Candice has solutions.Candice Phee isn't your typical twelve- year-old. She has more than her fair share of quirks. But she has the very best of intentions and unwavering determination to make sure everyone around her is happy. Which is no easy feat when you're dealing with a pet fish with an identity crisis, a friend who believes he came from another dimension, an age-old family feud, and a sick mom. But she is on a mission. And she's going to fix it all, even if it means risking sea sickness, guarding an edge of a cliff, and dancing in the rain. Her methods might be unique, but Candice will do whatever it takes to restore order to her world and make sure everyone is absolutely, categorically happy again. Hilariously honest and wonderfully touching, "The Categorical Universe of Candice Phee" will have you rooting for the underdog and celebrating the oddball in each of us.

    Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.

    A Vietnamese girl plants six lima beans in a Cleveland vacant lot. Looking down on the immigrant-filled neighborhood, a Romanian woman watches suspiciously. A school janitor gets involved, then a Guatemalan family. Then muscle-bound Curtis, trying to win back Lateesha. Pregnant Maricela. Amir from India. A sense of community sprouts and spreads. Newbery-winning author Paul Fleischman uses thirteen speakers to bring to life a community garden's founding and first year. The book's short length, diverse cast, and suitability for adults as well as children have led it to be used in countless one-book reads in schools and in cities across the country.Seedfolks has been drawn upon to teach tolerance, read in ESL classes, promoted by urban gardeners, and performed in schools and on stages from South Africa to Broadway.

    Darker than her previous novels, Susin peoples this novel about the ultimate cost of bullying with a cast of fabulous characters, dark humour, and a lovable, difficult protagonist struggling to come to terms with the horrible crime his brother has committed.

    Ravi's family just moved to America from India, and he's finding it pretty hard to figure out where he fits in.Joe and Ravi don't think they have anything in common -- but soon enough they have a common enemy (the biggest bully in their class) and a common mission: to take control of their lives over the course of a single crazy week.

    It's 1942, after the attack on Pearl Harbor, and Manami and her family are Japanese American, which means that the government says they must leave their home by the sea and join other Japanese Americans at a prison camp in the desert. Manami is sad to go, but even worse is that they are going to have to give her dog, Yujiin, to a neighbor to take care of. Manami decides to sneak Yujiin under her coat, but she is caught and forced to abandon him. She is devastated but clings to the hope that somehow Yujiin will find his way to the camp and make her family whole again. It isn't until she finds a way to let go of her guilt that Manami can accept all that has happened to her family.

    In the summer of 1968, after travelling from Brooklyn to Oakland, California, to spend a month with the mother they barely know, eleven-year-old Delphine and her two younger sisters arrive to a cold welcome as they discover that their mother, a dedicated poet and printer, is resentful of the intrusion of their visit and wants them to attend a nearby Black Panther summer camp.In a humorous and breakout book by Williams-Garcia, the Penderwicks meet the Black Panthers.

    Américas Award Winner“An achingly beautiful story.”—Kirkus (starred review) “Eloquent.”—Booklist (starred review) “Lovely and lyrical.”—School Library JournalThis powerful and resonant Américas Award-winning novel tells the story of a young girl’s struggle to find her place in the world and to become a writer in a country where words are feared.Seamlessly interweaving both poetry and prose, Lynn Joseph’s acclaimed debut is a lush and lyrical journey into a landscape and culture of the Dominican Republic.The Color of My Words explores the pain and poetry of discovering what it means to be part of a family, what it takes to find your voice and the means for it to be heard, and how it feels to write it all down.

    Witness Kristy's eureka moment, when she gets the idea for a "baby-sitters club" and enlists her best friends, shy Mary Anne and artistic Claudia, in an exciting new venture. But the baby-sitting business isn't the only thing absorbing their attention: Kristy is having a hard time accepting her stepdad-to-be, and the newest member of the gang, Stacey, seems to be hiding a secret.

    At first it was just "cute" and "adorable," but as she's gotten older and kids have gotten meaner, words like "loser" and "pathetic" appear, and those words bubble up and itch. And then there are words like "interesting," which she's not really sure how to feel about. Now, at age twelve, she's starting middle school, and just when her friends who used to accept and protect her are drifting away, she receives an anonymous note saying "I know who you are, and I know what you're dealing with. I want to help." As Elyse works to solve the mystery of who is sending her these notes, she also finds new ways to accept who she is and to become her best self.

    Barred from attending school, shopping at the market, or even playing in the streets of Kabul, the heroine of Deborah Ellis's engrossing children's novel The Breadwinner is trapped inside her family's one-room home. That is, until the Taliban hauls away her father and Parvana realizes that it's up to her to become the "breadwinner" and disguise herself as a boy to support her mother, two sisters, and baby brother. Set in the early years of the Taliban regime, this topical novel for middle readers explores the harsh realities of life for girls and women in modern-day Afghanistan. A political activist whose first book for children, Looking for X, dealt with poverty in Toronto, Ellis based The Breadwinner on the true-life stories of women in Afghan refugee camps. In the wily Parvana, Ellis creates a character to whom North American children will have no difficulty relating. The daughter of university-educated parents, Parvana is thoroughly westernized in her outlook and responses. A pint-sized version of Offred from Margaret Atwood's The Handmaid's Tale, Parvana conceals her critique of the repressive Muslim state behind the veil of her chador. Although the dialogue is occasionally stilted and the ending disappointingly sketchy, The Breadwinner is essential reading for any child curious about ordinary Afghans. Like so many books and movies on the subject, it is also eerily prophetic. "Maybe someone should drop a big bomb on the country and start again," says a friend of Parvana's. "'They've tried that,' Parvana said, 'It only made things worse.'" (Ages 9 to 12) --Lisa Alward

    But with no coyote money to pay the smugglers who sneak illegal workers across the border, Victor must struggle to survive as he jumps trains, stows away on trucks, and hikes grueling miles through the Arizona desert.Victor's journey is fraught with danger, freezing cold, scorching heat, hunger, and dead ends. It's a gauntlet run by millions attempting to cross the border. Through Victor's often desperate struggle, Will Hobbs brings to life one of the great human dramas of our time.

    She races her stallion through the  California lowlands, dives into shark-infested waters  searching for gold, and fights in the battles that  rage between the Mexicans and the Americans. At  sixteen, she is fearless--and that pleases her  father very much.Yet while Carlota  throughly enjoys her freedom, she wants to be more  than her father's "son." She wants to be  herself, brave and courageous but free to show  feelings of tenderness and compassion as well. Her  father thinks such feelings are shameful, so Carlota  must defy him. That will be the most difficult  battle of all.

    But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.Then Reha finds out that her Amma is sick. Really sick.Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.

    He doesn't remember hitting his head. He doesn't, in fact, remember anything. He wakes up in a hospital room and suddenly has to learn his whole life all over again . . . starting with his own name.He knows he's Chase. But who is Chase? When he gets back to school, he sees that different kids have very different reactions to his return.Some kids treat him like a hero. Some kids are clearly afraid of him.One girl in particular is so angry with him that she pours her frozen yogurt on his head the first chance she gets.Pretty soon, it's not only a question of who Chase is--it's a question of who he was . . . and who he's going to be.From the #1 bestselling author of Swindle and Slacker, Restart is the spectacular story of a kid with a messy past who has to figure out what it means to get a clean start.