Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. They follow legends and local lore, destroy the murderous dead, and keep pesky things like the future and friends at bay.Searching for a ghost the locals call Anna Dressed in Blood, Cas expects the usual: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.Yet she spares Cas's life.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

    She’s been able to see ghosts since her mother tried to murder her when she was five years old. No way does she want anyone to know she can talk to spooks. Being a foster kid is hard enough without being labeled a freak too. Normally, she just ignores the ghosts and they go away. That is until she see’s the ghost of her foster sister… Sally. Everyone thinks Sally’s just another runaway, but Mattie knows the truth—she’s dead. Murdered. Mattie feels like she has to help Sally, but she can’t do it alone. Against her better judgment, she teams up with a young policeman, Officer Dan, and together they set out to discover the real truth behind Sally’s disappearance. Only to find out she’s dealing with a much bigger problem, a serial killer, and she may be the next victim… Will Mattie be able to find out the truth before the killer finds her?

    Tudor. Included at the end of their novel The Other People in the audiobook published by Penguin Random House Audio Publishing Group (ISBN: 9780593148129).

    But when coffins start floating down her street during a flood, life turns extra strange. And wonderful, when her friend and crush Noah signs on to help Charlotte and her folks in the aftermath. Cemetery cleanup might not sound exciting, but as shocking discoveries and a lurking stranger come to light, Charlotte learns that sometimes, raising the dead can bring unexpected rewards.

    THEY’RE LOST FOREVER. Nellie Clay married Hobbs Pritchard without even noticing he was a spell conjured into a man, a walking, talking ghost story. But her mama knew. She saw it in her tea leaves: death. Folks told Nellie to get off the mountain while she could, to go back home before it was too late. Hobbs wasn’t nothing but trouble. He’d even killed a man. No telling what else. That mountain was haunted, and soon enough, Nellie would feel it too. One way or another, Hobbs would get what was coming to him. The ghosts would see to that. . . . Told in the stunning voices of five women whose lives are inextricably bound when a murder takes place in rural Depression-era North Carolina, Ann Hite’s unforgettable debut spans generations and conjures the best of Southern folk-lore—mystery, spirits, hoodoo, and the incomparable beauty of the Appalachian landscape.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    Well, actually, coming back from the dead and having the ability to communicate with ghosts is really what did it. Now, a private investigator in rural Freeport, Illinois, Mary’s trying to learn how to incorporate her experience as a Chicago cop and new-found talent into a real job. Her challenge is to solve the mysteries, get real evidence (a ghost’s word just doesn’t hold up in court), and be sure the folks in town, especially the handsome new police chief, doesn’t think she’s nuts. Twenty-four years ago, a young woman drowned in the swimming pool of a newly elected State Senator. It was ruled an accident. But now, as the Senator prepares to move on to higher positions, the ghost of the woman is appearing to the Senator’s wife.Mary is hired to discover the truth behind the death. She unearths a connection between the murder and the disappearance of five little girls whose cases, twenty-four years later, are still all unsolved. As she digs further, she becomes the next target for the serial killers’ quest to tie up all his loose ends.

    But that’s what happens when you’re a mediator – cursed with the “gift” of communicating with the dead.That’s how Suze has ended up at the graves of a pair of NCDPs - Non-Compliant Deceased Persons – whose drama didn’t end with death. It’s Suze’s job to make sure they move on—for good.But the NCDPs aren’t the only ones with problems. The reason Suze is spending her Valentine’s Day with the undead instead of her boyfriend, Jesse, is because he’s having so much trouble adjusting to life after death . . . not surprising, considering the fact that he used to be an NCDP himself, and now his girlfriend busts his former kind for a living, while he tries to cure his kind of what used to ail him.Can Suze use her mediating skills to propose a mutual resolution, and bring all these young lovers together - including Jesse and herself - especially on the night Saint Valentine declared sacred to romance? Or will she end up alone—and possibly undead—herself?

    As stranger and more disturbing bodies are discovered, how can the city hold on to a reality that is already tearing at its seams? If you're Detective Versado's geeky teenage daughter, Layla, you commence a dangerous flirtation with a potential predator online. If you're desperate freelance journalist Jonno, you do whatever it takes to get the exclusive on a horrific story. If you're Thomas Keen, known on the street as TK, you'll do what you can to keep your homeless family safe--and find the monster who is possessed by the dream of violently remaking the world. If Lauren Beukes's internationally bestselling The Shining Girls was a time-jumping thrill ride through the past, her Broken Monsters is a genre-redefining thriller about broken cities, broken dreams, and broken people trying to put themselves back together again.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    *****THE FALLEN: GENESIS (A Deadly Virtues Prequel)IN THE BEGINNING...They told them they were evil.They told them they were possessed by demons.They told them that darkness ran in their veins.Holy Innocents Home for Children is a haven for orphaned boys who have nothing and no one. The priests watch over them, educate them, raise them in the family of the church.Except for some.Seven of the orphans are no ordinary boys. They attract the attention of the priests for their acts of violence, of bloodlust. The priests realize these boys are drawn to the darkness.And the priests are no ordinary priests. They are the Brethren, a secret sect who believe themselves on a divine mission to seek out evil in the boys in their care. Seek it out, and then drive it out.The seven have fallen from God’s grace. And the Brethren will cleanse their blackened souls…Dark Contemporary Romance novella. Contains sexual situations, violence, sensitive and taboo subjects, offensive language and topics some may find triggering. Recommended for age 18 years and up.