He lives in the exact center of center-less Los Angeles with his depressed father, Greg, and imaginative younger sister, Sandra. When Greg suddenly dies, more than everything changes and the relatively smooth orbits of family and friends are altered when Adam needs them most. In the middle of the drama, a man in uniform appears—and he is more than interested in Adam. This man, a policeman, is warm, witty and wise. He is 6 foot-something, dirty blond, and . . . well, he’s a California Boy trapped inside the body of a 38 year-old man. But how can Adam consider the possibility of a relationship when he is dealing with his father’s death, his friends’ (and his own) pre-pre-pre mid-life crises, his mother’s ambivalence, and his little sister’s need for him? Then again, how can he not?Half-Life is about being—or at least feeling—young and old at the same time. About loving, or wanting to love, but knowing that life and love are both as exuberant and seductive yet two-dimensional and illusory as a billboard along any of Los Angeles’s endless freeways.Aaron Krach has written for Time Out New York, Out magazine, InStyle, thePosition.com, CBSHealthwatch.com, The Independent Film and Video Monthly, TVTS, Oui, DOX: International Documentary Film, indieWIRE, A&U magazine Instinct, HX, The Villager, Downtown Express, and TWN (Florida). The former editor of Empire Magazine and arts editor of Gay City News, he is now the senior editor of Cargo magazine. He lives in New York City. Half-Life is his first novel.

    In a dark corner of the best bar in the city, two lovers fall into each other's arms. The bar has been called many names, but it is now known simply as The Bar. Its proprietor is the aging, still glamourous Madame. Its clientele is gay. The two who fall in love are Boy, a beautiful nineteen-year-old, and the handsome, forty-something "Older Man" referred to as "O" by the regulars of The Bar. This is the story of Boy's and O's courtship and marriage, of Madame's role in the affair, and of the man called "Father," who threatens to come between them. Searingly honest in its deception of gay culture and ritual, this gripping novel is at once a moving celebratiion of love and a stark picture of life for gay men today.

    As Noone's friendship with the dying boy grows, he feels he can unlock his innermost feelings. But troubling questions arise, and he is forced to confront all his relationships - familial, romantic and erotic.

    But those plans change when his parents are suddenly killed and he finds himself the guardian of his little brother, Nick. Jamus ends up back in the Boston neighborhood where he grew up, with a crying toddler on his knee and the challenge of building a new life for himself and the boy. Jamus somehow finds a way to navigate the ups and downs of single parenting, but over a decade of raising Nick, Jamus never truly overcomes his struggles with loneliness and the guilt he feels as the sole survivor of the crash that killed his parents. That changes when he meets bookishly handsome Sean Malloy. There’s a spark between the two men, but both must face down their own private demons to find love in the Irish enclave of South Boston.For a more in-depth look at "Brothers," check out www.ralphjosiahbardsley.com.

    Like the moon from whom Liam has chosen his female name, his true self, Luna, only reveals herself at night. In the secrecy of his basement bedroom Liam transforms himself into the beautiful girl he longs to be, with help from his sister's clothes and makeup. Now, everything is about to change: Luna is preparing to emerge from her cocoon. But are Liam's family and friends ready to elcome Luna into their lives? Compelling and provocative, this is an unforgettable novel about a transgender teen's struggle for self-identity and acceptance.

    She’s captain of the Number Ninjas, her schedule is perfect, and her best friend Jacqueline Flores is going to be right by her side for all of it. But on the first day back at Dearington, Jac throws a wrench in Anabelle’s tidy plans. Not only has she rearranged her classes and dropped Number Ninjas, she’s joined the Girls who Like Girls Program, leaving Anabelle’s entire schedule in upheaval. Jac is never around anymore, and when she is, she’s got new friends (who Anabelle hates) or she’s running off to a lecture on alternative footwear. Anabelle is left to deal with the changes on her own, and suddenly, Jac’s inability to keep their dorm room tidy is the very least of Anabelle’s problems.

    Voth throws himself into his work, obsessively researching the life of Jack Sheppard, a legendary eighteenth century thief. No one knows Jack’s true story—his confessions have never been found. That is, until Dr. Voth discovers a mysterious stack of papers titled Confessions of the Fox. Dated 1724, the manuscript tells the story of an orphan named P. Sold into servitude at twelve, P struggles for years with her desire to live as “Jack.” When P falls dizzyingly in love with Bess, a sex worker looking for freedom of her own, P begins to imagine a different life. Bess brings P into the London underworld where scamps and rogues clash with London’s newly established police force, queer subcultures thrive, and ominous threats of an oncoming plague abound. At last, P becomes Jack Sheppard, one of the most notorious—and most wanted—thieves in history. Back in the present, Dr. Voth works feverishly day and night to authenticate the manuscript. But he’s not the only one who wants Jack’s story—and some people will do whatever it takes to get it. As both Jack and Voth are drawn into corruption and conspiracy, it becomes clear that their fates are intertwined—and only a miracle will save them both. An imaginative retelling of Brecht’s Threepenny Opera, Confessions of the Fox blends high-spirited adventure, subversive history, and provocative wit to animate forgotten histories and the extraordinary characters hidden within.

    Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    He's picked on because he likes boys, and fighting gets him kicked out of public school. As a last resort, his parents place him in St. Thomas Aquinas Catholic Boarding School for Boys.At his first mass at St. Thomas he sees Avery Dendritch, a senior who serves as altar boy during the service. When they meet, the attraction between them is hard to deny. The two become fast friends, and as the school year progresses, their friendship deepens until Jacob feels he's found a place where he belongs.But the other students gossip about their growing relationship. Avery can ignore them; Jacob can't. As the rumors and slurs start up again, can he curb his temper, or will his fighting get him expelled from St. Thomas, too?

    Upon his arrival, he finds that he's not the only young man given a fresh start. Myles Graham, and Jude Middleton are there before him, and as their benefactor is away, they soon form alliances and friendships, as they speculate on why they've been given this new life. Who is Philip Smallwood? Why has he given them such a fabulous new life? What secrets does the house hold-and what is it that the Doctor seems to know?

    Ultimately, they are forced to make life-changing decisions that depend on their courage and their commitment to one another.First self-published in 1969 (titled A Place for Us) in an edition of 1,000 copies, the author hand-sold the book on New York street corners; it garnered increasing attention to the point of receiving the American Library Association's first Gay Book Award in 1971. McGraw-Hill's version of the book a year later brought it to mainstream bookstores across the country.Patience & Sarah is a historical romance whose drama was a touchstone for the burgeoning gay and women's activism of the 1960s and early 1970s. It celebrates the joys of an uninhibited love between two strong women with a confident defiance that remains relevant today.Features an appendix of supplementary materials about Patience & Sarah and the author, as well as an introduction by acclaimed novelist Emma Donoghue.

    Soon he’s loitering around Wendell’s taxidermy shop, and the two come to understand their connection as love—a love that, in this time and place, can hold real danger. Cutting nearly all ties with the rest of the world, they make a home for themselves on the outskirts of town, a string of beloved dogs for company. Wendell cooks, Frank cares for the yard, and together they enjoy the vicarious drama of courtroom TV. But when Wendell finds Frank lying outside among their tomatoes at the age of eighty-three, he feels a new threat to their careful self-reliance. As Frank’s physical strength and his memory deteriorate, the two of them must fully confront the sacrifices they’ve made for each other—and the impending loss of the life they’ve built.Tender, gently funny, and gorgeously rendered, Hide is a love story of rare power.

    Narrated by Laurence, who is raised and lives as a man, is loved by men and women alike, and can respond to neither, this unconventional story explores the understanding “that fervent hearts must borrow the disguise of art, if they would win the right to express, in any outward form, the internal fire that consumes them.” Laurence describes his repudiation by his family, his involvement with an attractive widow, his subsequent wanderings and eventual attachment to a sixteen-year-old boy, his own tutelage by a Roman nobleman and his sisters, and his ultimate reunion with his early love. His is a story unique in nineteenth-century American letters, at once a remarkable reflection of a largely hidden inner life and a richly imagined tale of coming of age at odds with one’s culture. Howe wrote The Hermaphrodite when her own marriage was challenged by her husband’s affection for another man—and when prevailing notions regarding a woman’s appropriate role in patriarchal structures threatened Howe’s intellectual and emotional survival. The novel allowed Howe, and will now allow her readers, to occupy a speculative realm otherwise inaccessible in her historical moment.

    Handsome, charismatic, a powerful athlete and oarsman, David Sparsholt seems at first unaware of the effect he has on others--especially on the lonely and romantic Evert Dax, son of a celebrated novelist, himself also destined to become a writer. While the Blitz rages in London, Oxford exists at a strange remove from the action: a place of transience and uncertainty, the fears and rigors of the blackout both encouraging and concealing unexpected liaisons. Between these two young men of very different backgrounds an unusual friendship develops, one whose consequences will unfold over the many years that follow.Alan Hollinghurst's masterly new novel evokes the intimate lives of three generations of Sparsholts in a sequence of vividly rendered episodes: a childhood holiday in Cornwall; eccentric social gatherings at the Dax family home; the adventures of David's son Johnny, in pursuit of love and a career as a painter in 1970s London. Changes in taste, morality, and private life are explored in a group portrait of friends brought together by art, literature, and love. Champions of the Modern live to see modernity itself becoming history, while more personal, life-changing crises and scandals--including that which gives this novel its title--recede into the past, leaving their ambiguous traces. And as gay men and women live in increasing freedom and openness, and the gay scene evolves into new forms and possibilities, The Sparsholt Affair becomes a meditation on human transience, even as it expresses the countervailing longing for permanence and continuity.Witty, tender, epic in scope yet rich in observation, The Sparsholt Affair is a dazzling new work of fiction by a writer justly hailed by the Wall Street Journal as "one of the best novelists at work today."