The Book of Sand was the last of Borges' major collections to be published. The stories are, in his words, 'variations on favourite themes...combining a plain and at times almost colloquial style with a fantastic plot'. It includes such marvellous tales as "The Congress", "Undr" and "The Mirror and the Mask". Also included are the handful of stories written right at the end of Borges' life - "August 25, 1983", "Blue Tigers", "The Rose of Paracelsus" and "Shakespeare's Memory".

    Time shifts from one consciousness to another in a hypnotic flow of dreams, desires, and memories, a world of ghosts dominated by the figure of Pedro Páramo - lover, overlord, murderer.Rulfo's extraordinary mix of sensory images, violent passions, and unfathomable mysteries has been a profound influence on a whole generation of Latin American writers, including Carlos Fuentes, Mario Vargas Llosa, and Gabriel García Márquez. To read Pedro Páramo today is as overwhelming an experience as when it was first published in Mexico back in 1955.

    Those who dare to investigate will be caught in the cross fire of an ancient conflict forged by mortal sacrifice, assassination, and secret societies tied to the shadowy Knights Templar.Spanning centuries and continents, from the storm-rent skies over Calvary, through the intrigue and treachery of Byzantium and the Crusades, to the modern-day citadels of Istanbul, New York, London, Paris, and Rome, The Brotherhood of the Holy Shroud races to a chilling climax in the labyrinths beneath Turin, where astounding truths will be exposed: about the history of a faith, the passions of man, and proof of the most powerful miracle of all….From the Hardcover edition.

    The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader’s mind.The story is like a great puzzle . . . invested with a vibrant, almost tangible reality.—The New York TimesAlthough many of the other “boom” writers may have received more attention—especially Fuentes and Vargas Llosa—Donoso and his masterpiece may be the most lasting, visionary, strangest of the books from this time period. Seriously, it’s a novel about the last member of an aristocratic family, a monstrous mutant, who is surrounded by other freaks so as to not feel out of place.—Publishers WeeklyNicola Barker has said: "I'm no expert on the topic of South American literature (in fact I'm a dunce), but I have reason to believe (after diligently scouring the internet) that Chile's Jose Donoso, while a very highly regarded author on home turf, is little known on this side of the Atlantic. His masterpiece is the fabulously entitled The Obscene Bird of Night. It would be a crass understatement to say that this book is a challenging read; it's totally and unapologetically psychotic. It's also insanely gothic, brilliantly engaging, exquisitely written, filthy, sick, terrifying, supremely perplexing, and somehow connives to make the brave reader feel like a tiny, sleeping gnat being sucked down a fabulously kaleidoscopic dream plughole."

    At first sight, he described it as "a most picturesque and beautiful city, situated in one of the loveliest landscapes that I have ever seen." Irving was preparing a book called A Chronicle of the Conquest of Granada, a history of the years 1478–1492, and was continuing his research on the topic. He immediately asked the then-governor of the historic Alhambra Palace as well as the archbishop of Granada for access to the palace, which was granted because of Irving's celebrity status. Aided by a 17-year old guide named Mateo Ximenes, Irving was inspired by his experience to write Tales of the Alhambra. Throughout his trip, he filled his notebooks and journals with descriptions and observations though he did not believe his writing would ever do it justice. He wrote, "How unworthy is my scribbling of the place." Irving continued to travel through Spain until he was appointed as secretary of legation at the United States Embassy in London, serving under the incoming minister Louis McLane. He arrived in London by late September 1829.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    Mao, at least, is still on view for the masses to see, some two decades after his demise. But no corpse engendered as much intrigue as that of Eva Peron. Elevated to near sainthood in Argentina after her death in 1952, her perfectly preserved corpse was seized by the Argentine Army following the ouster of her husband in 1955. By then, her corpse was the equivalent of a sacred relic, and while army officials wanted to keep it out of the hands of Peronists, they were loath to destroy the corpse for fear of the wrath that might follow. Tomas Eloy Martinez has reassembled the story of the corpse of Eve Peron in Santa Evita, and in the process, produced a riveting, rich book that not only tells the tale of one of the more bizarre sagas in the history of South American politics, but that also gets to the heart of the age-old human impulse to create myths and tell stories.

    As he revisits the details of the investigation, he is reacquainted with his similarly long, unrequited love for Irene Hornos, then just an intern, now a respected judge. Absorbing and masterfully crafted, The Secret in Their Eyes is a meditation on the effects of the passage of time and unfulfilled desire.Eduardo Sacheri’s tale is imbued with the subdued terror that characterized the Dirty War of 1970s Argentina, and was made into the Academy Award winning film of the same name in 2009.

    They can survive in the harshest of conditions like nobody else. The noble inmouchar Gacel Sayah, is the master of a large extension of the desert. One day, two fugitives arrive from the north and Gacel, following his ancient and sacred hospitality laws, gives them shelter. However, Gacel doesn't realise that his act of kindness will lead him towards a deadly adventure.

    from Cuba. Filled with puns, wordplay, lists upon lists, and Sternean typography--such as the section entitled "Some Revelations," which consists of several blank pages--this novel has been praised as a more modern, sexier, funnier, Cuban Ulysses. Centering on the recollections of a man separated from both his country and his youth, Cabrera Infante creates an enchanting vision of life and the many colorful characters found in steamy Havana's pre-Castro cabaret society.

    Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon."Thirteen-year-old Juan’s summer is off to a terrible start. First, his parents separate. Then, almost as bad, Juan is sent away to his strange Uncle Tito’s house for the entire break! Who wants to live with an oddball recluse who has zigzag eyebrows, drinks fifteen cups of smoky tea a day, and lives inside a huge, mysterious library?As Juan adjusts to his new life among teetering, dusty shelves, he notices something odd: the books move on their own! He rushes to tell Uncle Tito, who lets his nephew in on a secret: Juan is a Princeps Reader, which means books respond magically to him, and he’s the only one who can find the elusive, never-before-read Wild Book. But will Juan and his new friend Catalina get to The Wild Book before the wicked, story-stealing Pirate Book does?An unforgettable adventure story about books, libraries, and the power of reading, The Wild Book is the young readers’ debut by beloved, prize-winning Mexican author Juan Villoro. It has sold over one million copies in Spanish.

    The Twelve Detectives—a society of the twelve most famous, compelling, and dazzling detectives from around the world—have been asked to discuss the secrets of their trade as part of the fair's lineup of events. The Twelve travel to Paris to convene as a single body for the first time, but also, if some whispers are to be believed, to debate the very philosophy that underlies their pursuit of the world's most wanted criminals.But one detective is conspicuously absent: the legendary founding member of The Twelve, Renato Craig, will not attend. In his place he sends his novice assistant, Sigmundo Salvatrio—son of a shoemaker, a lifelong detective-arts devotee, and the only remaining student of Craig's famed Academy for Detectives in Buenos Aires. Salvatrio arrives in Paris, carrying a secret message meant only for Craig's best friend and cofounder of The Twelve, the brilliant, brooding, and fiercely competitive Viktor Arzaky.When a member of The Twelve is discovered dead at the foot of the gleaming Eiffel Tower, the first in what turns into a series of grisly murders, Arzaky and Salvatrio find themselves in a race against time around glorious fin de siècle Paris, encountering all manner of secret societies, solving philosophical puzzles, while also trying to save a dangerously beautiful woman.The pair soon realizes that the stakes involved are unimaginably high; they must not only catch the stalking murderer but also alter the fate of their precious brotherhood.Written in a strikingly original voice, and poignantly evoking a world about to lose its innocence forever, The Paris Enigma opens a window onto crime solving's early days, when wit, common sense, and intelligence were the only tools a detective could rely on.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    The novel presents a series of flashes — scenes, moods, dreams, and weather — as the narrator wanders through Barranco (then an exclusive seaside resort outside Lima). In one stunning passage after another, he skips from reveries of first loves, South Pole explorations, and ocean tides to precise and unashamed notations of class and of race: from an Indian woman "with her hard, shiny, damp head of hair — a mud carving" to a gringo gobbling "synthetic milk, canned meat, hard liquor."As the translator notes, The Cardboard House is as "subversive now as when it was written: Adán's uncompromising poetic vision and the trueness and poetry of his voice constitute a heroic act against cultural colonialism."

    Written almost a decade before the death squads disrupted Argentina, it is the gripping first-person narrative of an old man caught in a wave of persecutions against all old people, and might well stand as a metaphor for the murkier currents of Latin American society today. Adolfo Bioy Casares relates the day-by-day life of Isidro Vidal, the "old boys" from the corner cafe, and the women, young and old, who offer temporary redemption from madness and mob terror. Part Allegory and part irreducible dream, this story of courage, cowardice, and love is disquieting testimony on the human condition of our southern neighbors.