It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    One hundred years later, countering cherished legends, George Collingridge dared to claim that the Portuguese had gotten to Australia first. Now VANESSA COLLINGRIDGE, his distant cousin, unravels the strange tale of history's most fascinating explorer and the man who sought to dethrone him. Collingridge charts Captain Cook's celebrated voyages: He mapped the Pacific islands, circumnavigated Antarctica, charted New Zealand, and discovered the New Hebrides and Australia, curing scurvy along the way. He was shipwrecked on the Great Barrier Reef, cruised with sails frozen amid two-hundred-foot-tall icebergs, struggled to keep his crew from losing battles with alcohol and Polynesian women, and somehow managed to stay one step ahead of competing French and Spanish explorers. Over his twenty-one years of adventure--until his murder on a beach in Kealakekua Bay in Hawaii in 1779--Cook changed the Western map of the world. Or so schoolchildren were taught. In 1883 British aristocrat George Collingridge sailed Down Under in search of adventure--and came across maps of Australia dated 1542 and 1546, drawn in northern France but based on Portuguese originals, suggesting that Cook was not the first to reach Australia. This proposal would prove Collingridge's undoing--and yet it is a controversy that lives on.

    Shirer's new book - written in his ninth decade - explores the passionate, highly charged, and extraordinary lives of Leo and Sonya Tolstoy. It is a compelling illumination both of the nature of genius and of the universal problems of love, sex, and marriage - themes that Tolstoy played out in his great fiction and that haunted him in his tangled domestic life. Rich in anecdotes, wise, full of sweeping history, and imbued with Shirer's profound knowledge of literature and life, Love and Hatred ranks beside such works as Robert Massie's Nicholas and Alexandra and Nigel Nicolson's Portrait of a Marriage as a masterly, intuitive, and sympathetic exploration of the love/hate relationship between two famous, bigger-than-life people. Beginning in 1862, when Tolstoy committed the blunder of asking his young bride to read his diaries of his bachelor life so there should be no secrets between them, and ending with his tragic flight from home (and marriage) in 1910 while the whole world waited for news of him, Love and Hatred tells the story of a great romance between two people who could live neither together nor apart - a romance that exhausted and obsessed them both, and that forms the basis for much of Tolstoy's work. The final book of William L. Shirer's long and brilliant career, it is - appropriately - a masterly re-creation of a time, of two extraordinary people, and of the very nature of love, marriage, and old age.

    de Mille as the "screen's outstanding find of 1936" and by Howard Hawks as "the greatest actress I ever worked with"; join the Group Theatre, one of the most important, socially conscious and artistically groundbreaking troupes in U.S. history; and suffer a harrowing, ongoing struggle with mental illness, which kept her in various sanitariums and hospitals from 1943-1950. In 1972, her purported autobiography Will There Really Be a Morning? was published to great critical acclaim. The story might have ended there, but in 1978 Seattle film critic William Arnold published his account of Farmer's life, entitled Shadowland. Arnold claimed to have uncovered previously undisclosed information that Farmer had suffered a transorbital lobotomy at the hands of Dr. Walter Freeman, the man who, with James Watts, had introduced the prefrontal lobotomy to the United States, and who had later "refined" his technique to avoid drilling through the skull, instead resorting to inserting an icepick like device through the eye socket up into the brain to sever the frontal lobes. Arnold's disturbing account, the first time ever anyone had made the lobotomy assertion about Farmer, became the basis for the 1982 feature film Frances starring Jessica Lange.

    Just think about the last time you slowed down as you passed the scene of a car accident. When a public figure bites the dust, the curiosity only increases. From Attila the Hun to Marie Antoinette, from Heath Ledger to Anna Nicole Smith, the deaths of the rich and famous spark endless speculation and tabloid fodder. Their lives-and deaths-are grave matters.

    His tumultuous life and musical brilliance are explored in depth through hundreds of interviews, 49 transcribed musical scores, two hours of recorded all-star performances, and more than 50 rarely seen photos in this stellar tribute to behind-the-scenes Motown. Features a 120-minute CD Allan Slutsky's 2002 documentary of the same name is the winner of the New York Film Critics "Best Documentary of the Year" award

    Generations have grown up with Cilla's music, TV shows, and performances. But how much do we really know about 'the girl with the bright red hair and the jet black voice'? What's It All About? is Cilla's own story, told for the first time ever. It's the story of a woman who has worked ceaselessly to stay at the top for forty years despite setbacks and personal tragedy; a life of incredible highs and terrible lows. In this deeply personal autobiography she tells her unique story in intimate and vivid detail for the very first time. This is the real Cilla Black.

    Featuring many photographs, this book also candidly recounts a gifted and celebrated writer's descent into the life of alcohol and drugs that would ultimately consume his bulldog spirit and staggering talent--but not before he'd hobnob with the likes of Grace Paley and Lee Radziwill, feud outrageously with Gore Vidal and Jacqueline Susann, and stage at New York's Plaza Hotel the sensational Black and White Ball.

    The tales of their tours were the most outrageous in the already excess-laden annals of modern music. The era of Led Zeppelin personified sex, drugs, and rock & roll.Based on interviews with the band's musicians, friends, employees, and lovers, Hammer of the Gods tells the shocking story of Led Zeppelin's successes and excesses in the 70s when Zeppelin reigned as the industry's biggest act.Exclusive sources. Documents. Interviews. Photos. Revelations about a band and an industry at its shameless peak. Read it all, and see why Hammer of the Gods is a classic of rock journalism in its own right."

    Now, with Johnny's blessing before he died, McMahon can finally share all the stories that only he knows. From the sofa at Johnny's right to backstage to their personal relationship - McMahon will provide a real view of the man who was so careful to only show one side of himself to the public. Brilliant in front of the camera, but shy in person, Carson seldom gave interviews. Only McMahon can tell the stories and provide the insights into the personality that made Johnny Carson more of a friend we invited into our home than a television star.

    Roman Polanski drives a rented Mercedes along Mulholland Drive to Jack Nicholson’s house. Sitting next to him is an aspiring actress, Samantha Geimer, recently arrived from York, Pennsylvania. She is thirteen years old. The undisputed facts of what happened in the following hours appear in the court record: Polanski spent hours taking pictures of Samantha—on a deck overlooking the Hollywood Hills, on a kitchen counter, topless in a Jacuzzi. Wine and Quaaludes were consumed, balance and innocence were lost, and a young girl’s life was altered forever—eternally cast as a background player in her own story.For months on end, the Polanski case dominated the media in the United States and abroad. But even with the extensive coverage, much about that day—and the girl at the center of it all—remains a mystery. Just about everyone had an opinion about the renowned director and the girl he was accused of drugging and raping. Who was the predator? Who was the prey? Was the girl an innocent victim or a cunning Lolita artfully directed by her ambitious stage mother? How could the criminal justice system have failed all the parties concerned in such a spectacular fashion? Once Polanski fled the country, what became of Samantha, the young girl forever associated with one of Hollywood’s most notorious episodes? Samantha, as much as Polanski, has been a fugitive since the events of that night more than thirty years ago. Taking us far beyond the headlines, The Girl reveals a thirteen-year-old who was simultaneously wise beyond her years and yet terribly vulnerable. By telling her story in full for the first time, Samantha reclaims her identity, and indelibly proves that it is possible to move forward from victim to survivor, from confusion to certainty, from shame to strength.

    The renowned recording artist shares a half-century of personal memories, from his childhood in Depression-era Queens, to the New York jazz scene of the 1940s, to his successes with a new generation of fans in the 1990s.

    A history of the beginning days of movie making in Hollywood, focusing on the great actors like Keaton, Chaplin & Fairbanks & the great directors like Griffith & Raoul Walsh. Alive with the excitement of the old Hollywood, peppered with vivid cinematic and social recollections never before on record, illustrated with 300 rare photos - stills, on-the-set shots, portraits, most of them published here for the first time and reproduced from the original negatives or prints - this is a unique film history, the result of a unique collaboration.

    The author, a distinguished film critic and friend of Hitchcock's, enjoyed his full cooperation. Based on numerous interviews, with photos from the private family albums, and an in-depth study of the making of his last film, this biography of the director is as intriguing, revealing, perverse, and entertaining as any Hitchcock classic.

    Universe, and the Terminator. Now he answers to "Governor." From humble beginnings in a small Austrian village, Arnold Schwarzenegger pumped himself into the greatest bodybuilder in history, the biggest movie star in the world, and a political force to be reckoned with--all with raw ambition and driving self-confidence. In Fantastic, esteemed biographer Laurence Leamer captures Arnold's amazing story as no one else could. Drawing on unprecedented interviews with Arnold, his wife Maria Shriver, and Arnold's friends, family, lovers, competitors, business partners, and political adversaries, Leamer offers a brilliant, uniquely detailed portrait of this self-made man who married a Kennedy princess and scaled the heights of America's elite. Readers will discover:· A troubled youth: growing up the son of a strict former Nazi and overcoming adversity by discovering the potential of weight training· The superhuman: the arrogant showman who revolutionized bodybuilding--and his astounding string of Mr. Olympia titles· Blockbuster stardom: why a heavy accent and wooden acting style couldn't keep Arnold and his publicist from marketing him into the world's largest grossing film icon · The unlikeliest Kennedy: his marriage to Maria Shriver and her role in Arnold's rise to governor of the Golden State...and more!