Buran cannot—Buran will not—sit quietly at home and wait to be married to the man her father chooses. Determined to use her skills and earn a fortune, she instead disguises herself as a boy and travels by camel caravan to a distant city. There, she maintains her masculine disguise and establishes a successful business. The city's crown prince comes often to her shop, and soon Buran finds herself falling in love. But if she reveals to Mahmud that she is a woman, she will lose everything she has worked for.

    Holly's heart is frozen, and she must face her enemy, free her self, and save her father's kingdom.

    It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber.There are only a few reasons why everybody has always wanted to read this kind of story: if you have always wanted to love a Princess; if you always wanted to be a Prince; if you always wanted the wicked Duke to be punished; or if you always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in The 13 Clocks.

    Gilly wouldn't call herself wicked, exactly...but when you have five little brothers and sisters and live in a run-down boot, you have to get creative to make ends meet. Gilly's a pretty good thief (if she does say so herself).Until she gets caught.Gilly's sentenced to three months at Fairy Tale Reform School where all of the teachers are former (super-scary) villains like the Big Bad Wolf, the Evil Queen, and Cinderella's Wicked Stepmother. Harsh. But when she meets fellow students Jax and Kayla, she learns there's more to this school than its heroic mission. There's a battle brewing and Gilly has to wonder just how good these bad guys really are?

    The text is faithful to Lewis Carroll's original story, and special effects like a Victorian peep show, multifaceted foil, and tactile elements make this a pop-up to read and admire again and again.

    The princess is really Mabel, the housekeeper's niece, who is only pretending to be royalty. But when she shows them a secret room filled with treasure where they discover a magical ring, enchantment becomes a reality.

    Unlike her six beautiful sisters, she has brown hair and freckles, and would rather have adventures than play the harp, embroider tapestries . . . or become a Queen. When her royal parents try to marry her off, Amy runs away and, because she's so ordinary, easily becomes the fourteenth assistant kitchen maid at a neighboring palace. And there . . . much to everyone's surprise . . . she meets a prince just as ordinary (and special) as she is!"This delightful fairy tale is sure to please young romantics . . . Neither Kaye's princess nor her book should be considered ordinary." (School Library Journal)

    But he's just a commoner, and no match for royalty. Heck, he lives in a cave with a troll! And now he's discovered another reason to put his love-soggy heart on ice: Queen Olympia is scheming to take over the kingdom--and she'll bump off her own daughter to do it. Can Christian foil her diabolical plans?

    In "Matchless", Maguire adds a different dimension to the story, intertwining the match girl's tale with that of a young boy, Frederik, whose own yearnings are the catalyst for a better future for himself and his family. Maguire uses his storytelling magic to rekindle Andersen's original intentions, and to suggest transcendence, the permanence of spirit, and the continuity that links the living and the dead.

    Having been turned into a frog by a hag, a frog-prince makes the best of his new life as he mates, raises a family, and instills a new kind of thinking into his frog family.

    Told in alternating chapters from both Anna's and Hans' perspectives, A Frozen Heart takes a sophisticated look at events of Frozen, exploring the couple's backstories, motivations, and doomed relationship.

    But only the girl who proves she can see him will be his bride. The two beautiful but spoiled daughters of a poor village man try their best to be chosen, but it is their Rough-Face-Girl sister, scarred on her face and arms from tending fires, who sees the Invisible Being in the wonder of the natural world.The dramatic illustrations reflect the vibrant earth colors of the native landscape and the wisdom and sensitivity of the protagonist.

    She fears for her life, but finds kindness rather than danger there, for the lion by day is a gentle young man by night-a prince under the spell of a wicked enchantress. Soon the lady and the lion fall in love. Unlike the more familiar tale, however, this story has only just begun. The prince is not yet safe from the enchantress, and it will take all of the lady's strength and courage, through a seven-year quest, to rescue him. Dazzlingly romantic and visually magnificent, this is a book for the ages-an exhilarating tale of virtue, heroism, and the power of love. Illustrated by Laurel Long.

    Thousands of children have been inspired to weave their own stories to go with his intriguingly titled pictures. And now, some of our most imaginative storytellers attempt to solve the perplexing mysteries of Harris Burdick. Enter The Chronicles of Harris Burdick to read this incredible compendium of stories: magical, funny, creepy, poignant, inscrutable, these are tales you won't soon forget.(front flap)

    Welcome to reality: royal genealogy lessons, needlepoint, acting like "a proper lady," and—worst of all—a prince who is not the least bit interesting, and certainly not charming. As soon-to-be princess Ella deals with her new-found status, she comes to realize she is not "your majesty" material. But breaking off a royal engagement is no easy feat, especially when you're crushing on another boy in the palace... For Ella to escape, it will take intelligence, determination, and spunk—and no ladylike behavior allowed.