In this incendiary prototype, a minor tax dispute intensifies explosively, until the eponymous hero finds the forces of an entire kingdom, and even the great Martin Luther, gathered against him. But soon even Luther comes to echo the growing army of peasants asking, "Isn’t Kohlhaas right?"Widely acknowledged as one of the masterworks of German literature, Michael Kohlhaas is also one of the most stirring tales ever written of the quest for justice.

    Rilke is unquestionably the most significant and compelling poet of romantic transformation, of spiritual quest, that the twentieth century has known. His poems of ecstatic identification with the world exert a seemingly endless fascination for contemporary readers.In Stephen Mitchell’s versions, many readers feel that they have discovered an English rendering that captures the lyric intensity, fluency, and reach of Rilke’s poetry more accurately and convincingly than has ever been done before.Mr. Mitchell is impeccable in his adherence to Rilke’s text, to his formal music, and to the complexity of his thoughts; at the same time, his work has authority and power as poetry in its own right. Few translators of any poet have arrived at the delicate balance of fidelity and originality that Mr. Mitchell has brought off with seeming effortlessness.Originally published: New York : Random House, 1982.

    When his grandfather dies, Aleks channels his storytelling talent to help with his grief.It is a gift he calls on again when the shadow of war spreads to Višegrad, and the world as he knows it stops. Though Aleks and his family flee to Germany, he is haunted by his past - and by Asija, the mysterious girl he tried to save. Desperate to learn of her fate, Aleks returns to his hometown on the anniversary of his grandfather's death to discover what became of her and the life he left behind.Translated from the German by Anthea Bell.

    Berlin Stories collects his alternately celebratory, droll, and satirical observations on every aspect of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Originally appearing in literary magazines as well as the feuilleton sections of newspapers, the early stories are characterized by a joyous urgency and the generosity of an unconventional guide. Later pieces take the form of more personal reflections on the writing process, memories, and character studies. All are full of counter-intuitive images and vignettes of startling clarity, showcasing a unique talent for whom no detail was trivial, at grips with a city diving headlong into modernity.

    "Its directness, its uncompromising truths, its depth of feeling, and above all, its absence of any single superfluous word, make Reuben Sachs, in some sort, a classic." -- Oscar Wilde

    The anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the shameful indignities to which women in a conquered city are always subject--the mass rape suffered by all, regardless of age or infirmity.

    Young, tough, patriotic, but also disturbingly self-aware, Jünger exulted in the Great War, which he saw not just as a great national conflict, but more importantly as a unique personal struggle. Leading raiding parties, defending trenches against murderous British incursions, simply enduring as shells tore his comrades apart, Jünger kept testing himself, braced for the death that will mark his failure.Published shortly after the war's end, 'Storm of Steel' was a worldwide bestseller and can now be rediscovered through Michael Hofmann's brilliant new translation.

    Uwe Timm has heard claims that currywurst first appeared in Berlin in the 1950s, but he seems to recall having eaten it much earlier, as a boy in his native Hamburg, at a stand owned and operated by Lena Brücker. He decides to check it out. Although the discovery of curried sausage is eventually explained, it is its prehistory - about how Lena Brücker met, seduced and held captive a German deserter in Hamburg, in April, 1945, just before the war's end - that is the tastiest part. Timm draws gorgeous details from Lena's fine-grained recollections, and the pleasure these provide her and the reader supply the tale's real charm.

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    The Last World is the story of a young man's quest for the exiled poet Ovid and the masterwork he has consigned to the flames. Ransmayr has created a visionary landscape, a transformed place where the ancient world meets the twentieth century. A metaphysical thriller both compelling and profound. The Last World draws the reader into a universe governed by the power of mythology, a world of decay on the brink of apocalypse. A novel about exile, censorship, and the destruction of the planet, this is a cultural and political fable that is blazingly topical, yet timeless.

    Recalling the works of W. G. Sebald, Bruce Chatwin, and Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and that, taken as a whole, open mesmerizing new vistas of how to think about extinction and loss.With meticulous research and a vivid awareness of why we should care about these losses, Judith Schalansky, the acclaimed author of Atlas of Remote Islands, lets these objects speak for themselves: she ventriloquizes the tone of other sources, burrows into the language of contemporaneous accounts, and deeply interrogates the very notion of memory.

    It is also the story of three women linked by a secret that threatens to destroy their lives. For readers of The Tattooist of Auschwitz, All That I Am and Schindler's Ark (List). An act of heroism, the taint of collaboration, a doomed love affair, and an Australian woman who travels across the world to discover the truth...It is 1944 in Budapest and the Germans have invaded. Jewish journalist Miklos Nagy risks his life and confronts the dreaded Adolf Eichmann in an attempt save thousands of Hungarian Jews from the death camps. But no one could have foreseen the consequences...It is 2005 in Sydney, and Annika Barnett sets out on a journey that takes her to Budapest and Tel Aviv to discover the truth about the mysterious man who rescued her grandmother in 1944.By the time her odyssey is over, history has been turned on its head, past and present collide, and the secret that has poisoned the lives of three generations is finally revealed in a shocking climax that holds the key to their redemption.PRAISE FOR DIANE ARMSTRONG'S FICTION'A cleverly crafted mystery... a good story, well told. Armstrong's skill in weaving an elaborate fabric out of her characters and subject matter stand her in good stead...the bleak wintry landscapes of the Polish countryside are vividly captured.' - Andrew Riemer, Sydney Morning Herald'Like Geraldine Brooks, Diane Armstrong's historical research is expertly woven into the fabric of a fictional tale, providing an engrossing ‘faction' of heroism and resilience which will appeal to both fans of fictional dramatic/romantic sagas, as well as lovers of insightful history' - Australian Bookseller & Publisher

    After covering the American military occupation of South Texas, the story involves the reader in romances between two young lovers from opposing sides during the military conflict of the U.S.-Mexico War. Caballero's young protagonists fall in love but face struggles with race, class, gender and sexual contradictions. An introduction by Jose E. Limon, epilogue by Maria Cotera, and foreword by Thomas H. Kreneck offer a clear picture of the importance of the work to the study of Mexican-American and Texas history and to the feminist critique of culture. This work, long lost in a collection of private papers and unavailable until now, serves as a literary ethnography of South Texas-Mexican folklore customs and traditions.

    That is, until life propels them to opposite sides of seedy, splendid, and violent Weimar Berlin. Berni becomes a cigarette girl, a denizen of the cabaret scene alongside her transgender best friend, who is considering a risky gender reassignment surgery. Meanwhile Grete is hired as a maid to a Nazi family, and begins to form a complicated bond with their son. As Germany barrels toward the Third Reich and ruin, one of the sisters must make a devastating choice.SOUTH CAROLINA, 1970: With the recent death of her father, Janeen Moore yearns to know more about her family history, especially the closely guarded story of her mother’s youth in Germany. One day she intercepts a letter intended for her mother: a confession written by a German woman, a plea for forgiveness. What role does Janeen’s mother play in this story, and why does she seem so distressed by recent news that a former SS officer has resurfaced in America?FRÄULEIN M. abounds with hidden identities and family secrets. With its multilayered exploration of family ties, hard choices, and the weight of history in our lives, the novel shines light on a brilliant new voice.

    Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul - and the ability to love his fellow man.Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and its nihilism. It is also Mann's most profound meditation on the German genius - both national and individual - and the terrible responsibilities of the truly great artist.