That’s all right with her. She has the bookshop she inherited when her parents were murdered before her eyes, providing her with a living and something to keep her busy during the day. At night, she has another occupation. Driven by her need to see people rescued and justice done, she works with the Archivist Society.In the foggy London of coal fires and carriages, glittering balls and Sherlock Holmes, the Archivist Society digs through musty records searching for the truth. They also don disguises and assume identities as they hunt for missing people, stolen treasures, and cunning murderers. Between her efforts for the Archivist Society and her management of the bookshop, Georgia doesn’t have time to be lonely.When a respectable middle-class woman comes into her bookshop complaining that a duke has abducted her next door neighbor, Georgia thinks the investigation will be a short one. Instead, she finds herself embroiled in theft, blackmail, lies, secret marriages, and murder. The man Georgia is asked to find may be royalty, may be dead, and is definitely missing. The woman who hired her won’t reveal the truth. The accused duke may be a victim or a killer, but he certainly is involved in the hunt for the missing man. And every aristocrat who knew the missing man seems to be hiding their own dangerous lie.As Georgia crosses London searching for the missing man, she finds herself staring into the face of the one person she has wanted to capture for a dozen years. The one who got away. The man who killed her parents.

    A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does. A Regency Cozy.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    Indeed, the invitation to join her Aunt Winnie for a How to Host a Murder Party on New Year’s Eve at Winnie’s new Cape Cod B and B comes just in time. But when the local wealthy miser ends up the unscripted victim, Elizabeth must unearth old secrets and new motives in order to clear her beloved aunt of suspicion. The suspects include the town gossip, a haughty rich woman, and an antiques business owner much enamored of his benefactress, a Mrs. Kristell Dubois. If that isn’t bad enough, Elizabeth must also contend with her childhood nemesis, Peter McGowan---a man she suspects has only matured in chronological years---and her suspicions about his family’s interest in Winnie’s inn.Yesterday, her only worry was of ever finding her Mr. Darcy. Now she has a murder to solve. Is it any wonder her resolution to achieve inner poise is in tatters? By reimagining characters and themes lifted from the treasured classic Pride and Prejudice, and crafting an expert, intricate mystery, Tracy Kiely has brought to life something very special: a new cozy series that is clever, vibrant, and utterly disarming.

    The Great War is over, but the ghosts of the dead still linger. Agatha Christie was one of the lucky ones - her husband returned from the conflict - and for her, and her local neighbours, life has resumed. Agatha is beginning to gain some notoriety for her crime writing and she is busy working on her latest novel. But then her neighbour tells her there has been a real 'murder at the vicarage' - a young man, Cecil Coates, has been poisoned, and due to Christie's expertise in the crime genre, the neighbourhood wants her to investigate. At first Agatha is reluctant to get involved. After all, she is a writer, not a detective. But then Robert Sayer, godson of her neighbour, and one of the main suspects in the case, appeals to her directly for help, and she finds herself being drawn in... What secrets and lies are lying beneath the village's tranquil exterior? Can Agatha Christie use her imagination to draw the murderer out? 'Murder Will Out' is the first in a new series of murder mysteries, in which famous authoress Agatha Christie takes time out from writing to investigate real crime.

    When the opportunity presents itself, Phryne decides it might be amusing to try her hand at becoming a lady detective in Australia. Immediately upon settling into Melbourne's Hotel Windsor, Phryne finds herself embroiled in mystery. From poisoned wives and cocaine smuggling, to police corruption and rampant communism (not to mention erotic encounters with the beautiful Russian dancer, Sasha de Lisse), Cocaine Blues charts a crescendo of steamy intrigue, culminating in the Turkish baths of Little Lonsdale Street.

    Domestic service had never been an intended career for Dory, but a plea from family could never be ignored, even, as it turns out, when her predecessor had been murdered in the very house Dory now worked. A stranger was blamed for the death, and Lord and Lady Wallisford and their grown children were not giving Detective Inspector Ridley from the Met an easy time to investigate alternative theories. No strangers had been seen in the district and Dory, with her position in the house, is increasingly drawn in the help.

    In the driving seat of the burnt-out car were the remains of a body...An accident, said the police. An accident, said the widow. She had been warning her husband about the danger of the car for months. Murder, said the famous detective Lord Peter Wimsey--and proceeded to track down the killer. This is vintage Sayers, a collection of her finest crime and detection stories.

    Scotland Yard's Inspector Roderick Alleyn arrives to find a complete collection of alibis, a missing butler, and an intricate puzzle of betrayal and sedition in the search for the key player in this deadly game.

    Kincaid comes to Daisy to help solve her husband's disappearance, Detective Sam Rotondo isn't far behind.Sam isn't fooled by Daisy's choice of "vocation" and blackmails her into spying on the Kincaids.Then Daisy reads Sam's cards... and the tables turn.

    Mary in Catherine Lloyd's charming Regency-set mystery debut.Major Robert Kurland has returned to the quiet vistas of his village home to recuperate from the horrors of Waterloo. However injured his body may be, his mind is as active as ever. Too active, perhaps. When he glimpses a shadowy figure from his bedroom window struggling with a heavy load, the tranquil façade of the village begins to loom sinister. . .Unable to forget the incident, Robert confides in his childhood friend, Miss Lucy Harrington. As the dutiful daughter of the widowed rector, following up on the major's suspicions offers a welcome diversion--but soon presents real danger. Someone is intent on stopping their investigation. And in a place where no one locks their doors, a series of thefts and the disappearance of two young serving girls demands explanation. . .As Robert grapples with his difficult recovery, he and Lucy try to unearth the dark truth lurking within the village shadows, and stop a killer waiting to strike again...

    While war rages in Europe, Fenella Churche is doing her bit in the green fields of England. But when she finds a letter addressed to her on the scrubbed farmhouse table, she knows the news won’t be good. She hasn’t heard from her fiancé Arthur since he was posted to France on a dangerous undercover mission, and from his very first words she knows he may not be coming back.I fear this may be my last letter to you, my darling, Arthur writes. Fen won’t give up hope and calls the war office, wanting to know if Arthur is still alive; they refuse to tell her anything. Searching for answers, she returns to his letter, but parts of it just don’t make sense. Through her tears Fen realises that her darling Arthur is giving her all the clues she needs to find out what happened to him.1945. With the war behind them and nothing left for her in England, Fen travels to the deceptively pretty French village where she thinks Arthur might be, but there’s no sign of him. She’s close to giving up when she finds his silver cigarette case and another letter full of clues. But when the local priest is killed, it’s clear someone wants to keep wartime secrets buried. If Arthur, a brilliant spy, was outwitted and betrayed, can Fen stay alive long enough to find out what happened to the man she loves?

    Until, that is, Edward Stodmarsh makes an ill-advised second marriage to the scheming Regina Stapleton, who insists on bringing her family's 'ornamental hermit' to live on the estate. Suddenly everyone wants to visit Mullings to glimpse this mysterious figure. Strange but harmless, thinks Florence Norris, the family's longstanding housekeeper. But events take a sinister turn with the arrival of sudden, violent death - and suddenly the hermit doesn't seem so harmless after all.

    Now, in 1137, the ambitious head of Shrewsbury Abbey has decided to acquire the sacred remains for his Benedictine order. Native Welshman Brother Cadfael is sent on the expedition to translate and finds the rustic villagers of Gwytherin passionately divided by the Benedictine's offer for the saint's relics. Canny, wise, and all too wordly, he isn't surprised when this taste for bones leads to bloody murder.The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself held the bow. Brother Cadfael knows a carnal hand did the killing. But he doesn't know that his plan to unearth a murderer may dig up a case of love and justice...where the wages of sin may be scandal or Cadfael's own ruin.

    Laetitia Rodd, aged fifty-two, is the widow of an archdeacon. Living in Hampstead with her confidante and landlady, Mrs. Benson, who once let rooms to John Keats, Laetitia makes her living as a highly discreet private investigator.Her brother, Frederick Tyson, is a criminal barrister living in the neighboring village of Highgate with his wife and ten children. Frederick finds the cases, and Laetitia solves them using her arch intelligence, her iron discretion, and her immaculate cover as an unsuspecting widow. When Frederick brings to her attention a case involving the son of the well-respected, highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire to take up a position as the family’s new governess—quickly making herself indispensable. But the seemingly simple case—looking into young Charles Calderstone’s “inappropriate” love interest—soon takes a rather unpleasant turn. And as the family’s secrets begin to unfold, Laetitia discovers the Calderstones have more to hide than most.