500 copies. Out of print.Description: Contains all six chapters of the novel together for the first time. It is probable that all through those early years Ambrose's father had been charming his son's heart, drawing him forth from the gehenna-valley of this life into which he had fallen, as one draws forth a beast that has fallen into some deep and dreadful place. Various are the methods recommended. There is the way of what is called moral teaching, the way of physiology and the way of a masterly silence; but Mr. Meyrick's was the strange way of incantation. He had, in a certain manner, drawn the boy aside from that evil traffic of the valley, from the stench of the turmoil, from the blows and the black lechery, from the ugly fight in the poisonous smoke, from all the amazing and hideous folly that practical men call life, and had set him in that endless procession that forever and forever sings its litanies in the mountains, going from height to height on its great quest. Ambrose's soul had been caught in the sweet thickets of the woods; it had been bathed in the pure water of blessed fountains; it had knelt before the altars of the old saints, till all the earth was become a sanctuary, all life was a rite and ceremony, the end of which was the attainment of the mystic sanctity -- the achieving of the Graal. For this -- for what else? -- were all things made. It was this that the little bird sang of in the bush, piping a few feeble, plaintive notes of dusky evenings, as if his tiny heart were sad that it could utter nothing better than such sorry praises. This also celebrated the awe of the white morning on the hills, the breath of the woods at dawn. This was figured in the red ceremony of sunset, when flames shone over the dome of the great mountain, and roses blossomed in the far plains of the sky. This was the secret of the dark places in the heart of the woods. This the mystery of the sunlight on the height; and every little flower, every delicate fern, and every reed and rush was entrusted with the hidden declaration of this sacrament. For this end, final and perfect rites had been given to men to execute; and these were all the arts, all the far-lifted splendor of the great cathedral; all rich carven work and all glowing colors; all magical utterance of word and tones: all these things were the witnesses that consented in the One Offering, in the high service of the Graal.

    Where Stella's family struggle to make ends meet, Charlie can have anything he wants, and that includes Stella, who is rapidly falling for him. Then Stella discovers she is pregnant. Suddenly Charlie is gone, and Stella is left with only the bracelet he gave her. Stella's devoutly religious mother, horrifed by the scandal, sends her errant daughter to a Magdalene Laundry convent, miles from home, where in return for daily and rigorous and endless chores, Stella will be able to have her baby in secret. The convent is bleak and austere, the nuns themselves cruel and lacking compassion. When Stella's baby girl is born, it will be taken from her for adoption, the only answer is to run away with her child. But Stella didn't expect the struggle and pain of being a single mother - with her family turning against her, who can she rely on for help. Out of the blue, comes support and love from an unexpected quarter, to finally make Stella's story a happy one.

    But from this generous act comes a tragedy which will haunt her for years.When, years later, Sara meets Brogan, a young Irishman working in England, she feels she has found a friend at last. But Brogan has a secret which he dare tell no one, not even Sara.And in a Dublin slum, Brogan's little sister Polly is growing up. The only girl in a family of boys, she knows herself to be much loved, but it is not until Sara begins to work at the Salvation Army children's home, Strawberry Fields, that the two girls meet - and Brogan's secret is told at last...

    You've sowed the seed of Satan. You are nothing.'Mary Creighton was just 15 when she found herself pregnant out of wedlock, in 1960s Ireland. She dreamed of a happy life with her child, but that was shattered when she was sent away to Castlepollard - a home for mothers and their unborn babies.Stripped of their clothes and forced into gruelling work whilst pregnant, those who survived childbirth were made to force-feed their children for adoption into wealthy families. Babies were ripped out of their mother's hands, but Mary refused to let that happen to her. She managed to escape only to later lose her beautiful daughter to social services and the meddling nuns... who always managed to catch up with her. After spending time in an infamous Magdalene Laundry, and having another two children snatched away, Mary sought to find her lost children, and demand answers for the atrocities committed supposedly in God's name.This is a haunting account of a mother's worst nightmare, as Mary continues to fight for justice for the mothers who suffered there and the babies of Castlepollard: hundreds of which died and are still buried in the grounds today.

    Harris offers a balanced look at the man behind the legend and the circumstances that created him and shaped his choices.

    But it's not easy. She deserted them all—and her high school sweetheart—five years before with little explanation, and they've got questions. Sunday is determined to rebuild her life back on the east coast, even if it does mean tiptoeing around resentful brothers and an ex-fiancé. The longer she stays, however, the more she realizes they need her just as much as she needs them. When a dangerous man from her past brings her family's pub business to the brink of financial ruin, the only way to protect them is to upend all their secrets—secrets that have damaged the family for generations and will threaten everything they know about their lives. In the aftermath, the Brennan family is forced to confront painful mistakes—and ultimately find a way forward, together.In the vein of Mary Beth Keane's Ask Again, Yes and Cynthia D'Aprix Sweeney's The Nest, Tracey Lange's We Are the Brennans explores the staying power of shame—and the redemptive power of love—in an Irish Catholic family torn apart by secrets.

    But he was also the creator of some astonishingly imaginative, outrageous, and wonderfully disgusting verses. From oozing grobes to slimy slugs, this extraordinary collection is bursting with Dahl’s poems, verses, and songs. And with full-color original illustrations from a distinguished group of more than twenty artists, including Quentin Blake,William Joyce, and Lane Smith, this lavish volume is a must-have for any Dahl fan’s library.

    Journalist Marie Heaney skillfully revives the glory of ancient Irish storytelling in this comprehensive volume from the great pre-Christian sequences to the more recent tales of the three patron saints Patrick, Brigid, and Colmcille.

    

    It contains his earliest poems - in nazm, ghazal and qita form - that set him on course to becoming the greatest and most-read Urdu poet of the 20th century.

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    Will the “School Gyrls” collaboration with the Archies be a chart-topping hit or a resounding dud?

    Titles in This Set The Inimitable Jeeves Much Obliged, Jeeves Ring for Jeeves Thank You, Jeeves Jeeves in the offing Jeeves and the Feudal Spirit Aunts Aren't Gentlemen Joy in the morning carry on, Jeeves Very Good, Jeeves