–cum–comic Rahul, the hunk–cum–holly James, the honest–cum–humorist Sikander, a job of lacks and above than all his Aphrodite…Samvedna. Life of dreams he has. But he sacrifice it too for the search of achievements and the funny 250pages tells where he reaches.In this inspiring novel Sagar discovers the mysterious nature of life, love, triumph and glee very delicately. It's a novel for the people who searched the meaning of happiness once upon or searching right now or thinking to search… a key to unlock exult hidden inside hearts. Yeah, see The Thing Between U & Me.

    These willingly allowed themselves to be bedevilled, consumed by a passion that would not be denied, existing only to serve her will, content to be moulded to suit the purposes of the most enchanting creature in all of creation – Mohini.Distilled from the essence of Vishnu, Mohini, the Enchantress is a part of him and yet she revels in the autonomy and extraordinary powers of beauty, magic and enchantment that are hers to wield. Vivid and ephemeral, she is beloved and desired by all in existence. But she is elusive as the fragment of a forgotten dream, a tantalizing temptress, traipsing her way across the topsy – turvy realms of fable and myth. Her meandering path will see her in the thick of things as the Devas and Asuras churn the ocean of milk to get their hands on the nectar of immortality, blunder into a love triangle that will spark a bloody war, fulfil the last wish of a dead hero, melt into the arms of Mahadeva, the only one capable of enchanting the enchantress and become the mother of Shastha, who will serve as a beacon of hope for all who are considered oddities by a spiteful society that recognizes only two genders amongst the vast multitudes... Set against the tumult and intrigue of a celestial quest for immortality, Anuja Chandramouli brings the extraordinary saga of Mohini to vivid life. Balancing delicately on the tightrope between mythology and reality, she takes the reader on a dizzying ride through the shifting sands of time, gender, love, and desire, deftly intertwining the threads of the past and the present, blurring the lines between fact and fiction while spinning a deliciously entertaining yarn for the ages.

    Often used to get around the provisions of constitutions and legal codes.A late-night phone call from his ex-girlfriend Anasuya forces writer Arjun Kumar to leave his wife and home in Delhi and travel to the mofussil town of Noma on the UP-Bihar border. The reason — Anasuya's husband, Rafique Neel, a college professor and theatre director, has mysteriously disappeared.Soon after he arrives, Arjun realizes that things are not as they seem: the police are refusing to register a missing-persons case, Rafique's student Janaki has also disappeared, and the locals are determined to turn it into a case of 'love jihad'. And when Arjun begins to dig deeper, what he finds endangers him and everyone around him.Inspired by true events from today's India, Legal Fiction is a brilliant existential thriller and a chilling parable of our times.