Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.Penguin has a rich tradition of publishing strong Southern debut fiction—from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In Queen Sugar, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and intimate in its exploration of the complexities of contemporary southern life, Queen Sugar is an unforgettable tale of endurance and hope.

    I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    They had sold their home and business in London, and said "farewell to England" with a cheerful party where all their friends had gathered to wish them well on their great adventure: setting off to begin life anew on a remote, bucolic farm in rural Sweden.But with that phone call, everything changes. Your mother's not well, his father tells him. She's been imagining things--terrible, terrible things. She's had a psychotic breakdown, and has been committed to a mental hospital.Daniel prepares to rush to Sweden, on the first available flight the next day. Before he can board the plane, his father contacts him again with even more frightening news: his mother has been released from the hospital, and he doesn't know where she is.Then, he hears from his mother:I'm sure your father has spoken to you. Everything that man has told you is a lie. I'm not mad. I don't need a doctor. I need the police. I'm about to board a flight to London. Meet me at Heathrow.Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a horrible crime and a conspiracy that implicates his own father.

    He is respected in his community, tenacious in the courtroom, and happy at home with his wife, Laurie, and son, Jacob. But when a shocking crime shatters their New England town, Andy is blindsided by what happens next: His fourteen-year-old son is charged with the murder of a fellow student.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    Everyone does. Perhaps you’ve read a profile of them in People or have seen their pictures in the society pages of Vogue. Perhaps while walking along that choice block on Fifth Avenue, you’ve been tempted to enter the ornate limestone building with their family name etched into the pediment above the door.The only thing more flawless than a Saybrook’s diamond solitaire is the family behind the jewelry empire. Beauties, entrepreneurs, debutantes, and style mavens, they are the epitome of New York City’s high society. But being a Saybrook comes at a price—they are heirs not only to a dizzying fortune but also to a decades-old family curse.Tragedy strikes the prominent family yet again when thirty-four-year-old Poppy, the most exquisite Saybrook of them all, flings herself from the window of her TriBeCa office. Everyone is shocked that a woman who had it all would end her own life. Then her cousins receive an ominous threat: one heiress down, four to go.Was it suicide... or murder? In the aftermath of the tragedy, the remaining heiresses—Corinne, the perfectionist; Rowan, the workaholic; Aster, the hedonist; and Natasha, the enigma—wrestle with feelings of sadness, guilt, and, most of all, fear. Now they must uncover the truth about their family before they lose the only thing money can’t buy: their lives.The Heiresses is a whip-smart mystery that simmers with the wicked sense of humor and intrigue that made Sara Shepard’s number one New York Times bestselling Pretty Little Liars series a must-read, must-watch phenomenon.

    Until she finds out he wasn't alone when he died.Since a plane crash killed her husband two years ago, Annabelle Murphy has found solace in raising her two children. Just when she thinks the grief is behind her, she receives the news that the wreckage of the small plane has been discovered and that her husband did not die alone. He was with another woman. Suddenly, Annabelle is forced to question everything she once held true.Sophie Parker knows the woman who was on that plane. A dolphin researcher who has lived a quiet life, Sophie has never let anyone get too close. But when Annabelle shows up on Sophie's doorstep full of painful questions, both women must confront their intertwining pasts and find the courage to face the truth.

    Crime correspondent for the Evening Post. He didn't know it was going to be a season in hell. A dead little girl with a swan's wings stitched to her back. A gypsy camp in a ring of fire. Corruption everywhere you look.In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession, greed and sadism.

    Reeling from the worst night of their lives, the three mothers plunge into a desperate investigation of the bizarre incident. How could something so horrible happen in their wealthy Southern California suburb? They soon discover that the accident was just the beginning, and troubling discoveries lead to chilling questions: Do they really know their children? Do they even know each other? As more secrets surface, a fog of doubt and suspicion threatens to poison their families, their friendships, and the whole community. With the illusion of happiness and safety long gone, these women must now confront the hazards of heartbreak, the consequences of jealousy, and the dangers of living double lives.

    The diary that ends up with Wick Tate. But Tessa’s just been found . . . dead.Wick has the right computer-hacking skills for the job but little interest in this perverse game of hide-and-seek. Until her sister Lily is the next target.Then Griff, trailer-park boy next door and fellow hacker, shows up, intent on helping Wick. Is a happy ending possible with the threat of Wick’s deadbeat dad returning, the detective hunting him sniffing around Wick instead, and a killer taunting her at every step?Foster child. Daughter of a felon. Loner hacker girl. Wick has a bad attitude and sarcasm to spare.But she’s going to find this killer no matter what.Because it just got personal.

    Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    "Norma had run off with Guy Dupree and I was waiting around for the credit card billings to come in so I could see where they had gone." The fussbudget is assailed by tropical storms, grifters, hippies, car trouble, and candy wrappers at high speed "wind came up through the floor hole in such a way that the Heath wrappers were suspended behind my head in a noisy brown vortex". Leech Dr Reo Symes is a font of dubious financial schemes and fluff such as a circus "fifty-pound rat from the sewers of Paris, France. Of course it didn't really weigh fifty pounds and it wasn't your true rat and it wasn't from Paris, France, either. It was some kind of animal from South America."

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    But when her phone rings one quiet morning, her world is shattered. As she tries to pick up the pieces and make sense of what went wrong, Jess begins to realize that a tragic death is just the beginning. Soon she is caught in a web of lies and half-truths—and she’s horrified to learn that everything leads back to her seven-year-old adopted son, Gabriel.Years ago, Gabe’s birth mother requested a closed adoption and Jessica was more than happy to comply. But when her house is broken into and she discovers a clue that suggests her estranged husband was in close contact with Gabe’s biological mother, she vows to uncover the truth at any cost. A harrowing story of tenacious love and heartbreaking betrayal, You Were Always Mine is about the wars we wage to keep the ones we love close, perfect for fans of Liane Moriarty and Jodi Picoult.