Included here are the works of masters of the form and of bright new talents, including: Daniel Abraham • Eleanor Arnason • Pauolo Bacigalupi • Kage Baker • Stephen Baxter • Terry Bisson • James L. Cambias • Albert E. Cowdrey • Colin P. Davies • Paul Di Fillipo • Brendan DuBois • Michael F. Flynn • Peter F. Hamilton • M. John Harrison • James Patrick Kelly • Caitlin R. Kiernan • Nancy Kress • Paul Melko • David Moles • Pat Murphy • Robert Reed • Benjamin Rosenbaum • Mary Rosenbaum • Christopher Rowe • William Sanders • Vandana Singh • Vernor Vinge • Walter Jon WilliamsSupplementing the stories are the editor's insightful summation of the year's events and a list of honorable mentions, making this book a valuable resource as well as the single best place in the universe to find stories that stir the imagination and the heart.Cover design by Shea M. KornblumCover illustration by Stephan MartiniereDescription from back cover Contents xi • Acknowledgments (The Year's Best Science Fiction: Twenty-Second Annual Collection) • (2005) • essay by Gardner Dozoisxiii • Summation: 2004 • essay by Gardner Dozois1 • Inappropriate Behavior • (2004) • novelette by Pat Murphy27 • Start the Clock • (2004) • shortstory by Benjamin Rosenbaum42 • The Third Party • (2004) • novelette by David Moles72 • The Voluntary State • (2004) • novelette by Christopher Rowe105 • Shiva in Shadow • (2004) • novelette by Nancy Kress153 • The People of Sand and Slag • (2004) • novelette by Paolo Bacigalupi172 • The Clapping Hands of God • (2004) • novelette by Michael F. Flynn214 • Tourism • (2004) • shortstory by M. John Harrison228 • Scout's Honor • (2004) • shortstory by Terry Bisson244 • Men Are Trouble • (2004) • novelette by James Patrick Kelly283 • Mother Aegypt • [Company] • (2004) • novella by Kage Baker348 • Synthetic Serendipity • (2004) • shortstory by Vernor Vinge366 • Skin Deep • (2004) • shortstory by Mary Rosenblum389 • Delhi • (2004) • shortstory by Vandana Singh405 • The Tribes of Bela • [Colonel Kohn] • (2004) • novella by Albert E. Cowdrey465 • Sitka • (2004) • shortstory by William Sanders478 • Leviathan Wept • (2004) • shortstory by Daniel Abraham499 • The Defenders • (2004) • shortstory by Colin P. Davies504 • Mayflower II • [Xeelee] • (2004) • novella by Stephen Baxter562 • Riding the White Bull • (2004) • novelette by Caitlín R. Kiernan588 • Falling Star • (2004) • shortstory by Brendan DuBois603 • The Dragons of Summer Gulch • (2004) • novelette by Robert Reed628 • The Ocean of the Blind • (2004) • shortstory by James L. Cambias649 • The Garden: A Hwarhath Science Fictional Romance • [Hwarhath] • (2004) • novella by Eleanor Arnason688 • Footvote • (2004) • shortstory by Peter F. Hamilton706 • Sisyphus and the Stranger • (2004) • shortstory by Paul Di Filippo (aka Sisyphe et l'étranger)718 • Ten Sigmas • (2004) • shortstory by Paul Melko726 • Investments • [Dread Empire's Fall] • (2004) • novella by Walter Jon Williams811 • Honorable Mentions: 2004 • essay by Gardner Dozois

    The strong but flawed women of Mothers, Tell Your Daughters must negotiate a sexually charged atmosphere as they love, honor, and betray one another against the backdrop of all the men in their world. Such richly fraught mother-daughter relationships can be lifelines, anchors, or they can sink a woman like a stone.In "My Dog Roscoe," a new bride becomes obsessed with the notion that her dead ex-boyfriend has returned to her in the form of a mongrel. In "Blood Work, 1999," a phlebotomist's desire to give away everything to the needy awakens her own sensuality. In "Home to Die," an abused woman takes revenge on her bedridden husband. In these fearless and darkly funny tales about women and those they love, Campbell’s spirited American voice is at its most powerful.

    This arresting collection introduces a new master of the short story.Following her American debut in The New Yorker, Australian Cate Kennedy delivers a mesmerizing collection of award-winning stories that daringly travel to the deepest depths of the human psyche. In this sublimely sophisticated and compulsively readable collection, Kennedy opens up worlds of finely observed detail to explore the collision between simmering inner lives, the cold outside world, and the hidden motivations that propel us all to act. In just a few pages, Kennedy captures entire lives, expertly documenting the risks and compromises made in both forging and escaping relationships. Her stories are populated by people on the brink: whether it’s a woman floundering with her own loss and emotional immobility as her lover lies in a coma; a neglected wife who cannot convince her husband of the truth about his two brutish, shamelessly libidinous friends; or a married woman who comes to realize that her too-tight wedding ring isn’t the only thing that’s stuck in her relationship. Each character must make a choice and none is without consequence—even the smallest decisions have the power to destroy or renew, to recover and relinquish.

    Lee Gutkind collects twenty-five essays that flourished in this new turf, all originally published in the groundbreaking journal he founded, Creative Nonfiction, now in its tenth anniversary year.Many of the writers here are crossing genres—from poetry to fiction to nonfiction. Annie Dillard provides the introduction, while Gutkind discusses the creative and ethical parameters of this new genre. The selections themselves are broad and fascinating. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic contemplates raucous gatherings at his Uncle Boris's apartment, while John McPhee creates a rare, personal, album quilt of his own life. Terry Tempest Williams speaks on the decline of the prairie dog, and Madison Smartt Bell invades Haiti.

    No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Groenloh, the highly successful director of the Holland-Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories.Contents:The freeloaderWhen we were titansThe writing on the wallOut along the IJLittle poetFrom an unfinished novelThe valley of obligationsThe endInsula dei

    It also began Coover's now-trademark riffs on fairy tales and bedtime stories. In these riotously word-drunk fictional romps, two children follow an old man into the woods, trailing bread crumbs behind and edging helplessly toward a sinister end that never comes; a husband walks toward the bed where his wife awaits his caresses, but by the time he arrives she's been dead for three weeks and detectives are pounding down the door; a teenaged babysitter's evening becomes a kaleidoscope of dangerous erotic fantasies-her employer's, her boyfriend's, her own; an aging, humble carpenter marries a beautiful but frigid woman, and after he's waited weeks to consummate their union she announces that God has made her pregnant. Now available in a Grove paperback, Pricksongs & Descants is a cornerstone of Robert Coover's remarkable career and a brilliant work by a major American writer.

    Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

    Rather than quibble, Short opts for inclusiveness. Here is a dazzling array: 100s of pieces (under 1250 words) from 24 Western countries, written over five centuries by more than 200 contributors, including major authors of every era. Fables, histories, aphorisms, anecdotes, faux dictionary entries, a faux job application, hint fiction, lists, tableaus, meditations, chants, rants, and much more. Intensely pleasurable.Contributors include: Montaigne, von Kleist, Leopardi, Poe, Baudelaire, Bierce, Chopin, Stein, Jacob, Woolf, Kafka, J. Roth, Toomer, Borges, Queneau, Kunitz, Beckett, Milosz, Cortazar, Paz, Barthes, Calvino, O'Hara, Merwin, Lispector, Transtromer, Sanchez, Edson, Simic, Atwood, Valenzuela, Wideman, L. Davis, Komunyakaa, A. Carson, Forche, Harjo, Hempel, Wenderoth, Keret, B. Marcus, A. Bender, Eggers, B. Lerner, T. Brimhall.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

      Considered by many the greatest short story writer, Anton Chekhov changed the genre itself with his spare, impressionistic depictions of Russian life and the human condition. From characteristically brief, evocative early pieces such as “The Huntsman” and the tour de force “A Boring Story,” to his best-known stories such as “The Lady with the Little Dog” and his own personal favorite, “The Student,” Chekhov’s short fiction possesses the transcendent power of art to awe and change the reader. This monumental edition, expertly translated, is especially faithful to the meaning of Chekhov’s prose and the unique rhythms of his writing, giving modern readers an authentic sense of his style and a true understanding of his greatness.Contains: The death of a clerk --Small fry --The huntsman --The malefactor --Panikhida --Anyuta --Easter night --Vanka --Sleepy --A boring story --Gusev --Peasant women --The fidget --In exile --Ward No. 6 --The black monk --Rothschild's fiddle --The student --Anna on the neck --The house with the mezzanine --The man in a case --Gooseberries --A medical case --The darling --On official business --The lady with the little dog --At Christmastime --In the ravine --The bishop --The fiancée.

    Featured writers include Ellen Hart, Judith Guest, William Kent Krueger and Carl Brookins. This is a must-have for mystery buffs.

    A child's collection of bottle caps becomes the tombstones of a graveyard. A lowly rightfielder's inexplicable death turns him into a martyr to baseball. Strains of Chopin floating down the tenement airshaft are transformed into a mysterious anthem of loss. Combining homely detail and heartbreakingly familiar voices with grand leaps of imagination, The Coast of Chicago is a masterpiece from one of America's most highly regarded writers.

    

    Some are familiar mer-people; some as strange as as a golden eye in a pool at the edge of the Great Desert Kalarsham, where the mad god Geljdreth rules; or the unknowable, immense Kraken, dark beyond the darkness of the deepest ocean, who will one day rise and rule the world. 1 Prologue: The water sprite / Robin mcKinley and Peter Dickinson 2 Mermaid song / Peter Dickinson --3 The sea-king's son / Robin McKinley --4 Sea serpent / Peter Dickinson --5 Water horse / Robin McKinley --6 Kraken / Peter Dickinson --7 A pool in the desert / Robin McKinley.