He is the unwitting star of a nonstop, 24-hour-a-day documentary soap opera called The Truman Show, with every moment of his life broadcast to a worldwide audience. Everyone around him is an actor. He is a prisoner in a made-for-TV paradise. This is the story of his escape.Rarely has a first-time collaboration between a writer and director produced such a stunning result. In this book, both Niccol and Weir's lively talents and creative force come to light, as each contributes some highly original material to amplify the brilliant107-page shooting script, reproduced here in facsimile. Niccol has given us another version of The Truman Show, in photos and captions—in effect, our very own photo album. For his contribution, Peter Weir chose to let us in on the intricately detailed, often hilarious "backstory," which he wrote as part of his preparation, and eventually shared with the cast and crew during production. Also included are complete cast and crew credits.

    He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA Film School, and the script was purchased by Paramount. The film, directed by Hal Ashby, was released in 1971 and it bombed. But soon this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. This novelization was written by Higgins and published shortly after the film’s release but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.

    The Da Vinci Code Illustrated Screenplay goes behind the scenes of one of the most highly anticipated movies of all time, created by Academy Award®–winning filmmakers Ron Howard, Brian Grazer, and Akiva Goldsman.  Offering unprecedented access to the tightly guarded “closed set,” and a view of the filmmaking process that has never been seen publicly, screenwriter Goldsman provides a backstage look at the incredible journey to bring Dan Brown’s record-setting novel to the big screen.  Goldsman’s richly rendered screenplay is included here in its entirety.  It offers a fascinating new way to experience the story—and includes a number of moments (and even full scenes) that do not appear in the final cut of the movie. Lavishly illustrated with 275 images of the actors and filmmakers—from both the movie set and the film itself—this behind-the-scenes features include: • Filming in the Louvre in the dead of night, and re-creating a 400-foot section of the museum’s Grand Gallery on a soundstage—down to the precise architectural details, and complete with 120 oil-painting masterpieces • The full digital and soundstage re-creation of the Church of Saint-Sulpice • The transformation of Lincolnshire’s Lincoln Cathedral into London’s Westminster Abbey, and the reproduction of Sir Isaac Newton’s enormous tomb• Handwritten notes on pages from Ron Howard’s script • The evolution of script dialogue as it progressed from an early draft of the screenplay to final shooting form • Dozens of never-before-seen storyboards that were used to block out scenes before filming commenced  For any fan of the filmmaking process, and of the extraordinary movie and novel, this exquisitely produced book will be an invaluable companion.

    No man could resist her charms—not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura's death, he becomes obsessed with her strange power. Soon he realizes he's been seduced by a dead woman—or has he? Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary's equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale.

    screenplay

    One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.

    Quills premiered at Washington, D.C.'s Woolly Mammoth Theatre Company in 1995 and subsequently had its debut Off-Broadway at New York Theatre Workshop. Quills garnered the 1995 Kesselring Prize for Best New American Play from the National Arts Club and, for Wright, a 1996 Village Voice Obie Award for Outstanding Achievement in Playwriting.

    A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college a thriller which Sidney recognizes immediately as a potential Broadway hit. Sidney's plan, which he devises with his wife's help, is to offer collaboration to the student, an idea which the younger man quickly accepts. Thereafter suspense mounts steadily as the plot begins to twist and turn with devilish cleverness, and with such an abundance of thrills and laughter, that audiences will be held enthralled until the final, startling moments of the play.

    And yet, the history of its making is so colorful, so chaotic, that one cannot help but marvel at the seemingly insurmountable odds it overcame to become a true cinematic masterpiece, a film that continues to captivate us decades after its release. Now, thirty-five years after The Godfather's highly anticipated debut, comes this fully authorized, annotated, and illustrated edition of the complete screenplay. Virtually every scene is examined including:Fascinating commentary on technical details about the filming and shooting locationsTales from the set, including the arguments, the accidents, and the practical jokesProfiles of the actors and stories of how they were castDeleted scenes that never made the final cutGoofs and gaffes that didAnd much more Interviews with former Paramount executives, cast and crew members—from the producer to the makeup artist—and director Francis Ford Coppola round out the commentary and shed new light on everything you thought you knew about this most influential film. The more than 200 photographs from the film, from behind-the-scenes, and from the cutting room floor make this a visual feast for every Godfather fan.

    for Aditya is the boy from Pataliputra, the boy who was once a reckless and carefree aristocrat, but who has now been forced to become a man with a purpose to fight for honour and love.With a sweeping narrative and interesting everyday characters like the smelly old dhaba owner Tanku, Philotas the unlucky Greek soldier, the no-nonsense medical student Radha, Pandi the hard drinking mercenary and the lovely Devika, the Boy from Pataliputra is the mesmerizing story of a young man’s growth to maturity, but also, equally, a story about the rise of a nation.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst.   After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The official story was that the Roswell crash was a balloon. But the real story is that Project Bluebook became Project Blueprint and helped start WWIII. Tex Murphy has never been good at staying out of trouble . . . and this time he's in for lots of trouble