It is a widely read piece of Gujarati literature.The supernovel was written over a period of 15 years, with the first volume being published in 1887 and the fourth one in 1902.The focus of the novel is on two Gujarati Brahmin families. The family of Lakshminandan is settled in Bombay, and is very wealthy. Saraswatichandra, the brilliant scholar-to-be, is born to Lakshminandan and Chandralakshmi. He has a dazzling career to look forward to as he is steeped in Sanskrit and English classics, is a barrister by qualification and has tried his hand successfully at his father's business. The other family is that of Vidyachatur, the highly knowledgeable prime minister of the court of King Maniraj of kingdom of Ratnanagari. To him and his wife, Gunasundari, the lady of tremendous qualities, are born two daughters, Kumudsundari (the elder) and Kusumsundari. Saraswatichandra's mother dies, and Lakshminandan remarries. The step-mother, Guman, is a scheming woman and she treats her step-son with suspicion and dislike. Meanwhile, Saraswatichandra and Kumudsundari are engaged to be married, subsequent to which they exchange letters and fall in love without having seen each other; he, charmed with Kumud's tenderness and similar likes and she, taken in by his vast knowledge and excellent qualities.Things reach a head in Saraswatichandra's home when he realizes that even his father suspects him of having an interest only in the family wealth and he decides to renounce his home. His best friend, Chandrakant, tries his best to prevent his friend from carrying out this terrible vow. But Saraswatichandra is not amenable to argument, and he leaves, thus not only renouncing home and wealth, but also leaving young Kumud in the lurch. He proceeds by sea to Suvarnapur. By the time he reaches there, Kumud has already been married off to Pramad-dhan, the wayward son of Buddhidhan, the man who is slated to become prime minister of Suvarnapur.And thus, we come to the third family. Buddhidhan is a Bania (vaaNiyaa) and has a sharp intelligence and political sense, by which he manages to overturn the reign of Suvarnapur's ruler, Jadsinh, and his administrators, Dushtrai and Shathrai. His own Rajput friend, Bhoopsinh, becomes king and Buddhidhan, his prime minister. Saraswatichandra stays at Buddhidhan's place calling himself Navinchandra, and watches all this political activity with interest. Inevitably, he comes into contact a few times with Kumud, the daughter-in-law of the house. Love for each other ignites again, and a lowly companion of the daughter of the house takes advantage of this and incites Pramad-dhan against his wife.On the day Buddhidhan gets the prime minister's post, Saraswatichandra leaves his house due to the tensions that contact with Kumud is causing them both and leaves without a destination in mind. Meanwhile, Kumud is also on her way in a palanquin and accompanied by guards, to see her mother in Manoharpuri. Saraswatichandra's is attacked by bandits and they leave him injured in a forest. An attack on Kumud is also planned by the bandits. Kumud's grandfather, Maanchatur, manage to foil the bandits' plans, capture their leader, but then, Kumud, fearing shame and infamy, jumps into the Subhadra river. Everybody assumes her dead.Saraswatichandra, meanwhile, is rescued by a group of ascetics and taken to their ashram on the nearby mountains of Sundargiri. Here, Saraswatichandra impresses the head monk, Vishnudas, by his breadth of knowledge and eventually makes him name him as his successor to the post of head monk. Kumud also survives and her unconscious body is caught by a lady ascetic, Chandraavali. This group takes Kumud to Vishnudas' ashram and both she and Saraswatichandra come to know of each other's presence there.The ashram ascetics realize the facts of the past life of these two, and try their best to reunite them. In this attempt, they take them both to an isolated cave on the peak of Chiranjeevshrung. Here, spending four days and nights together, they undergo a mystical experience and they realise their goal of life. Ratnanagari's police and detectives find out where Saraswatichandra and Kumud are, and eventually, his entire family talk to Vishnudas about getting the two 'back into the world', and convince the two about the same. However, there is no consensus on the marriage of Kumud to Saraswatichandra. Kumud on the other hand tries to convince saras to marry Kusum (kumud's sister). The story ends with Saraswatichandra marrying Kusum.This is the plot of the novel described in the briefest possible manner, without conveying even an iota of the emotions, the tension, the idealism of some characters and the pragmatism of others, the sheer vicissitudes of life in these three families after Saraswatichandra renounced home.

    The second volume of the fifth part in the series 'Ponniyin Selvan', deals with the sacrifice that Ponniyin Selvan makes in giving up the great kingdom which was his, and crowing another person as its king.

    It knits 3,700 years, powerful ancient and modern-day characters and a nail-biting conspiracy - all in one literary thriller. Harappa is the first among a series of four books. 2017, Delhi – Vidyut’s dying ancestor summons him to Banaras. The old Brahmin chieftain of the Dev-Raakshasa Matth, or the God-Demon Clan, bears a chilling secret. Their bloodline carries an ancient curse that will plague mankind - towards its own violent extinction.1700 BCE, Harappa – Harappa is a magnificent city on the banks of the mighty Saraswati river. The darkness of treachery, taantric exorcism and bloodshed unleashes itself on the last devta, paving the way for his devastating revenge…and the horrifying truth behind the fall of the glorious civilisation.2017, Paris – The world’s most powerful religious institution is rattled. Europe’s dreaded crime lord meets a mysterious man in Paris. A lethal assassin boards a train, as Rome fears the worst. The prophesied devta has returned.What connects Banaras, Harappa and Rome? What was the ancient curse and who was the last devta? What is the terrible secret behind the fall of the colossal Indus Valley? Read on as you travel through a saga of violence and deceit, gods and demons, love and ambition.

    . . a gripping mystery'Apostolos DoxiadisMulti-Award Winning Author of the New York Times Bestseller LogicomixAN ANCIENT CITYAN AGELESS TRADITIONA MODERN MURDERThey don’t come better than Divya. ‘Uber-smart’ does not even begin to describe it. And even a single-digit All-India rank in everything is nothing more than a left-handed demonstration of the kind of stuff she is made of. But the limits of her prowess are suddenly tested when her professor, Lakshman, springs a bizarre new assignment on her—helping out Joshua Ezekiel.A world-renowned computer scientist at MIT, Joshua is now in India and in deep, deep trouble. A criminal genius who happens to be his former student is brutally murdered, leaving Joshua trapped in the mess and mayhem that follow.With Lakshman and Divya firmly on his side, Joshua begins digging up his crooked protégé’s sinister trail of secrets—secrets which spiral out of an ancient Indian city and unleash shockwaves much, much, beyond . . .A mind-blowing cocktail of science and religion, mythology and technology, history and human greed, The Steradian Trail fires the starting shot of an explosive new series in style.'A gripping novel . . . a pacey thriller . . . An enjoyable read . . . An impressive debut!'Guillermo MartínezMulti-Award Winning Author of the International Bestseller The Oxford Murders

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that.Zara and I broke up four years ago. She moved on in life. I didn’t. I drank every night to forget her. I called, messaged, and stalked her on social media. She just ignored me.However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105. I shouldn’t have gone, but I did… and my life changed forever.This is not a love story. It is an unlove story.

    My parents love me, my boyfriend adores me and I have a great job. But heres the thing-my life is in danger. Someones been following me around, watching my every move, trying to get control over my life. At first I thought it was a silly prank to gain my attention. My roomie suggested he must be a secret admirer. Is he? What he doesnt know is the police have set a trap to nab him. Soon Ill know if its simply a lovers obsession or there is more to it. BTW, I call him stranger.From the bestselling author of EX, how about a sin tonight? That kiss in the rain and a thing beyond forever comes a racy tale gravid with emotional twists, relationship quirks and mind-numbing revelations.

    Ki. Rangarajan. The Tamil actor Kamal Hassan suggested that Ra. Ki. translate I, Claudius by Robert Graves into Tamil. Instead, Ra. Ki. decided to present a first-person narrative of the story of Krishnadevaraya, the emperor of Vijayanagar.Ra. Ki.’s hero is like any other young man his age—his romantic attachments overshadowing everything else in his life—until his minister and mentor, Appaji, reminds him that his duty ought to take precedence over his love life.Coming to the throne under difficult circumstances, Krishnadevaraya had to wage a relentless battle to preserve the Vijayanagar empire. Circumstances prevented him from marrying the woman he loved or pursuing literature, his true passion. Overcoming all of this, Krishnadevaraya went on to become the greatest emperor of the Vijayanagar empire.I, Krishnadevaraya takes you into the inner world of the emperor, providing a vivid picture of his thinking, his insecurities and his decision-making. Ably translated by Suganthy Krishnamachari, I, Krishnadevaraya is a fascinating look at one of India’s greatest kings.

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

    wrote on the royal family of the erstwhile state of Travancore. The other two are Dharmaraja (1913) and Ramaraja Bahadur in two parts (1918-1920). Marthanda Varma on the surface, is a historical romance, but its subtext is a political one of contemporary significance. In the novel there is a subplot with Subhadra at the centre. Through what she does or what happens to her, C.V. is projecting a futuristic vision of the New Woman in the Indian context. The conventional image of the woman is replaced by an imagined figure that was to emerge on the Indian scene. Another unique feature of this novel is the introduction, for the first time, of untouchables, the channans of south Travancore, Hence is fiction asserting humanistic values over and above the taboos and superstitions of yester-years.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    Prominent among its many characters are Rabindranath Tagore or Robi, the young, dreamy poet, torn between his art and the love for his beautiful, ethereal sister-in-law, Kadambari Devi, and the handsome, dynamic Naren Datta, later to become Swami Vivekananda, who abandons his Brahmo Samaj leanings and surrenders himself completely to his Guru, Sri Ramakrishna. The story also touches upon the lives of the men and women rising to the call of nationalism; the doctors and scientists determined to pull their land out of the morass of superstition and blind beliefs, and the growing theatre movement of Bengal, with its brilliant actors and actresses who leave behind the squalor of their lives every night to deliver lines breathtaking in their beauty. Through all this runs the story of Bharat and Bhumisuta - one an illegitimate prince, the other a slave who rises to become the finest actress of her age - who cling to their self-respect and love in a society which has little time for people like them. Grand in its scale and crackling with the energy of its prose, First Light is a rich and comprehensive portrait of Bengal, from its sleepy, slow-changing villages to the bustling city of Calcutta where the genteel and the grotesque live together. Equally, it is a chronicle of a whole nation waking up to a new, modern sensibility.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    But what went unreported in the media was the nuclear fallout that had lasting impact on the inhabitants of Pokhran, especially Chaitanya.It quickly becomes clear that the conspiracy surrounding this radioactive fallout runs pretty deep in the establishment. Those who have had a hand in covering it up are willing to go to great lengths to ensure that the secrets stay buried.Chaitanya sets on a journey to expose the truth. With Zara by his side, he is sure to bring justice to his people. But when fate snatches Zara away from him, he is consumed by revenge. Undeterred by threats, he embarks on a mission that takes him from the deserts of Pokhran to those of Syria, and into the halls of MIT.A heady page turner, at its very core, Pokhran is an exceptional journey of revenge, courage, love and the unbeatable human spirit.