But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?The third novel by Ken Greenhall (1928-2014), whose works are receiving renewed attention as neglected classics of modern horror, Childgrave (1982) is a slow-burn chiller that ranks among Greenhall’s best.“Writing in Shirley Jackson’s precise, sharp, chilly prose, Greenhall delivers a slippery book that can’t be pinned down, all about spectral photography, little dead girls, snowbound small towns, and the disquieting proposition that maybe God is not civilized.” - Grady Hendrix, author of Paperbacks from Hell“A very well-orchestrated, eerie tale.” - Publishers Weekly

    Her killer is rich and powerful, beyond the grasp of earthly law.Now, in the murky depths of the local river, a shifting, almost human shape slowly takes form. Night after night it will pursue the murderer. It will watch him from the trees. And in the chill waters of the river, it will claim him in the ultimate embrace.The cold moon rises, the awful squishing sounds begin...

    But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew’s mind, he embarks on a nightmarish quest, with unexpected and horrifying results. Stephen Gregory earned worldwide acclaim with his first novel, The Cormorant (1986), which won the Somerset Maugham Award and was adapted for a BBC film. In The Woodwitch (1988), his second novel, Gregory once again proves himself a master of disturbing and unsettling horror.

    Growing obsessed, David made his way to England to calm his fears -- instead he found an...UNBOUNDED HELL.Colin and his wife were dead -- victims of ghastly violence. Their seemingly serene cottage seethed with an aura of murder, madness, and betrayal. Overpowered by the evil, David soon embarked on a...JOURNEY INTO THE MACABRE.Suffocatingly, the presence grew...grew to a malevolent force trying to kill David's fiancee...grew until David himself was a helpless prisoner of unholy passion!

    The quiet, peaceful place was straight out of a bygone era, with well-cared-for Colonial houses, a white-steepled church fronting a broad Common. Ned and Beth Constantine chanced upon the hamlet and immediately fell in love with it. This was exactly the haven they dream of. Or so they thought.For Ned and his family, Cornwall Coombe was to become a place of ultimate horror.

     When Guy finds the deeds to a house in his mother’s attic, it seems like an incredible stroke of luck. Sure, the building hasn’t been inhabited in forty years and vines strangle the age-stained walls, but Guy is convinced he can clean it up and sell it. He’d be crazy to turn down free money. Right? The house is hours from any other habitation, and Guy can't get phone reception in the old building. He decides to camp there while he does repairs. Surely nothing too bad can happen in the space of a week. But there’s a reason no one lives in Rookward House, and the dilapidated rooms aren’t as empty as they seem… A deranged woman tormented a family in Rookward forty years before. Now her ghost clings to the building like rot. She’s bitter, obsessive, and jealous… and once Guy has moved into her house, she has no intention of ever letting him leave.

    Inexplicably, four men and one woman are having heart-stopping nightmares revolving around the dark and forbidding houses where each of them were born. When recent terrifying events occur, they are each drawn to their identical childhood homes, only to confront a sinister supernatural presence which has pursued them all their lives, and is now closer than ever to capturing their souls....

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be. It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire, that makes her uneasy - it's the whispers behind the fireplace, the scratching beneath floors, the footsteps in the dark, and the young women weeping in neighbouring rooms. And when Knacker's cousin Fergal arrives, the danger goes vertical. But this is merely a beginning, a gateway to horrors beyond Stephanie's worst nightmares. And in a house where no one listens to the screams, will she ever get out alive?

    Within its walls she discovers an unfinished manuscript written by the house's former tenant--an anthropologist obsessed with the ancient oak growing on a desolate corner of the property.Tied to local legends of supernatural magic, as well as documented accidents and murders, the gnarled tree takes root in Sarah's imagination, prompting her to write her own account of its unsavory history.And as the oak continues to possess her dreams and nearly almost all her waking thoughts, Sarah risks her health and her sanity to unearth a revelation planted centuries ago...

    Journey through a bizarre labyrinth into chambers of unearthly proportions, up creaking stairways leading nowhere. But never...never...venture into the black heart of the awesome edifice.YOU MAY NEVER LEAVE!For creatures roam the corridors of Lake House. Hideous beings older than civilization -- restless, waiting...hungry! Blood-chilling denizens of Hell that emerge only under cover of darkness... "Things" that will haunt your dreams and devour your soul!

    Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

    After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

    They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.