His visitor is Jasper Jones, an outcast in the regional mining town of Corrigan.Rebellious, mixed-race and solitary, Jasper is a distant figure of danger and intrigue for Charlie. So when Jasper begs for his help, Charlie eagerly steals into the night by his side, terribly afraid but desperate to impress. Jasper takes him to his secret glade in the bush, and it's here that Charlie bears witness to Jasper's horrible discovery.With his secret like a brick in his belly, Charlie is pushed and pulled by a town closing in on itself in fear and suspicion as he locks horns with his tempestuous mother; falls nervously in love and battles to keep a lid on his zealous best friend, Jeffrey Lu.And in vainly attempting to restore the parts that have been shaken loose, Charlie learns to discern the truth from the myth, and why white lies creep like a curse.In the simmering summer where everything changes, Charlie learns why the truth of things is so hard to know, and even harder to hold in his heart.

    After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. If he ever comes back to her, she resolves to hang onto him and his love at all costs, even if it destroys her… Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it? Heralding the arrival of a stunning new literary talent, Acts of Desperation interrogates the nature of fantasy, desire, and power, challenging us to reckon honestly with our own insatiability.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    In the capital hospital, a gifted young surgeon is plagued by demons that are beginning to threaten his livelihood. Elsewhere in the hospital lies a dying man who was young during the country’s turbulent postcolonial years and has stories to tell that are far from heroic. As past and present intersect in the buzzing city, these men are drawn unwittingly closer by a British psychologist with good intentions, and into the path of one woman at the center of their stories. A work of breathtaking writing and rare wisdom, The Memory of Love seamlessly weaves together two generations of African life to create a story of loss, absolution, and the indelible effects of the past—and, in the end, the very nature of love.

    Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Relive the adventure and beauty of the incredible movie, Dances with Wolves.

    On a beach in New Hampshire at the turn of the last century, a young woman is drawn into a rocky, disastrous passage to adulthood. Olympia Biddeford is the only child of a prominent Boston couple--a precocious and well-educated daughter, alive with ideas and flush with the first stirrings of maturity. Her summer at the family's vacation home in Fortune's Rocks is transformed by the arrival of a doctor, a friend of her father's, whose new book about mill-town laborers has caused a sensation. Olympia is captivated by his thinking, his stature, and his drive to do right--even as she is overwhelmed for the first time by irresistible sexual desire. She and the doctor--a married man, a father, and nearly three times her age--come together in an unthinkable, torturous, hopelessly passionate affair. Throwing aside propriety and self-preservation, Olympia plunges forward with cataclysmic results that are the price of straying in an unforgiving era. Olympia is cast out of the world she knows, and Fortune's Rocks is the story of her determination to reinvent her broken life--and claim the one thing she finds she cannot live without. A meditation on the erotic life of women, an exploration of class prejudices, and most of all a portrayal of the thoughts and actions of an unforgettable young woman, Fortune's Rocks is a masterpiece of narrative drama, beautifully written by one of the most accomplished novelists of our time.

    One tequila-soaked night at a comics convention, the usually level-headed graphic novelist is swept off her barstool by a handsome and anonymous Batman. It turns out the caped crusader has left her with more than just a nice, fuzzy memory. She's having a baby boy - an unexpected but not unhappy development in the thirty-eight year-old's life. But before Leia can break the news of her impending single-motherhood (including the fact that her baby is biracial) to her conventional, Southern family, her step-sister Rachel's marriage implodes. Worse, she learns her beloved ninety-year-old grandmother, Birchie, is losing her mind, and she's been hiding her dementia with the help of Wattie, her best friend since girlhood.Leia returns to Alabama to put her grandmother's affairs in order, clean out the big Victorian that has been in the Birch family for generations, and tell her family that she's pregnant. Yet just when Leia thinks she's got it all under control, she learns that illness is not the only thing Birchie's been hiding. Tucked in the attic is a dangerous secret with roots that reach all the way back to the Civil War. Its exposure threatens the family's freedom and future, and it will change everything about how Leia sees herself and her sister, her son and his missing father, and the world she thinks she knows.

    Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy. But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living. Ultimately, it is Raymond’s big heart that will help Eleanor find the way to repair her own profoundly damaged one. If she does, she'll learn that she, too, is capable of finding friendship—and even love—after all.Smart, warm, uplifting, Eleanor Oliphant Is Completely Fine is the story of an out-of-the-ordinary heroine whose deadpan weirdness and unconscious wit make for an irresistible journey as she realizes. . . the only way to survive is to open your heart.

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a "good crop."Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that's never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it.For six weeks they pick cotton, battling the heat, the rain, the fatigue, and sometimes each other. As the weeks pass Luke sees and hears things no seven-year-old could possibly be prepared for, and he finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever. ©2000, 2001 Belfry Holdings, Inc. (P)2001 Random House, Inc. Bantam Doubleday Dell Audio Publishing, a Division of Random House, Inc.

    At that tender age, her little sister disappeared-never to be found. It was a loss that slowly eroded the family bonds she once relied on. As an adult with a prestigious job in the arts, Julie meets a struggling artist who reminds her so much of her sister, she can't help feeling protective. It is a friendship that begins a long and painful process of healing for Julie, leading her to a house on the Gulf Coast, ravaged by hurricane Katrina, and to stories of family that take her deep into the past.

    . . Gracie Burton is a grandmother, living quietly in Devon. She has rarely left the village over the past forty years. Her daughter, Carina, is immensely high-powered with her own fast-paced business in London. She has very little time for her 17-year-old daughter, Anastasia, away at boarding school, and even less time for her aging mother. In many ways, the three of them barely know each other. Then Gracie stumbles upon an advertisement for a weeklong cookery course in the heart of the Tuscan countryside. She cannot resist and ploughs her life savings into the trip. Carina and Anastasia accompany her. They have no idea why Gracie has been drawn to this venture. They have no sense of her past; she has never spoken about it. They have no idea that Gracie is harbouring the secret of an extraordinary life that preceded them . . .

    Although George has already lived in the camp long enough to father an illegitimate child, Serena is new to the mountains—but she soon shows herself to be the equal of any man, overseeing crews, hunting rattle-snakes, even saving her husband's life in the wilderness. Together this lord and lady of the woodlands ruthlessly kill or vanquish all who fall out of favor. Yet when Serena learns that she will never bear a child, she sets out to murder the son George fathered without her. Mother and child begin a struggle for their lives, and when Serena suspects George is protecting his illegitimate family, the Pembertons' intense, passionate marriage starts to unravel as the story moves toward its shocking reckoning.Rash's masterful balance of violence and beauty yields a riveting novel that, at its core, tells of love both honored and betrayed.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.