Just a quick mouth swab and soon you’ll be matched with your perfect partner the one you are genetically made for.That’s the promise made by Match Your DNA. A decade ago, the company announced that they had found the gene that pairs each of us with our soul mate. Since then, millions of people around the world have been matched. But the discovery has its downsides: test results have led to the breakup of countless relationships and upended the traditional ideas of dating, romance and love.Now five very different people have received the notification that they’ve been “Matched.” They’re each about to meet their one true love. But “happily ever after” isn’t guaranteed for everyone. Because even soul mates have secrets. And some are more shocking than others…A word-of-mouth hit in the United Kingdom, The One is a fascinating novel that shows how even the simplest discoveries can have complicated consequences.

    As Nora Roberts, her novels include Three Fates and Birthright. As J. D. Robb, she offers such novels as Portrait in Death. Now she unites her separate identities in a riveting two-part novel that combines edgy suspense and romantic passion - and journeys through past, present, and future.In Part One, Nora Roberts introduces us to Laine Tavish, known to the folks in Angel's Gap, Maryland, as the proprietor of Remember When, an antique treasures and gift shop. They have no idea that she used to be Elaine O'Hara, daughter of the notorious con man Big Jack O'Hara ... or that she grew up moving from place to place, one step ahead of the law. But Laine's past has just caught up with her. Her long-lost uncle has visited her shop, leaving a cryptic warning before dying in the street, run down by a car. Soon afterward, Laine's home is ransacked. Now it's up to her, and an enigmatic stranger named Max Gannon, to find out who's chasing her, and why. The answer lies in a hidden fortune - a fortune that will change Laine's life.In Part Two, J. D. Robb takes us to New York City in 2059, and puts Detective Lieutenant Eve Dallas on the case. The treasure that Laine and Max sought has never been fully recovered. And now someone else is pursuing the missing gems ... someone who's willing to kill for them. Sharp-witted and sexy, Eve is used to traveling in the shadowy corners outside the law, in a future where crime meets cutting-edge technology. She will attempt to track down the diamonds once and for all - and stop the danger and death that have surrounded them for decades.

    First published in 1966, Harrison's novel of an overpopulated urban jungle, a divided class system—operating within an atmosphere of riots, food shortages, and senseless acts of violence—and a desperate hunt for the truth by a cynical NYC detective tells a classic tale of a dark future.

    The series combines classic Shan action with a fiendishly twisting plot and hard-hitting and thought-provoking moral questions dealing with racism, abuse of power and more. This is challenging material, which will captivate existing Shan fans and bring in many new ones. As Darren says, "It's a big, sprawling, vicious tale...a grisly piece of escapism, and a barbed look at the world in which we live. Each book in the series is short, fast-paced and bloody. A high body-count is guaranteed!"

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Unknown to Molly, a middle school tragedy in which they were all complicit continues to reverberate for her kids: Nick, the brilliant scam artist; Emma, the gifted dancer and party girl; Dave, the B student who strives to meet his parents' expectations; Calista, the hippie outcast who hides her intelligence for reasons of her own. Theirs is a world in which every action may become public: postable, shareable, indelible. With the rare talent that transforms teenage dramas into compelling and urgent fiction, Lindsey Lee Johnson makes vivid a modern adolescence lived in the gleam of the virtual, but rich with the sorrow, passion, and beauty of life in any time, and at any age.

    Disconnected from the grid, the silo appears to be dead, rotted from the inside. What Maya finds is a silo that is anything but deceased. Shut off from the outside world and other silos, Silo 23 has evolved into something unexpected, and something more fearsome than Maya could have anticipated. Greatfall: Part 1 is the first installment of Jason Gurley's dark serial novel, inspired by the world created by Hugh Howey in Wool.

    Then it will collapse. Cut off the resources to New York, Sydney, or even a mid-size metropolis, and millions will soon starve. In Zero Day Code we see those immense and open, hyper-complex, networked supercities of the new millennium die. And in the last moments we see their vengeance take form as all the best and worst traits of humanity bubble to the surface. Zero Day Code is set in a realistic near future with dwindling global food supplies under increasing pressure from worsening droughts, floods and extreme weather events. Written by prolific Australian writer John Birmingham, the thriller follows a handful of survivors from the first day of society’s descent into violent, uncertain futures. James, a consultant to the US National Security Council, is the first to suspect that the worldwide emergence of a crippling computer virus is actually a cover for something else - a devastating cyber-attack by China on the food distribution system of the United States. The attack is a bid for the Middle Kingdom to distract America as it seizes the food bowl of South East Asia and feeds its starving population. But Beijing has miscalculated.Follow the missions of an embittered activist chasing salvation, a single mum rescuing her child from a frantic San Francisco and an army veteran who has long retreated from society, as the world they knew crumbles around them. Please note: this audiobook contains mature content and listener discretion is advised.

    It's thirty years since the first wind-borne viruses ended the war between North and South - and still they keep coming. Every wind brings a new and terrifying way to die. The few survivors live in constant fear, hiding from the wind - and from each other.In this harsh Southern expanse, brothers Garrett and Dyce Jackson are on the run from brutal law-enforcers. They meet Vida, a lone traveller on a secret quest. Together, they will journey into the dark heart of a country riven by warfare and disease.This is the story of Dyce and Vida. This is the story of The Cure and how it came too late.This is the story of South.'Dark and beautiful and surprising. I loved it' Lauren Beukes'South is an absolute blinder of a book. With its cracking pace, unforgettable characters, deliciously gruesome premise and you-won't-see-them-coming twists, if this doesn't make 'book of the year' shortlists, I will eat my Stetson. 'The Sisters Brothers' meets 'The Stand', it's a post-apocalyptic genre game changer' Sarah Lotz

    All goes well until Charlotte escapes, transfers her consciousness to the Internet, and begins terrorizing the American public.Charlotte's attacks have everyone on high alert—everyone except Lee Fisher, the closeted son of the US president. Lee has other things to worry about, like keeping his Secret Service detail from finding out about his crush on Nico, the eccentric, Shakespeare-obsessed new boy at school. And keeping Nico from finding out about his recent suicide attempt. And keeping himself from freaking out about all his secrets.But when the attacks start happening at his school, Lee realizes he's Charlotte’s next target. Even worse, Nico may be part of Charlotte’s plan too.As Lee races to save himself, uncover Charlotte’s plan, and figure out if he can trust Nico, he comes to a whole new understanding of what it means to be alive ... and what makes life worth living.

    Venus, being almost the same mass as Earth, is chosen over Mars as humanity’s first permanent steppingstone into the universe.Arik Ockley is part of the first generation to be born and raised off-Earth. After a puzzling accident, Arik wakes up to find that his wife is almost three months pregnant. Since the colony’s environmental systems cannot safely support any increases in population, Arik immediately resumes his work on AP, or artificial photosynthesis, in order to save the life of his unborn child. Arik’s new and frantic research uncovers startling truths about the planet, and about the distorted reality the founders of the colony have constructed for Arik’s entire generation. Everything Arik has ever known is called into question, and he must figure out the right path for himself, his wife, and his unborn daughter.

    It is April 1964 and one week before Hitler's 75th birthday. Xavier March, a detective of the Kriminalpolizei, is called out to investigate the discovery of a dead body in a lake near Berlin's most prestigious suburb. As March discovers the identity of the body, he uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with an American journalist, is caught up in a race to discover and reveal the truth - a truth that has already killed, a truth that could topple governments, a truth that will change history.

     Daisy Appleby was a little girl when it happened, and she barely remembers the accident or being brought back to life. At that moment, though, she became one of the first subjects in a covert government program that tests a drug called Revive. Now fifteen, Daisy has died and been Revived five times. Each death means a new name, a new city, a new identity. The only constant in Daisy's life is constant change. Then Daisy meets Matt and Audrey McKean, charismatic siblings who quickly become her first real friends. But if she's ever to have a normal life, Daisy must escape from an experiment that's much larger—and more sinister—than she ever imagined. From its striking first chapter to its emotionally charged ending, Cat Patrick's Revived is a riveting story about what happens when life and death collide.

    In a few months on a luxury cruise liner, he'll rake in the tips and be able to help his mom and sister out with the bills. And how bad can it be? Bikinis, free food, maybe even a girl or two—every cruise has different passengers, after all.But everything changes when the Big One hits. Shy's only weeks out at sea when an earthquake more massive than ever before recorded hits California, and his life is forever changed.The earthquake is only the first disaster. Suddenly it's a fight to survive for those left living.

    Set in the United States, it pictures a society in which human problems are solved by a scientific technology of human conduct.