That night, Eva's mother dies, leaving her to be raised by her aunt and heartsick father in their small Scottish town. As a child, Eva is often visited by two companions--a woman and a girl--invisible to everyone else save her. As she grows, their intentions become increasingly unclear: Do they wish to protect or harm her? A magical novel about loneliness, love, and the profound connection between mother and daughter, Eva Moves the Furniture fuses the simplicity of a fairy tale with the complexity of adult passions.

    Petersburg, looking for evidence of her soldier brother who disappeared decades before during the Soviet invasion; David, an American, a former spy who has seen his ideals turned inside out during his twenty-five years in Afghanistan; Casa, a young Afghani whose hatred of the West plunges him into the depths of zealotry; and James, the Special Forces soldier in whom David sees a dangerous revival of the unquestioning notions of right and wrong that he himself once held.In mesmerizing prose, Nadeem Aslam reveals the complex ties—of love and desperation, pain and salvation, madness and clarity—that bind the characters. And through their stories he creates a timely and achingly intimate portrait of the “continuation of wars” that shapes our world. In its radiant language, its depth of feeling, and its unflinching drama, The Wasted Vigil is a luminous work of fiction.

    of Speculation is a portrait of a marriage. It is also a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all. Jenny Offill's heroine, referred to in these pages as simply "the wife," once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes - a colicky baby, a faltering marriage, stalled ambitions - the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts. She muses on the consuming, capacious experience of maternal love, and the near total destruction of the self that ensues from it as she confronts the friction between domestic life and the seductions and demands of art. With cool precision, in language that shimmers with rage and wit and fierce longing, Jenny Offill has crafted an exquisitely suspenseful love story that has the velocity of a train hurtling through the night at top speed. Exceptionally lean and compact, Dept. of Speculation is a novel to be devoured in a single sitting, though its bracing emotional insights and piercing meditations on despair and love will linger long after the last page.

    She's frustrated with Rose and her constant complaints but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and Rose travel to the searing, arid coast of southern Spain to see a famous consultant, Dr. Gomez—their very last chance—in the hope that he might cure Rose's unpredictable limb paralysis, but Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Rose's illness becomes increasingly baffling. Sofia's role as detective—tracking Rose's symptoms in an attempt to find the secret motivation for her pain—deepens as she discovers her own desires in this transient desert community.

    A gifted artist, she seeks solace and inspiration in the Mediterranean heat of Athens—trying to understand who she is and how she can love without fear.George has come to Athens to learn ancient languages after growing up in New England boarding schools and Ivy League colleges. He has no close relationships with anyone and spends his days hunched over books or wandering the city in a drunken stupor.Henry is in Athens to dig. An accomplished young archaeologist, he devotedly uncovers the city’s past as a way to escape his own, which holds a secret that not even his doting parents can talk about....and then, with a series of chance meetings, Rebecca, George, and Henry are suddenly in flight, their lives brighter and clearer than ever, as they fall headlong into a summer that will forever define them in the decades to come.

    Jim Stegner has seen his share of violence and loss. Years ago he shot a man in a bar. His marriage disintegrated. He grieved the one thing he loved. In the wake of tragedy, Jim, a well-known expressionist painter, abandoned the art scene of Santa Fe to start fresh in the valleys of rural Colorado. Now he spends his days painting and fly-fishing, trying to find a way to live with the dark impulses that sometimes overtake him. He works with a lovely model. His paintings fetch excellent prices. But one afternoon, on a dirt road, Jim comes across a man beating a small horse, and a brutal encounter rips his quiet life wide open. Fleeing Colorado, chased by men set on retribution, Jim returns to New Mexico, tormented by his own relentless conscience. A stunning, savage novel of art and violence, love and grief, The Painter is the story of a man who longs to transcend the shadows in his heart, a man intent on using the losses he has suffered to create a meaningful life.

    She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is an expert in considering the sensitivities of culture and religion when handing down her verdicts. But Fiona's professional success belies domestic strife. Her husband, Jack, asks her to consider an open marriage and, after an argument, moves out of their house. His departure leaves her adrift, wondering whether it was not love she had lost so much as a modern form of respectability; whether it was not contempt and ostracism she really fears. She decides to throw herself into her work, especially a complex case involving a seventeen-year-old boy whose parents will not permit a lifesaving blood transfusion because it conflicts with their beliefs as Jehovah's Witnesses. But Jack doesn't leave her thoughts, and the pressure to resolve the case - as well as her crumbling marriage - tests Fiona in ways that will keep readers thoroughly enthralled until the last stunning page.

    But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys: Gretchen is now a friend, and her quirky and charming daughter Margaret a sort of surrogate child. And Jean doesn't mean to fall in love with Gretchen's husband, Howard, but Howard surprises her with his dry wit, his intelligence and his kindness — and when she does fall, she falls hard.But he is married, and to her friend — who is also the subject of the story she is researching for the newspaper, a story that increasingly seems to be causing dark ripples across all their lives. And yet Jean cannot bring herself to discard the chance of finally having a taste of happiness...But there will be a price to pay, and it will be unbearable.

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.

    There's Pat, a twenty-year-old who has recently moved into a flat with Bruce, an athletic young man with a keen awareness of his own appearance. Their neighbor, Domenica, is an eccentric and insightful widow. In the flat below are Irene and her appealing son Bertie, who is the victim of his mother’s desire for him to learn the saxophone and italian–all at the tender age of five.Love triangles, a lost painting, intriguing new friends, and an encounter with a famous Scottish crime writer are just a few of the ingredients that add to this delightful and witty portrait of Edinburgh society, which was first published as a serial in The Scotsman newspaper.

    With courage and caution, Pete slowly earns a measure of trust from this paranoid survivalist itching for a final conflict that will signal the coming End Times.But as Pete's own family spins out of control, Benjamin's activities spark the full-blown interest of the F.B.I., putting Pete at the center of a massive manhunt from which no one will emerge unscathed.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    He is grounded by loneliness and an unwillingness to compromise his creature comforts when he meets Muriel, a deliciously peculiar dog-obedience trainer who up-ends Macon’s insular world and thrusts him headlong into a remarkable engagement with life.

    Soon after, she persuades Henry to abandon Southwood, his dahlias and the Major next door to travel her way, Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, a veteran of Europe's hotel bedrooms, Henry joins a shiftless, twilight society: mixing with hippies, war criminals, CIA men; smoking pot, breaking all the currency regulations and eventually coming alive after a dull suburban life. In Travels with my Aunt Graham Greene not only gives us intoxicating entertainment but also confronts us with some of the most perplexing of human dilemmas.

    This extraordinarily sensitive and insightful portrait of religious life centers on Philippa Talbot, a highly successful professional woman who leaves her life among the London elite to join a cloistered Benedictine community.