But that changes one bleak morning, when five horses and their riders thunder into her village and through the forest, disappearing into the hills. Days later, the riders' bodies are found, and though no one can say for certain what happened in their final hours, their remains prove that whatever it was must have been brutal.   Rowan's village was once a tranquil place, but now things have changed. Something has followed the path those riders made and has come down from the hills, through the forest, and into the village. Beast or man, it has brought death to Rowan's door once again.   Only this time, its appetite is insatiable.A YALSA Best Fiction for Young Adults Pick[STAR] "With stylish prose, richly developed characters and well-realized worldbuilding, Templeman plumbs archetypes of folklore to create a compelling blend of mythic elements and realistic teen experience."-Kirkus Reviews, Starred[STAR] "This has both the stylish beauty of those [classic fairy] tales and the chilling darkness that makes them timeless."-The Bulletin, Starred“The legion of Maggie Stiefvater fans out there ought to look this way.”- Booklist

    Neverland is his real home. So when Peter returns to it after ten years in the real world, he’s surprised to find a Neverland that no longer seems to need him.The only person who truly missed Peter is Captain James Hook, who is delighted to have his old rival back. But when a new war ignites between the Lost Boys and Hook’s pirates, the ensuing bloodshed becomes all too real – and Peter’s rivalry with Hook starts to blur into something far more complicated, sensual, and deadly.

    When his happily ever after is not quite what it seems, he discovers that running away means running toward bigger problems.Trapped on the Island, Ricky must join together with the only people he can trust to help him face his fears and return home. But the only way off the Island is to confront the person who trapped Ricky and his friends in the first place. With countless enemies and true peril staring them down, Ricky's mission to leave this so-called paradise will become a battle for their very lives.

    In "Matchless", Maguire adds a different dimension to the story, intertwining the match girl's tale with that of a young boy, Frederik, whose own yearnings are the catalyst for a better future for himself and his family. Maguire uses his storytelling magic to rekindle Andersen's original intentions, and to suggest transcendence, the permanence of spirit, and the continuity that links the living and the dead.

    M. Barrie's beloved novel. Far from it. It's a defense of the world's most famous pirate, told by the man himself.Captain Hook has reason and wit behind his hatred for Peter Pan. If only someone would listen.

    Anne can see the future, and Jane can see the present, but all Celia can see is the past. And the past seems so insignificant -- until Celia meets Lo.Lo doesn't know who she is. Or who she was. Once a human, she is now almost entirely a creature of the sea -- a nymph, an ocean girl, a mermaid -- all terms too pretty for the soulless monster she knows she's becoming. Lo clings to shreds of her former self, fighting to remember her past, even as she's tempted to embrace her dark immortality.When a handsome boy named Jude falls off a pier and into the ocean, Celia and Lo work together to rescue him from the waves. The two form a friendship, but soon they find themselves competing for Jude's affection. Lo wants more than that, though. According to the ocean girls, there's only one way for Lo to earn back her humanity. She must persuade a mortal to love her . . . and steal his soul.

    But you are more than just a hero ora villain, cursed or charmed. You are everything in between. You are everything. In fifty poems Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.

    . . .So begins this dark, unusual retelling of the story of Snow White by the writer reviewers have called “the Angela Carter of the fantasy field”—a whole novel based on a beloved story, turning it into a dark and sensual drama full of myth and magic.Arpazia is the aging queen who paces the halls of a warlord’s palace. Cold as winter, she has only one passion—for the mysterious hunter who courts the outlawed old gods of the woodland. Coira is the princess raised in the shadow of her mother’s hatred. Avoided by both her parents and half forgotten by her father’s court, she grows into womanhood alone . . . until the mirror speaks, and blood is spilled, and the forest claims her.The tragic myth of the goddess Demeter and her daughter, Persephone, stolen by the king of the underworld, is woven together with the tale of Snow White to create a powerful story of mothers and daughters and the blood that binds them together, for good or ill. Black queen. White maid. Royal huntsman. Seven little folk who live in the forest. Come inside, sit by the fire, and listen to this fairy tale as you’ve never heard it told before. Once upon a time there was a mirror, and a girl as white as snow. . . .

    But those books have begun to whisper to him in the darkness. Angry and alone, he takes refuge in his imagination and soon finds that reality and fantasy have begun to meld. While his family falls apart around him, David is violently propelled into a world that is a strange reflection of his own -- populated by heroes and monsters and ruled by a faded king who keeps his secrets in a mysterious book, The Book of Lost Things.Taking readers on a vivid journey through the loss of innocence into adulthood and beyond, New York Times bestselling author John Connolly tells a dark and compelling tale that reminds us of the enduring power of stories in our lives.

    But when her father is held captive by a terrifying Beast, Belle is the only one with the courage and creativity to save him...though she must first believe in herself.In Sunlight and Shadow, Princess Mina is kidnapped. Desperate to be reunited with her daughter, the Queen of the Night promises Mina’s hand in marriage to the prince who can rescue her. Yet as Mina and her prince encounter trials of love and fate, Mina must summon the strength to find her own happiness.In Winter’s Child, Grace’s best friend is lured from home by a dazzling Snow Queen. Grace sets out on a dangerous, mystical journey to find him, and along the way, she discovers the meaning of true love.

    Though she grew up with the city’s highest aristocrats, far from her father’s old lodge, she knows that the forest holds secrets and that her father is the only hunter who’s ever come close to discovering them. So when her father loses his fortune and moves Yeva and her sisters back to the outskirts of town, Yeva is secretly relieved. Out in the wilderness, there’s no pressure to make idle chatter with vapid baronessas…or to submit to marrying a wealthy gentleman. But Yeva’s father’s misfortune may have cost him his mind, and when he goes missing in the woods, Yeva sets her sights on one prey: the creature he’d been obsessively tracking just before his disappearance. Deaf to her sisters’ protests, Yeva hunts this strange Beast back into his own territory—a cursed valley, a ruined castle, and a world of creatures that Yeva’s only heard about in fairy tales. A world that can bring her ruin or salvation. Who will survive: the Beauty, or the Beast?

    That's not unusual. Isola Wilde sees a lot of things other people don't. But when the girl appears at Isola's window, her every word a threat, Isola needs help.Her real-life friends – Grape, James and new boy Edgar – make her forget for a while. And her brother-princes – the mermaids, faeries and magical creatures seemingly lifted from the pages of the French fairytales Isola idolises – will protect her with all the fierce love they possess.It may not be enough.Isola needs to uncover the truth behind the dead girl's demise and appease her enraged spirit, before the ghost steals Isola's last breath.

    Josef Breuer—celebrated psychoanalyst—is about to encounter his strangest case yet. Found by the lunatic asylum, thin, head shaved, she claims to have no name, no feelings—to be, in fact, not even human. Intrigued, Breuer determines to fathom the roots of her disturbance.Years later, in Germany, we meet Krysta. Krysta’s Papa is busy working in the infirmary with the ‘animal people,’ so little Krysta plays alone, lost in the stories of Hansel and Gretel, the Pied Piper, and more. And when everything changes and the world around her becomes as frightening as any fairy tale, Krysta finds her imagination holds powers beyond what she could have ever guessed. . . .Eliza Granville has had a life-long fascination with the enduring quality of fairytales and their symbolism, and the idea for Gretel and the Dark was sparked when she became interested in the emphasis placed on these stories during the Third Reich.

    And though her family has turned her into a despised servant, Maia must always pretend to be happy, or else they'll all be struck dead by the curse.Anax, heir to the Duke of Sardis, doesn't believe in love either—not since he discovered that his childhood sweetheart was only using him for his noble title. What's the point of pretending to fall in love with a girl just so she'll pretend to fall in love with him back? But when his father invites all the suitable girls in the kingdom to a masked ball, Anax must finally give in and select a wife.As fate would have it, the preparations for the masquerade bring him Maia, who was asked by her eldest stepsister to deliver letters to Anax. Despite a prickly first encounter, he is charmed and intrigued by this mysterious girl who doesn't believe in love. Anax can't help wishing to see her again—and when he does, he can't help falling in love with her. Against her will, Maia starts to fall in love with him too. But how can she be with him when every moment his life is in danger from her mother's deadly bargain?

    Sometimes they don’t get it right.Ugly Stepsister Anna has wrongly been accused of being mean and evil. Now it is time she got the opportunity to tell her side of the story.With Cinderella so perfect and wonderful, it is no wonder Anna feels ugly in comparison. Dealing with bullies, a grumpy mother and the death of her step-father, Anna is at her wits end.When the Prince’s ball approaches, Anna is told she must find a husband to save the family fortune. Attending with her sisters, the sulky Prince Charming only has eyes for Cinderella.With the burden of being the only one to unite her step-sister with the Prince, will Anna act as cupid? Or will she protect Cinderella from the arrogant Charming?A charming twist to the story of Cinderella, told completely from the point of view of the Ugly Step-Sister.