. . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    . .On the eve of the heated presidential election of 1892, Miss Hattie Davish arrives in Eureka Springs, Arkansas, a scenic resort town where those without the scent of whiskey on their breath have the plight of temperance on their tongues. Summoned for her services as a private secretary, Hattie is looking forward to exploring the hills, indulging her penchant for botany--and getting to know the town's handsome doctor. But it's hard to get her job done with her employer nowhere to be found. . .An army of unassuming women wielding hatchets have descended on the quiet Ozark village, destroying every saloon in their path--and leaving more than a few enemies in their wake. So when their beloved leader, Mother Trevelyan, is murdered, it's easy to point fingers. Now that she's working for a dead woman, Hattie turns to her trusty typewriter to get to the truth. And as she follows a trail of cryptic death threats, she'll come face to face with a killer far more dangerous than the Demon Rum. . ."A wonderful read from a welcome addition to the genre. This one shouldn't be missed--it has it all!" --Emily Brightwell

    Independent young Kitty Underhay has been left in charge of her family’s hotel, The Dolphin, on the tranquil English coast. She’s expecting her days at the bustling resort to be filled with comfortable chatter with chambermaids as they polish the mahogany desks and glittering candelabras of the elegant foyer. Everything must be perfect for the arrival of a glamourous jazz singer from Chicago and a masked ball that will be the cultural highlight of the season. But when several rooms are broken into and searched, including Kitty’s own, she quickly realises that something out of the ordinary is afoot at the hotel. Soon rumours are flying in the cozy town that someone is on the hunt for a stolen ruby. A ruby that Kitty’s mother may well have possessed when she herself went missing during the Great War. And when the break-ins are followed by a series of attacks and murders, including of the town’s former mayoress, it seems the perpetrator will stop at nothing to find it. Aided by ex-army captain Matthew Bryant, the Dolphin’s new security officer, Kitty is determined to decipher this mystery and preserve not only the reputation of her hotel, but also the lives of her guests. Is there a cold-blooded killer under her own roof? And what connects the missing jewel to the mystery from Kitty’s own past? A classic page-turning murder mystery! Fans of Agatha Christie, Elizabeth Edmondson and T.E. Kinsey will love this unputdownable whodunnit.

    . . Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won't be swept off her feet on a trip abroad. Despite her Aunt Millie's best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane's plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can't quite figure out . . .While the Mena House has its share of charming guests, Anna Stainton isn't one of them. The beautiful socialite makes it clear that she won't share the spotlight with anyone--especially Jane. But Jane soon becomes the center of attention when she's the one standing over her unintentional rival's dead body.Now, with her innocence at stake in a foreign country, Jane must determine who can be trusted, and who had motive to commit a brutal murder. Between Aunt Millie's unusual new acquaintances, a smarmy playboy with an off-putting smile, and the enigmatic Mr. Redvers, someone has too many secrets. Can Jane excavate the horrible truth before her future falls to ruin in Cairo . . . and the body count rises like the desert heat?

    Kate Haywood, a simple musician in the employ of a princess, will find herself involved in games of crowns as she sets out to solve the murder of the queen’s envoy....   England is in tumult under the rule of Queen Mary and her Spanish husband. Confined to house arrest at Hatfield House, young Princess Elizabeth is the country’s greatest hope. Far from court intrigues, Elizabeth finds solace in simple things: the quiet countryside and peaceful recreation, including the melodies of her chief musician and his daughter, Kate Haywood.   But Kate will prove herself most valuable when an envoy of the queen—sent to flush out heretics in the princess’s household—is found dead on the grounds of Hatfield. Acting as Elizabeth’s eyes and ears, Kate is sent out on the trail of a killer whose mission could destroy her family, friends—and the future of England.

    In this tantalizing new novel, Christie’s mysterious ten-day disappearance serves as the starting point for a gripping novel, in which Christie herself is pulled into a case of blackmail and murder.“I wouldn’t scream if I were you. Unless you want the whole world to learn about your husband and his mistress.”Agatha Christie, in London to visit her literary agent, is boarding a train, preoccupied with the devastating knowledge that her husband is having an affair. She feels a light touch on her back, causing her to lose her balance, then a sense of someone pulling her to safety from the rush of the incoming train. So begins a terrifying sequence of events—for her rescuer is no guardian angel, rather he is a blackmailer of the most insidious, manipulative kind.“You, Mrs. Christie, are going to commit a murder. But, before then, you are going to disappear.”Writing about murder is a far cry from committing a crime, and Agatha must use every ounce of her cleverness and resourcefulness to thwart an adversary determined to exploit her expertise and knowledge about the act of murder to kill on his behalf.In A Talent for Murder, Andrew Wilson ingeniously explores Agatha Christie’s odd ten-day disappearance in 1926 and weaves an utterly compelling and convincing story around this still unsolved mystery involving the world’s bestselling novelist.

    Many years later she returned to the Island, discovered it was for sale and bought it on a whim. Or so she thought. She had no idea at the time how much it would change her life, nor that it was yet to reveal all it’s secrets. Ones that even Ella couldn't imagine. She purchased the cottage from an old lady, but this was no ordinary old lady. And she left her cat, but this was no ordinary cat. Ella soon realises that this isn't the only gift the old lady left. Having only been in residence a few short weeks, and still unpacking boxes, she receives a telephone call from her brother, inviting her up to London for Sunday lunch. This call sets in motion a series of events that puts Ella’s life, and those of the people closest to her in danger. ‘An Accidental Murder’ is a cosy amateur sleuth novella, with a difference. Set in 1930’s England, it is the first in the series of The Yellow Cottage mysteries. *Please note this is a novella of around 25,000 words.*

     Moving through streets where people line up at soup kitchens, Maggie draws information from sources others overlook: The waitress at the dime store lunch counter where she has breakfast; a ragged newsboy; the other career girls at her rooming house. Her digging gets her chloroformed and left in a ditch behind the wheel of her DeSoto. She makes her way to an upscale bordello and gets tea – and information – from the madam herself. A gunman puts a bullet through Maggie’s hat. Her shutterbug pal on the evening paper warns her off. A new cop whose presence unsettles her thinks she’s crooked. Before she finds all the answers she needs, she faces a half-crazed man with a gun, and a far more lethal point-blank killer. If you like Robert B. Parker's hard boiled Spencer series and strong women sleuths, don't miss this one-of-a-kind Ohio detective from a time in United States history when dames wore hats -- but seldom a Smith & Wesson.

    But when the Prince Regent is taken ill after consuming Arianna’s special chocolate dessert, she finds herself at the center of a dangerous scandal. Because of his expertise in chocolate, the Earl of Saybrook, Alessandro De Quincy, is the ideal candidate to investigate this crime. When the Earl’s intuition leads to Arianna’s exposure, she convinces Saybrook to keep her secret in exchange for help in tracking down the real culprit. As their search takes them from the glittering ballrooms of Mayfair to the slums of St. Giles, it becomes clear that someone is looking to plunge England into chaos—and Arianna and Saybrook to the bottom of the Thames…

    But poor, romantic Julia - how could she possibly have guessed that the ravishing fellow Art Lover for whom she conceived a fatal passion was himself an employee of the Inland Revenue? Or that her hard-won night of passion with him would end in murder- with her inscribed copy of the current Finance Act subsequently discovered just a few feet away from the corpse...

    However, it turns out to be anything but dull when his uncle, the Earl of Northmoor, is shockingly murdered!Evelyn must use all of her sleuthing knowledge, gained whilst she was a member of the Police force during the war, to find out who the murderer is before the bungling local police force decide the Earl was bumped off so Tommy could inherit his title.If you enjoy the glamour of bygone eras like 1920s Downton Abbey and gentle, cozy mysteries set in the English countryside then you will love this new series.

    But to solve a fairy-tale crime in the haunted Black Forest, she’ll need more than a bit of charm…   1867: After being fired from her latest variety hall engagement, Ophelia acts her way into a lady’s maid position for a crass American millionaire. But when her new job whisks her off to a foreboding castle straight out of a Grimm tale, she begins to wonder if her fast-talking ways might have been too hasty. The vast grounds contain the suspected remains of Snow White’s cottage, along with a disturbing dwarf skeleton. And when her millionaire boss turns up dead—poisoned by an apple—the fantastic setting turns into a once upon a crime scene.   To keep from rising to the top of the suspect list, Ophelia fights through a bramble of elegant lies, sinister folklore, and priceless treasure, with only a dashing but mysterious scholar as her ally. And as the clock ticks towards midnight, she’ll have to break a cunning killer’s spell before her own time runs out…

    Conspirators plot an assassination, while mysterious, violent death stalks the shadowy cloisters of the Abbey of St Hilda. When the Abbess Etain, a leading speaker for the Celtic Church, is found murdered suspicion inevitably rests on the Roman faction.Attending the Synod is Fidelma, of the community of St Brigid of Kildare. As an advocate of the Brehon Court, she is called on to investigate the murder with Brother Eadulf, of the Roman faction. However, the two are so unlike that their partnership is described as that of a wolf and a fox - but which is which?More gruesome deaths follow and the friction among the clerics could end in civil war. Can the solution to the mysteries avert such a conflict?

    As they playfully recreate the ritual of the Black Dudley Dagger, someone dies. Pathologist George Abbershaw suspects foul play, and when a vital item is mislaid, a gang of crooks hold the guests hostage. Will they escape the house – what did happen to the Colonel – and just who is the mysterious Mr Campion? Neither the story nor Albert Campion is quite as vapid and slow as you might expect....apa in US as THE BLACK DUDLEY MURDER, 1929

    Martin's Press Best First Traditional Mystery Award Forensic historian Simon Shaw likes his murders old and cold, and his first case fits the bill. An archeologist friend has found a skeleton with a bullet hole in its skull under historic Bloodworth House, and Simon investigates with his usual doggedness until he discovers that the corpse is Anne Bloodworth, an heiress who disappeared in 1926. Shaw feels compelled to find out who killed her. But this turns out to be more than an academic exercise when someone who wants to hide past secrets tries to murder him!"Shaber charms us with her personable prof and her warm, vibrant portrait of small-town Southern life." --"New York Times Book Review"