In the years that followed, she published other notable monographs, including "Aila" (2004), "The Eyes, the Ear" (2005) and "Semear" (2007). And now, ten years after her precipitous entry onto the international stage, Aperture has published "Illuminance," the latest volume of Kawauchi's work and the first to be published outside of Japan. Kawauchi's photography has frequently been lauded for its nuanced palette and offhand compositional mastery, as well as its ability to incite wonder via careful attention to tiny gestures and the incidental details of her everyday environment. As Sean O'Hagan, writing in "The Guardian" in 2006, noted, "there is always some glimmer of hope and humanity, some sense of wonder at work in the rendering of the intimate and fragile." In "Illuminance," Kawauchi continues her exploration of the extraordinary in the mundane, drawn to the fundamental cycles of life and the seemingly inadvertent, fractal-like organization of the natural world into formal patterns. Gorgeously produced as a clothbound volume with Japanese binding, this impressive compilation of previously unpublished images is proof of Kawauchi's unique sensibility and her ongoing appeal to lovers of photography.

    Never one to be shy of the spotlight, Dusty broke the mould as the first female entertainer to publicly admit she was bisexual, and was famously deported from South Africa for refusing to play to segregated audiences during apartheid in 1964, just a year after the launch of her solo career. Combining brand-new material, meticulous research and frank interviews with friends, lovers, employees and confidants, journalist Karen Bartlett reveals sensational new details about the soul diva’s unconventional upbringing, tumultuous relationships and unbridled addictions, including a lifelong struggle to come to terms with her sexuality. Named one of the Sunday Times’s best musical biographies of 2014, this is the intimate portrait of an immensely complicated and talented woman – the definitive account of one of music’s most legendary figures.

    Adams's breathtaking images are accompanied by excerpts from the writings of Sierra Club founder John Muir, the renowned conservationist who devoted his life to celebrating and preserving the American wildnerness.

    Love can be shit. Whatever has happened to you, whatever will happen to you, whatever might happen to you, whatever hasn't happened to you, well . . . you're not alone. Andre Jordan's drawings and prose are culled from a life of heartache and unrequited love. Simple, sad, clever, and darkly hilarious, they tell of both dismal places and hopeful realizations.

    It brings together (but is not limited to) estranged lovers, despairing mothers and the avenging spirits of murdered women, in an assortment of words that celebrate queer desire, obsessive longing and a general disregard for "proper" subject matter. Comprising selected work written over the course of a decade, the largely confessional collection has been described as dark and hysterical ... but in a good way.

    When she lands a job looking after the horse, it is like it was meant to be, and she thinks that bringing the rescue animal back to health might be as healing for her as it is for the horse. What she doesn't count on is Josie Tearney, owner of the horse, and the most startling, intriguing woman Colette has ever met. The attraction, it turns out, is mutual, but the last thing Colette thinks she deserves is a relationship with someone who's grounded, competent, and whole – all the things Colette isn't. Josie, who runs her own business making witchy teas and essential oils, is as planted on the land where she lives as is her garden – which makes her strong, centred, stable – and lonely. All her friends have moved to the city, and she's not at all sure that Colette won't leave as abruptly as she arrived. Josie lost her mother when she was young – and she won't take the risk of being abandoned again. But healing can happen when you least expect it, and the heart, that most magical part of ourselves, knows how to lead the way.

    THE GREAT LIFE PHOTOGRAPHERS presents the most iconic images of the past century, as well as little-known gems from the LIFE archives. Many of these images are markers of the major milestones of history--the first pictures from inside the womb or from outer space, Robert Capas falling soldier, and memorable scenes from Tiananmen Square. Defining celebrity portraits of Sophia Loren, Marilyn Monroe, the Beatles, and Michael Jackson are also featured. This startingly rich collection of both color and black-and-white photographs is a vivid fulfillment of Henry Luces charge: To see life; to see the world....To be amazed!

    Chesler and the women who came out swinging between 1967-1972 integrated the want ads, brought class action lawsuits on behalf of economic discrimination, opened rape crisis lines and shelters for battered women, held marches and sit-ins for abortion and equal rights, famously took over offices and buildings, and pioneered high profile Speak-outs. They began the first-ever national and international public conversations about birth control and abortion, sexual harassment, violence against women, female orgasm, and a woman’s right to kill in self-defense.Now, Chesler has juicy stories to tell. The feminist movement has changed over the years, but Chesler knew some of its first pioneers, including Gloria Steinem, Kate Millett, and Andrea Dworkin. These women were fierce forces of nature, smoldering figures of sin and soul, rock stars and action heroes in real life. Some had been viewed as whores, witches, and madwomen, but were changing the world and becoming major players in history. In Memoir of a Politically Incorrect Feminist, Chesler gets chatty while introducing the reader to some of feminism's major players and world-changers.

    The graduate student’s former lesbian lover is blackmailing her, and not even those closest to Lizzie know the full story of their abusive relationship. And when Sarah, the beautiful woman of her dreams, crosses her path, Lizzie isn’t anywhere close to revealing her skeletons. Sarah knows Lizzie isn’t telling her everything. But when she falls hard for the socially awkward Lizzie, Sarah isn’t sure if the growing relationship is worth the mess of lies. The harder Lizzie tries to keep Sarah from the truth, the more endearingly clueless she becomes. Can Lizzie keep her secrets and her new love at the same time, or will she lose both in one fell swoop?A Woman Lost Box Set includes the first three novels in a series of contemporary lesbian romances. If you like quirky characters, smart fiction, and a dash of humor, then you’ll love T.B. Markinson’s sexy series.

    Features a piece by Dick Hebdige on the sociology of youth cults.

    Choosing 100 key photographs with particular emphasis on the last twenty years she examines what inspired each photographer in the first place, and traces how the piece was executed. In doing so, she brings to light the layers of meaning and artifice behind these singular works, some of which were initially dismissed out of hand for being blurred, overexposed or badly composed. The often controversial works discussed in this book play with our expectations of a photograph, our ingrained tendency to believe that it is telling us the unadorned truth. Jackie Higginss book proves once and for all that theres much more to the art of photography than just pointing and clicking.

    “Goth” did not gain lexical currency until the late 1980s. But no matter what term was used, “postpunk” encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands, and scenes. A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.

    Considering he was the only parent she had left after her mother's suicide when Faith was just a child, she thought that's what it would take. She was wrong. What she dreamed would be glamorous and satisfying turned out to be grueling and thankless. Since she wasn't willing to play the game between the sheets, she was forced to stay in the cubicle jungle doing all the heavy lifting while the men got the credit and the rewards. Deciding she is done, Faith packs up and, with the flip of the bird to the rearview mirror, leaves New York and heads home to Colorado. She has nothing there: no job, nowhere to live, no relationship with her father. Truth is, she barely has a relationship with herself. On the drive home, she finds herself in Wynter, a tiny mountain town at the foot of the Rockies. Looking more like it belongs in a made-for-TV Christmas movie than on the map, Faith is utterly enchanted. When she tries her luck and buys a raffle ticket at Pop’s, Wynter’s charming café, her prize is far more than meets the eye—or the heart. Enter Wyatt, a feisty, sexy southerner and waitress at Pop's, who just happens to be married to a local sheriff's deputy. All is not as it appears with the All-American boy and his Georgia peach.A colorful cast of unforgettable and charming characters will teach the jaded attorney that sometimes to find yourself all you have to do is go back to the basics…and have a little Faith.

    From working with and managing multiple layers to using layers to enhance and retouch photos, this Photoshop guru covers it all.

    These twenty-three prose poems are thoughtprovoking, witty, and thoroughly unexpected observations of a bygone era, and through the lens of Feinstein's camera they speak volumes about the faces and places that have graced the City of Angels. Images like those of Judy Garland, Marlene Dietrich, and Steve McQueen resonate with our collective memory, while photographs of hopeful starlets, movie studio backlots, and sunny, palm tree'd boulevards evoke the timeless allure of all things Hollywood."Hollywood Foto-Rhetoric" marks a unique collaboration: With his unerring eye, Barry Feinstein captured unforgettable moments in stunning black-and-white, such as Marilyn Monroe's swimming pool on the day she died, and Frank Sinatra celebrating at John F. Kennedy's Inaugural Ball. In the provocative accompanying text, Bob Dylan's quixotic, expressive lyricism redefines silver screen nostalgia.