EarthCent's diplomats are learning on the job - but the galaxy doesn't come with instructions. Get a running start on the funny and heartwarming Union Station series with a three book bundle at the special introductory price. Kelly Frank is EarthCent's top diplomat on Union Station, but her job description has always been a bit vague. The pay is horrible and she's in hock up to her ears for her furniture, which is likely to end up in a corridor because she's behind on rent for her room. Sometimes she has to wonder if the career she has put ahead of her personal life for fifteen years is worth it. When Kelly receives a gift subscription to the dating service that's rumored to be powered by the same benevolent artificial intelligence that runs the huge station, she decides to swallow her pride and give it a shot. But as her dates go from bad to worse, she can only hope that the supposedly omniscient AI is planning a happy ending.

    The ruthless alpha is hellbent on claiming me. His idea of fun? Ravage me and make me shamelessly beg for releases over and over. But I haven't the time for that, even if he's gorgeous. I have to lead a gang of ferocious criminals to fight off the vampire horde. It doesn't matter if my thighs quiver with raw need and my body burns for him. Survival comes first. But then he tells me the truth of our complicated relationship--if he's not allowed to wring the most epic and brutal climax from me, he'll lose himself to his beast forever.Book two: Wicked WitchShe ruts me like a savage, then utterly forgets me the next morning. She doesn't know I'm the most brutal Sváva Archangel. My blood only warms on the battlefield and my obsidian wings spark dark fire when I taste the blood of my enemies. At first it was attractive that she didn't fear me, but no one uses me and casts me aside like trash. Just as I'm about to punish her in ways she can't imagine, I uncover the truth--she is my fated mate, and her amnesia is the result of a dark curse. Conquering universes will be nothing compared to conquering this curse. I'll stop at nothing to make my mate remember our dirty, passionate night together, and how I coerced carnal pleasure from her over and over. This darkly delicious paranormal romance collection includes:Claim the Wolf KingWicked WitchDark VampireFallen AngelClaim the Leopard PrincessOne-click and dive into this tantalizing, hot series that features a badass heroine, handsome and possessive alpha shifters, and ruthless fallen angels. Expect naught language and explosive love scenes. HEA guaranteed and no cheating.

    The poems follow an unlikely character named Miss Peach, an unpredictable, cartoonish shapeshifter, who emerges onto the page dragging the myth of the individual, various gender scripts, and the grand tradition of the poetic persona along with her. She becomes an outsider, a hero, an intruder, a rock star. The town around her, Gold River, is also always in flux—part center and part mirage. The Stranger Manual celebrates the fractious nature of self and society in poems that are fabulist, speculative, and alluring.

    The poems gathered here are delivered by a narrator who both loves the world and has intense quarrels with it. Often set against vivid landscapes - the rural America of Lux's childhood and unidentified places south of the border - these poems speak from rivers and swamps, deserts and lawns, jungles and the depths of the sea.

    Reid's chief suspect, a ruthless financier, always seems to be one step ahead of him. After one of his men is murdered, Reid suspects he's got a traitor in own camp. When Reid's wife, Anne, becomes deeply embroiled in the investigation, things get dangerously personal. The cold Glasgow spring isn't the only thing chilling Anne's blood when she leaves California to try to save her marriage. The estate gardens she's renovating are owned by her husband's enemy, her sister-in-law is trying to get her killed, and her efforts to help Terrence plunge-and her unborn child-deeper and deeper into peril.

    Once in a while, you come across someone who had the energy and determination to see it through and you are happy he did. Such is the case with Justin Dwayne Foxworth in his breakout novel, Valerie. I highly recommend you give a new talent a chance and read his work. I'm sure you'll want more of his character development and plots developed into more novels to enjoy... Andrew Neiderman, author of The Devil's Advocate

    

    But in the absence of life, undead energy surges. Millennia after the last humans fled the galaxy only the dead are left to roam the earth. On this barren wasteland, Solus awakens. With no memories or even a personality, he is cast into a dangerous world. He will need to learn fast if he is to keep his new existence, for he is not alone.--Post-apocalyptic, Undead, Sci-fi, LitRPG

     A detective has the chance to solve cases that have baffled her colleagues for decades. But only if she can work out who he is, before he gets to her. Because - in a story where not everything is what it seems - not even murder is black and white. Killing Kind is a tense novella with a twist that will stay with you. From UK and US bestselling author Gregg Dunnett.

    S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets "need to write poetry that doesn't make people feel stupid." Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that's right under our noses. Right under Kooser's nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    It features eight great poets, with brief, accessible essays concerning their life and work and a selection of their poems, and it is accompanied by an 80-minute CD recorded live at the British Library: Ralph Fiennes reading Auden, Edward Fox reading Eliot, Roger Moore reading Kipling, Harold Pinter reading Larkin, and more.Whether you believe (like Robert Frost, who inspired the title) that poetry is a way of taking life by the throat or (like T. S. Eliot) that it is one person talking to another, nobody does it better than the poets featured in this book. For a novice discovering the rich heritage of English-language verse or a seasoned poetry reader, Catching Life by the Throat is an extraordinary introduction to eight iconic poets.

    Using language full of unique beauty and charisma, Miller writes everything from love poems to biblical chronicles, exploring themes such as conflicting identity, home and family, and the spirit of his Jamaican ancestors.

    The poems in this book are polyphonic: they juxtapose the discourses of science and religion, Hollywood and the occasional psychotic stranger. The title poem, which appears in Best American Poetry 2002, leads off with a "sphinx" asking "Does a road / run its whole length / at once? / Does a creature / curve to meet / itself?" Armantrout's work, with its careful syntax bordering on plain speech and meticulously scored short lines, is always struggling with the problem of consciousness, its blindspots and double-binds. The poems whirl like shifting and scattered pieces of the present moment. They attempt to "make sense" of our lives while acknowledging the depth of our self-deception and deception.

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.