The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames in '43.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    A novel of suspense.STARK TERROR BECOMES A TOTAL REALITY.There is a special numbing quality to fear that strikes in the safety of your own home. Here is where you should feel most secure. Here's where you wash the dishes, polish the car; where friends can drop in; where nobody intrudes except the in-laws. Murder has no place here. Terror doesn't belong.And when monstrous fear and murder bludgeon their way in, you don't believe it. You're numb. Until the bleak, deadly truth forces you to frantic terror for those you love. Then you believe it--then you RIDE THE NIGHTMARE.

    Once again, local butcher Bob is playing the dame, but the whole production is put under threat when someone sabotages his business. Libby Sarjeant recruits Fran Wolfe to help find the culprit and restore the Steeple Martin pantomime.

    With the support of a young man who is just venturing into the burgeoning trade of news photography, Emily soon finds herself in a race against time to save Anna's life and to bring her story back to New York before Pulitzer's tough deadline expires.Chicago is a place of dangerous contrasts. Among all the glitz and razzmatazz of the Fair itself and the spectacular wealth and influence of a new middle class elite, Emily comes face to face with rival ethnic groups, the sinister underworld of pornography and prostitution, as well as the ruthless meatpacking giants of the Union Stock Yard, who control the lives and destinies of so many of Chicago's immigrant poor.

    Now Germany's greatest weapon - a woman with special talents, both for tradecraft and for death - is headed home with critical information about the still-developing atomic bomb, and the Allies chief hope for stopping her is a British agent with agendas of his own. Originally recruited into MI5 to pose as a double agent, he's been telling Germans that he'd do anything to free his wife, a prisoner of a German concentration camp in occupied Poland. This happens to be true. The question is: how much would he really do to set her free? Where are his loyalties exactly?As the two spies play cat-and-mouse across three countries, the ambiguities deepen, each figure showing new sides, each action providing new twists, until at last both agents are swept into a series of climaxes as breathtakingly unpredictable as they are inevitable.

    But then, things go terribly, tragically wrong; the kidnappers escape; and a shattered Pendergast retreats to his New York apartment and shuts out the world.But when a string of bizarre murders erupts across several Manhattan hotels-perpetrated by a boy who seems to have an almost psychic ability to elude capture-NYPD Lieutenant D'Agosta asks his friend Pendergast for help. Reluctant at first, Pendergast soon discovers that the killings are a message from his wife's kidnappers. But why a message? And what does it mean?When the kidnappers strike again at those closest to Pendergast, the FBI agent, filled anew with vengeful fury, sets out to track down and destroy those responsible. His journey takes him deep into the trackless forests of South America, where he ultimately finds himself face to face with an old evil that-rather than having been eradicated-is stirring anew... and with potentially world-altering consequences.Confucius once said: "Before you embark on a journey of revenge, first dig two graves." Pendergast is about to learn the hard way just how true those words still ring.

    He's out to plow his way through a maze of gorgeous women and blasting guns, and take apart a secret army of assassins -- man by man and limb by limb -- until he can get his hands on his ultimate enemy for an orgy of blistering destruction.

    Loath to draw negative publicity to the school, a bastion of European wealth and glamour, officials quickly dismiss the incident as an accident, but questions remain: Was it a suicide attempt? Or was Cressida pushed? It was no secret that she had a selfish streak and had earned as many enemies as allies in her tenure at the school. For her best friend, scholarship student Kersti Kuusk, the lingering questions surrounding Cressida's fall continue to nag long after she leaves the Lycée.Kersti marries and becomes a bestselling writer, but never stops wondering about Cressida's obsession with the Helvetian Society—a secret club banned years before their arrival at the school—and a pair of its members who were expelled. When Kersti is invited as a guest to the Lycée's 100th Anniversary, she begins probing the cover-up, unearthing a frightening underbelly of lies and abuse at the prestigious establishment. And in one portentous moment, Kersti makes a decision that will connect her to Cressida forever and raise the stakes dangerously high in her own desire to solve the mystery and redeem her past.An unputdownable read as clever as it is compelling, The Finishing School offers a riveting glimpse into a privileged, rarefied world in which nothing is as it appears.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    What we don’t know is why. Excavations at a recently discovered Mayan site near Valladolid in the Yucatan unearth a codex – the first to be discovered in over 50 years. A mangled body is found among the ruins. It belongs to Father Colvin McNeery, an expert on the Gospel of Matthew, the only Gospel to mention the Star of Bethlehem. The local police say he was killed by a jaguar. Dr. Isabel Reyes, renegade daughter of one of the wealthiest families in Mexico, is called away from her clinic to issue a death certificate. She wonders, when she sees the claw marks, what sort of jaguar is left-handed? Ex-rabbi and scholar Simon Press has just seen another of his controversial lectures on the spread of Christianity end in violence. He’s back at his hotel nursing a scotch when he gets the news that his friend and colleague, Colvin McNeery, is dead in the Yucatan. Press has always been resentful of Christianity’s success; what he finds in McNeery’s translation of the codex will allow him to get even. Detective First Class Benito Rufino of the Antiquities Police is pulled off a sting he’s spent nine months setting up, and ordered to Valladolid. He’s furious until he finds out why: a codex worth $500 million pesos is missing. Leon Cortes - devout Catholic and a direct descendant of the Conquistador - has become drug overlord for all of the Yucatan because he believes his faith requires him to mortify his soul as his Savior mortified his body. Now he’s ordered by the Vatican to find the codex and send it to them. The 1500 year old codex contains an account of a holy man, a savior who is born under a bright star to a virgin, performs miracles, dies a horrible death, and is resurrected. If McNeery’s translation of the codex is correct, then something is radically wrong with the conventional accounts of the European discovery of the Americas. Or - and this is the only other possibility - something is radically wrong with Christianity’s notion of itself. Mayan Star is mystery/thriller with a Borgesian twist.

    But things begin to look up when Hagen gets a lead on a bounty of gold, lying untouched at the bottom of a lagoon in the marshes of southern China. Unfortunately for Hagen, he's not the only one after the sunken treasure, and the race to the gold quickly escalates into a bloody struggle for survival on the treacherous waters of the South China Sea.

    It was outrage at this state of affairs that led Jarnail Singh, an unassuming, law- abiding journalist, to throw his shoe at home minister P Chidambaram during a press conference in New Delhi. He readily acknowledges that this was not an appropriate means of protest, but asks why, twenty-five years after the massacres, so little has been done to address the issues that are still unresolved and unanswered and a source of anguish to the whole community.? ? Who initiated the pogrom and why? ? Why did the state apparatus allow it to happen? ? Why, despite the many commissions and committees set up to investigate the events, have the perpetrators not been brought to book? ? I Accuse is a powerful and passionate indictment of the state's response to the killings of 1984. It explores the chain of events, the survivors' stories and the continuing shadow it casts over their lives. Because, finally, 1984 was not an attack on the Sikh community alone; it was an attack on the idea at the very core of democracy?that every citizen, irrespective of faith and community, has a right to life, liberty and security.

    Before she can reveal it to Kate, the Globe is burned to the ground and Roz is found dead--murdered in the strange manner of Hamlet's father.Inside the box, Kate finds the first piece in a Shakespearean puzzle, setting her on a deadly, high-stakes treasure hunt. From London to Harvard to the American West, Kate races to evade a killer and solve a tantalizing string of clues hidden in the words of Shakespeare, which may unlock one of history's greatest secrets. But Kate is not alone in this hunt, and the buried truth threatens to come at the ultimate cost.

    Everything I did, I did for her..."When Regan Pen discovers that her long-term boyfriend has been cheating on her with over eight women, she packs her bags and leaves the sunny island in Spain that she had called home for a year. She returns to South Africa where she is given the chance to start over in life. Reassemble herself. Now is her time to be selfish. Find a new career, get a home of her own. Become whoever she wants to be... but when her best friend, Peyton, is brutally murdered, Regan is forced to put her life on hold to take responsibility for her friends thirteen year old daughter, Harley. As the police battle to solve the murder of Peyton and her unborn child, Regan becomes convinced that her Godchild is not the sweet, innocent little girl everyone seems to think she is. Could Harley have been so consumed by her jealousy and fear of not being the epicenter of her mothers universe that it lead to murder? If so, is Regan safe in her own home?