So begins this tale set in the town of Banff, Scotland in the 1620s.

    Still suffering trauma from the Great War, she sets off for Africa determined to fulfill a man's dying wish...never expecting to become involved in murder.Rich with romance, mystery, and adventure, Mark of the Lion introduces a fascinating new heroine and explores the elusive heart of a compelling and exotic world.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    What he sought, and what he waited and watched out for, was the crack in the wall. In other words, the instant when the human being comes out from behind the opponent.Who is Pietr the Latvian? Is he a gentleman thief? A Russian drinking absinthe in a grimy bar? A married Norwegian sea captain? A twisted corpse in a train bathroom? Or is he all of these men? Inspector Maigret, tracking a mysterious adversary and a trail of bodies, must bide his time before the answer can come into focus.The new Penguin Simenon series features brilliant renderings by some of today's best translators from French to English. "Pietr the Latvian," and the ones which follow, introduce the intrepid Inspector to a brand new audience.

    Crime correspondent for the Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched to her back. A gypsy camp in a ring of fire. Corruption everywhere you look.In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession, greed and sadism.

    The name strikes terror in the Parisian underworld of 1818. As founder and chief of a newly created plainclothes police force, Vidocq has used his mastery of disguise and surveillance to capture some of France’s most notorious and elusive criminals. Now he is hot on the trail of a tantalizing mystery—the fate of the young dauphin Louis-Charles, son of Marie-Antoinette and King Louis XVI. Hector Carpentier, a medical student, lives with his widowed mother in her once-genteel home, now a boardinghouse, in Paris’s Latin Quarter, helping the family make ends meet in the politically perilous days of the restoration. Three blocks away, a man has been murdered, and Hector’s name has been found on a scrap of paper in the dead man’s pocket: a case for the unparalleled deductive skills of Eugène François Vidocq, the most feared man in the Paris police. At first suspicious of Hector’s role in the murder, Vidocq gradually draws him into an exhilarating—and dangerous—search that leads them to the true story of what happened to the son of the murdered royal family. Officially, the Dauphin died a brutal death in Paris’s dreaded Temple—a menacing black tower from which there could have been no escape—but speculation has long persisted that the ten-year-old heir may have been smuggled out of his prison cell. When Hector and Vidocq stumble across a man with no memory of who he is, they begin to wonder if he is the Dauphin himself, come back from the dead. Their suspicions deepen with the discovery of a diary that reveals Hector’s own shocking link to the boy in the tower—and leaves him bound and determined to see justice done, no matter the cost. In The Black Tower, Bayard deftly interweaves political intrigue, epic treachery, cover-ups, and conspiracies into a gripping portrait of family redemption—and brings to life an indelible portrait of the mighty and profane Eugène François Vidocq, history’s first great detective.

    Everyone who had contact with him had reason to dislike him, but who had reason to kill him? The Sheriff of Worcestershire's thief taker, wily Serjeant Catchpoll, and his new and unwanted superior, Undersheriff Hugh Bradecote, have to find the answer. And as the claustrophobic walls of the Abbey close in on the suspects, the killer strikes again.Previously published as The Lord Bishop's Clerk.

    An Icelandic detective and a member of the American military police are on the trail of a brutal killer.THE PRESENTA 90-year-old man is discovered dead on his bed, smothered with his own pillow. Konrad, a former detective now bored with retirement, finds newspaper cuttings reporting the WWII shadow district murder the dead man’s home. It’s a crime that Konrad remembers, having grown up in the same neighborhood.A MISSING LINKWhy, after all this time, would an old crime resurface? Did the police arrest the wrong man? Will Konrad's link to the past help him solve the case and finally lay the ghosts of WWII Reykjavik to rest?

    Genevieve Summerford is used to forging her own path. But when one of her patients is arrested for murder-a murder Genevieve fears she may have unwittingly provoked-she is forced to seek help from an old acquaintance.Desperate to clear her patient's name and relieve her own guilty conscience, Genevieve finds herself breaking all the rules she's tried so hard to live by. In her search for answers, Genevieve uncovers an astonishing secret that, should she reveal it, could spell disaster for those she cares about most. But if she lets her discovery remain hidden, she will almost certainly condemn her patient to the electric chair.

    A serial killer is out there, his frequency increasing, and they know there is only one agent good enough to crack this case: Special Agent Riley Paige. Riley is on paid leave herself, recovering from her encounter with her last serial killer, and, fragile as she is, the FBI is reluctant to tap her brilliant mind. Yet Riley, needing to battle her own demons, comes on board, and her hunt leads her through the disturbing subculture of doll collectors, into the homes of broken families, and into the darkest canals of the killer’s mind. As Riley peels back the layers, she realizes she is up against a killer more twisted than she could have imagined. In a frantic race against time, she finds herself pushed to her limit, her job on the line, her own family in danger, and her fragile psyche collapsing. Yet once Riley Paige takes on a case, she will not quit. It obsesses her, leading her to the darkest corners of her own mind, blurring the lines between hunter and hunted. After a series of unexpected twists, her instincts lead her to a shocking climax that even Riley could not have imagined. A dark psychological thriller with heart-pounding suspense, ONCE GONE marks the debut of a riveting new series—and a beloved new character—that will leave you turning pages late into the night. Book #2 and #3 in the Riley Paige series are also available.

    Luke Hamilton - a junior air intelligence officer at the British Embassy - finds himself the target of an assassination attempt. A clear case of mistaken identity, or so it first appears. As Luke is hunted across a continent sliding towards war, he comes to learn that the answers lie deep in a past that predates his abandonment as a baby on the steps of an orphanage twenty-five years ago.From the author of the bestselling The Savage Garden, and set against a terrific backdrop of Europe on the cusp of the Second World War, this is a compelling novel, rich in adventure, espionage, secrets and lies.

     Introducing Erin Hart, who brings the beauty, poignancy, mystery, and romance of the Irish countryside to her richly nuanced first novel.When farmers cutting turf in a peat bog make a grisly discovery -- the perfectly preserved severed head of a young woman with long red hair -- Irish archaeologist Cormac Maguire and American pathologist Nora Gavin team up in a case that will open old wounds.Peat bogs prevent decay, so the decapitated young woman could have been buried for two decades, two centuries, or even much longer. Who is she? When was she killed? The extraordinary find leads to even more disturbing puzzles. The red-haired girl is clearly a case for the archaeologists, not the police. Still, her tale may have shocking ties to the present, and Cormac and Nora must use cutting-edge techniques to preserve ancient evidence.And the red-haired girl is not the only enigma in this remote corner of Galway. Two years earlier, Mina Osborne, the local landowner's Indian-born wife, went for a walk with her young son and never returned. Did Mina simply decide to disappear, or did mother and child become lost in the treacherous bog? Could they, too, be hidden in its depths, only to be discovered centuries from now? Or did the landowner, Hugh Osborne, murder his family, as some villagers suspect?Bracklyn House, Osborne's stately home, holds many secrets for Nora and Cormac and policeman Garrett Devaney. But time is running out. Devaney's superiors want him off the Osborne case. Now. He wants to stay and find a killer.Meticulously crafted and resonating with traditional music and folklore, Haunted Ground celebrates Ireland's turbulent history, revealing the eternal, subliminal connections between past and present in a riveting novel that heralds the arrival of a bright new crime-writing star.

    In the privacy of her studio, she supplements her meager income by taking illicit “boudoir photographs” of the town's local ladies of the night. But when two of her models are found gruesomely murdered within weeks of one another, Sarah begins to suspect it's more than mere coincidence.Teamed with a motley crew of friends--including a street urchin, a gay aristocrat, a Jewish butcher and his wife, and a beautiful young actress--Sarah delves into the crime of the century. But just as she starts unlocking the Ripper's secrets, she catches the attention of the local police, who believe she knows more than she's revealing, as well as from the Ripper himself, now bent on silencing her and her friends for good.Caught in the crosshairs of a ruthless killer, Sarah races through Whitechapel's darkest alleys to find the truth...until she makes a shocking discovery that challenges everything she thought she knew about the case. Intelligent and utterly engrossing, Laura Joh Rowland's Victorian mystery The Ripper's Shadow will keep readers up late into the night.

    Did she simply run off, or is something darker at play?When Patrick Dielman shows up at Detective Jo Larsen’s desk insisting that his wife, Jenny, is missing, Jo wonders if it’s a case of a bored housewife running away.But as she digs deeper into Jenny’s life, Jo learns that Dielman keeps a stranglehold on the family finances, down to the last nickel, and that Jenny’s first marriage dissolved following the death of her young son. By all accounts—including her doctor’s—she never recovered from the loss. Between a controlling husband, a tragic past, and a callous ex-husband, Jo can’t be sure if she should suspect foul play or accept that the woman may have wanted to disappear.For Jo, whose own demons are shadowing her every step, finding Jenny becomes more than the typical protect-and-serve.

    His superiors in the Moscow police force are suspicious of his Jewish wife, the black-market copies of his beloved Ed McBain 87th Precinct novels are getting tough to find, and his dreams of becoming a competitive weight-lifter are receding at a rapid clip. And then there's the famous dissident who's been murdered right before his trial—a trial intended to showcase the wonders of the Soviet judicial system. Rostnikov is charged with finding the killer, but the arrest had better be politically convenient, acceptable to the KGB. And things only get trickier when the killer strikes again, displaying a fondness for weapons—a hammer, a sickle, a vodka bottle—with a particularly Russian resonance. Clearly, he's making a statement, but what exactly is he saying? And can Rostnikov stop him before he says it again?