Then she meets Ivy Vega. At first, Ivy, pale and dressed all in black, looks like Olivia's opposite. Then the girls look beyond the glittery pink blush and thick black eyeliner to discover they're identical--identical twins!Olivia and Ivy are brimming with plans to switch places and pull every twin trick in the book. But Olivia soon discovers that she and Ivy aren't exactly the same. Ivy's a vampire. And she's not the only one in town.

    It is here, in the midst of ancient tensions and new calamity, that two sisters are caught in a deadly web of deceits. Arilou is proclaimed a beautiful prophetess one of the island's precious oracles: a Lost. Hathin, her junior, is her nearly invisible attendant. But neither Arilou nor Hathin is exactly what she seems, and they live a lie that is carefully constructed and jealously guarded. When the sisters are unknowingly drawn into a sinister, island-wide conspiracy, quiet, unobtrusive Hathin must journey beyond all she has ever known of her world and of herself in a desperate attempt to save them both. As the stakes mount and falsehoods unravel, she discovers that the only thing more dangerous than the secret she hides is the truth she must uncover.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Baron Munchausen's astounding feats included riding cannonballs, traveling to the Moon, and pulling himself out of a bog by his own hair. Listeners delighted in hearing about these unlikely adventures, and in 1785, the stories were collected and published as Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia. By the nineteenth century, the tales had undergone expansions and transformations by several notable authors and had been translated into many languages.A figure as colorful as the Baron naturally appeals to the artistic imagination, and he has been depicted in numerous works of art. His definitive visual image, however, belongs to Gustave Doré. Famed for his engravings of scenes from the Bible, the Divine Comedy, Don Quixote, and other literary classics, Doré created theatrical illustrations of the Baron's escapades that perfectly re-create the stories' picaresque humor.

    This invaluable volume is consulted by young Quidditch fans on an almost daily basis.Proceeds from the sale of this book will go to Comic Relief, who will use your money to continue improving and changing lives -- work that is even more important and astonishing than the three-and-a-half-second capture of the Golden Snitch by Roderick Plumpton in 1921.

    An International Geographic expedition is headed to the dangerous, remote wilds of South America, on a mission to document the legendary Yeti of the Amazon known as the Beast.But there are many secrets hidden in the unexplored wilderness, as Alex and his new friend Nadia soon discover. Drawing on the strength of their spirit guides, both young people are led on a thrilling and unforgettable journey to the ultimate discovery. . . .

    As far as fourteen-year-old Jolly knows, she's the last polliwog still alive -- and this special talent makes her invaluable to the pirate captain who raised her. When someone sets a trap for Jolly's ship, she alone escapes. Washed up on a tiny island, she meets Munk, who has been raised in hiding. Munk longs to go to sea, but his parents are afraid of pirates. They have forbidden Munk to reveal his true identity -- he, too, is a polliwog. But pirates are not the only threat in the Caribbean. Evil forces are stirring, and a demon from the sea attacks and murders Munk's parents. Was the demon really after Munk? And Jolly, too? Why are the polliwogs so valuable, and who's willing to kill to possess them? Jolly and Munk must sail with a strange crew of outcasts, led by the mysterious Ghost Trader, to avenge their loved ones and try to stop an ancient, malevolent force known as the Maelstrom. What it will cost both teens, no one can tell.

    The job is hard, the Spook is distant and many apprentices have failed before Thomas. Somehow Thomas must learn how to exorcise ghosts, contain witches and bind boggarts. But when he is tricked into freeing Mother Malkin, the most evil witch in the County, the horror begins..

    Her only escape are books, but since it's illegal for women to read in her country, she has to find creative ways of acquiring them. Working as a maid at her local library gives her the perfect excuse to be near them and allows her to sneak a few titles home when no one is looking. But one day Brystal uncovers a secret section of the library and finds a book about magic that changes her life forever. Magic is despised and outlawed throughout the world--Brystal is well aware of the severe consequences the book may bring--but her curiosity gets the best of her. By reading some of the text aloud, strange phenomena begin to occur and Brystal discovers she is capable of magic! And the more she practices it, the harder it becomes to hide. After being caught and convicted, Brystal is saved by a mysterious woman named Madame Weatherberry. The woman takes Brystal to her Academy of Magic and teaches her to become a fairy. While Brystal studies magic and befriends the other students, Madame Weatherberry is suddenly called away on suspicious matters. When she doesn't return, Brystal and her friends work together to find and save their instructor. Along the way, the students discover Madame Weatherberry's true intentions for the academy are not what they seem, and they come face to face with a sinister plot that puts the fate of the world, and the fate of magic itself, in grave danger...

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    What a boring summer it's going to be. But then, lying in bed one night, he hears the old grandfather clock in the hall strike the very strange hour of 13 o'clock. What can it mean? As Tom creeps downstairs and opens the door, he finds out...a magical garden, a new playmate, and the adventure of a lifetime. Una Stubbs stars as Aunt Gwen in this BBC Radio 4 full-cast dramatisation.© and (P)1999 BBC Audiobooks LTD2 h 16 min

    Hiccup has written three books so far, and now Toothless has his say. Here are Toothless's tips on how to train your Viking!

    M. Barrie Peter Pan, the mischievous boy who refuses to grow up, lands in the Darling's proper middle-class home to look for his shadow. He befriends Wendy, John and Michael and teaches them to fly (with a little help from fairy dust). He and Tinker Bell whisk them off to Never-land where they encounter the Red Indians, the Little Lost Boys, pirates and the dastardly Captain Hook.

    She can see fairies.But not the fairies we imagine. These fairies cast spells on her, rousing her from her sleep and propelling her out of bed. Disturbed by her daughter’s behaviour, Tanya’s mother sends her away to live with her grandmother at Elvesden Manor, a secluded countryside mansion on the outskirts of town.Then an old photograph leads Tanya to an unsolved mystery. Fifty years ago a girl vanished in the woods, a girl Tanya’s grandmother will not speak of. Tanya is determined to find the truth, but as she unearths more secrets she finds herself dangerously close to following in the missing girl’s footsteps . . .

    . . for a champion. Arthur's grandfather disappeared four years ago. All he left behind are his notebooks full of stories about the Minimoys, a miniature people who are all less than one inch tall! But the Minimoys can't possibly be real . . . can they? Ten-year-old Arthur is about to find out, as a hidden message catapults him on an adventure wilder than he had ever imagined. He'll face mosquito-riding soldiers, a malevolent wizard, giant centipedes, and one very independent princess . . . and along the way he might discover that the littlest heroes can make the biggest difference.