and a small boy very worried.Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down.Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

    They share everything—from their friends to a room—and they both enjoy star positions on their high school’s soccer teams. All’s right with the twins...or is it?When new student Ryder Coltrane moves from Texas to their small New York town, he spins Andrew’s world upside down. All of Andrew’s past relationship troubles begin to make sense and his true feelings start to click into place after Ryder comes out to him. His friendship with Ryder turns secretively romantic, but secrets, they soon find out, are hard to keep. Once rumors start to fly, so-called friends turn on them, and the boys’ relationship turns into a bomb about to explode. But Andrew never expected it would be his own twin, Andrea, holding a lighter to ignite it.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    But things start to look up when a new student breezes through the halls of his small-town high school. Sage Hendricks befriends Logan at a time when he no longer trusts or believes in people. Sage has been homeschooled for a number of years and her parents have forbidden her to date anyone, but she won't tell Logan why. One day, Logan acts on his growing feelings for Sage. Moments later, he wishes he never had. Sage finally discloses her big secret: she was born a boy. Enraged, frightened, and feeling betrayed, Logan lashes out at Sage and disowns her. But once Logan comes to terms with what happened, he reaches out to Sage in an attempt to understand her situation. But Logan has no idea how rocky the road back to friendship will be.

    Desperate to leave a life of bad memories behind and start over in the Martian colony, Raleigh fully intends to keep that promise. But his plans are thwarted when a meteor near-misses him in the desert, and Raleigh finds in its crater not debris or even a spacecraft, but a man covered in swirling scars and with no memory of who he is. At least he looks like a man—a man Raleigh can’t seem to keep his eyes off of—but whenever they touch it ignites a memory swap between them.Raleigh agrees to help Meteor Man piece together his life through their cosmic connection. But the memory share goes both ways, and Raleigh becomes inexplicably entangled with a guy who is everything he needs—everything good that Raleigh is not—but might not even be human. As their minds and worlds collide, reality unravels and Raleigh must face a painful truth, one that could shatter his dreams of finding love, reaching Mars, and fulfilling his brother’s last wish.

    While her current spends the summer researching public housing in Stockholm, a moderately wealthy, object-oppressed, and terminally hip New York female of a certain age seeks adventure in the sedate dyke bars of lower Manhattan. Finding none, she answers a personal ad. She is ordered to put on a blindfold before the first meeting with the woman she knows only as Sir. Not knowing what someone looks like turns out to be freeing, as do the escalating constraints that alienate her not just from her former life, but from her very conception of who she is. Part Georges Bataille, part Fran Leibowitz, this is the Story of O told with a self-referentially perverse sense of humor. Leash extends the logic of S&M to its inexorable and startling conclusion, darkly and hilariously revealing the masochistic impulse as the urge to disappear from the chores, obligations, and emotional vacuity of daily life. First published in 2002.

    She's Jolene and I'm Jody. We've both got brown hair, we're both left-handed and we both have these weirdly long little toes which make us look like long-toed mutants. But apart from that, I'd say we're fairly different. Well, actually, we're a lot different... It's hard enough being one half of the world's least identical twins, without both of you falling for the same guy. Jolene's turned flirting into a fine art, but Jody? Not so much.And as if a twinny love triangle wasn't messy enough... there's something nobody knows about Jody Barton. Something BIG. Told with the trademark warmth and laugh-out-loud humour of the much-loved LOTTIE BIGGS books, this is a book that will make you think, with a gobsmacking twist you won't believe.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.

    She doesn’t need people. Which is a good thing, because she’s on her own: she had to move into her own apartment so her mother’s boyfriend won’t have to deal with her. Then she meets Frank, the guy who lives next door. He’s older and has a girlfriend, but Elle can’t stop thinking about him. Frank isn’t like anyone Elle has ever met. He listens to her. He’s gentle. And Elle is falling for him, hard. But Frank is different in a way that Elle was never prepared for: he’s transgender. And when Elle learns the truth, her world is turned upside down.  Now she’ll have to search inside herself to find not only the true meaning of friendship but her own role in jumpstarting the world. Tender, honest, and compassionate, Jumpstart the World is a stunning story to make you laugh, cry, and honor the power of love.

    Unable to face his family, Sutton heads to Manhattan with no plans and little money in his pocket but with a desire to call his life his own. Jack Bailey lost his parents to influenza and now hopes to save the family novelty shop by advertising on the radio, a medium barely more than a novelty, itself. His nights are spent in a careless and debauched romp through the gayer sections of Manhattan. When these two men cross paths, despite a world of differences separating them, their attraction cannot be denied. Sutton finds himself drawn to the piano, playing for Jack. But can his music heal them both, or will sudden prosperity jeopardize their chance at love?

    His sublime, ethereal performances were unforgettable, drawing on the most treasured traditions of every culture, every people, throughout inhabited space. His crowning achievement, and his obsession: the Somalite song dance, an art form that transcends both song and movement to become something greater and more spectacular . . . almost divine.When tragic events caused performance of the song dance to be proscribed, Mikk was devastated . . . until his strong sense of justice forced him to defy the ban. His trial will be the most sensational in the recent history of the galaxy; the sentence he faces is death. Now the greatest performance master must hope to become the greatest escape artist. Somehow Mikk must break the stranglehold of censorship and change the law . . . or die trying!

    Of course, that was all before—before Quinn stopped going to school, before his mom started sleeping on the sofa…and before Annabeth was killed in a car accident.Enter Geoff, Quinn’s best friend who insists it’s time that Quinn came out—at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy—a hot one—and falls hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending—if, that is, he can finally step back into the starring role of his own life story.

    Kenney is usually the one who comes up with things to do -- her flair for the dramatic can make even boring old Greensboro seem interesting. And if she is a little controlling, Aurin and Fred just look the other way.Aurin has no intention of throwing off their established equilibrium. But when Neila joins their circle, Aurin realizes that she and Neila are becoming more than friends. Aurin and Neila are happy in their developing relationship, but Kenney feels left out. Can Aurin manage to mend things with an increasingly possessive Kenney, without letting her control this aspect of her life?In this stunning debut novel, Tea Benduhn looks at a teen making decisions about her future while trying not to lose her past.

    Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    The taunts of his now-deceased father ringing in his ears, Binh answers an ad for a live-in cook at a Parisian household, and soon finds himself employed by Gertrude Stein and Alice B. Toklas.Toklas and Stein hold court in their literary salon, for which the devoted yet acerbic Binh serves as chef, and as a keen observer of his "Mesdames" and their distinguished guests. But when the enigmatic literary ladies decide to journey back to America, Binh is faced with a monumental choice: will he, the self-imposed "exile," accompany them to yet another new country, return to his native Vietnam, or make Paris his home?