Marlin sees this as a perfect opportunity for the fishing foundation to educate people across the country about the importance of protecting another fishery. He also knows that Mallard Cove Marina on Virginia's Eastern Shore will make the perfect new home for the show, and that its resident charter boats and crews will be part of a great new cast. While he is prepared to deal with the big egos of some of the old cast members, he hadn't figured on having a shadowy saboteur that wanted the show cancelled, and is willing to do whatever it takes to get it cancelled...permanently. Nor is he ready for the old cast members that will also stop at nothing to get re-hired and bring the show back south.So, follow the Mallard Cove gang as they deal with those old cast members, and they race to put a stop to the sabotage before someone else gets killed or the show becomes history!

    is an ode both to the soil, and those who have worked it alongside her' Daily Telegraph Joan Bomford wanted to be a farmer so much she always wore a tie like her dad. She ran away from school whenever she could to help him. As an 8 year-old she was the first person in the family to drive a tractor. No job was ever too tough for her. Now aged 83, she's still as active, still driving tractors, still feeding the farm's beef cattle and horses, and still giving riding lessons.This is her account of a lifelong love-affair with the land and the people who work on it. With the warmth and wit of a born story teller, she tells us what it's been like to live through an era of enormous change, her love of animals kindled by her father's shire horses who did all the heavy work until machinery took over. Up With The Lark is not only the portrait of a forgotten era, but also the story of one woman's overwhelming desire to do the thing she cared about more than anything else - being Farmer Joan.

    The first ever collection of contemporary Scottish writing on nature and landscape, Antlers of Water showcases the diversity and radicalism of new Scottish nature writing today.Edited, curated and introduced by the award-winning Kathleen Jamie, and featuring prose, poetry and photography, this inspiring collection takes us from walking to wild swimming, from red deer to pigeons and wasps, from remote islands to back gardens.With contributions from Amy Liptrot, Malachy Tallack, Chitra Ramaswamy, Jim Crumley, Amanda Thomson, Karine Polwart and many more, Antlers of Water urges us to renegotiate our relationship with the more-than-human world, in writing which is by turns celebratory, radical and political.

    

    That first trip to America’s last frontier convinced him he would one day call the state home. With heartfelt honesty and inspirational enthusiasm, Maranville here tells the story of his transition from living within the contiguous forty-eight states to homesteading north of the Arctic Circle. After serving in the US Army in Vietnam as an aircraft mechanic, he decided to file for the grant of a homesite in the Alaskan wilds. Once he’d staked the land, he faced the challenge of fulfilling the five-year land-improvement requirements prescribed by the Homestead Act. While earning his homestead, he encountered new opportunities, amazing adventures—and frightening hazards. Working as a helicopter mechanic, he soon partnered with a helicopter pilot and they began the farthest North helicopter company, Sunshine Helicopters, out of Circle City, Alaska along the Yukon River. He built his family a log cabin in the wilderness along the picturesque banks of the Ambler River, where they confronted bears, extreme cold, dangerous working conditions, and rugged landscape—and survived a devastating flood. Yet the difficulties were worth it. At last, Maranville received one of the final patents granted under the Homestead Act before the act was discontinued.

    Children are interested in things like where do certain animal come from and where does the rain come from. Children are also interested in the sky and how far away it is from the ground. Nature will also teach children how animals and insects get their food. This will force children to paint a picture of this in their mind. This picture will become real to children of all ages.

    

    

    Colin Elford spends his days alone - alone but for the deer, the squirrels, the rabbits, the birds, and the many other creatures inhabiting the woods. From the crisp cold of January, through the promise of spring and the heat of summer, and then into damp autumn and the chill winds of winter, we accompany the forest-ranger as he goes about his work - stalking in the early morning darkness, putting an injured fallow buck out of its misery, watching stoats kill a hare, observing owls, and simply being a part of the outdoors. Colin Elford immerses himself in the richly diverse and unique landscapes of Britain, existing in rhythm with natural environments. For fans of Robert Macfarlane's Landmarks, Helen Macdonald's H is for Hawk orJames Rebanks' A Shepherd's Life, Colin's rare and uplifiting journey will unveil the true nature and beauty of Britain's countryside. 'This is nature for real . . . Elford describes woodland wonders in short paragraphs of luminous intensity' Daily Mail 'A poetic insight in the world of hidden Nature' Countryman 'Stalking sharpens the senses and there is an almost hallucinatory clarity to Elford's writing' Observer 'Refreshingly unsentimental. Contains some wonderful descriptions and sentences which are so profound they demand a second reading' Sunday Express Colin Elford is a forest ranger on the Dorset/Wiltshire border. Craig Taylor is the author of Return to Akenfield and One Million Tiny Plays About Britain and the editor of the magazine Five Dials.

    Many of the trees have been cleared, but connection with the wildwood remains. It is a place of danger, adventure and transformation, where anything could happen. Here is a collection of traditional folk tales of oak, ash and thorn, hunting forests and rebellion, timber and triumph in battle, wild ghosts and woodwoses. Lisa Schneidau retells some of the old stories and relates them to the trees and forests in the landscape of our islands today. These stories are essential reading for all those who feel a pull towards the wild in the landscape, and at the edge of our lives.

    Through the Smoke Hole, we will escape the gaze of the Spyglass and find ourselves.Assailed by seductive promises and controlled by social media, we are losing our sense of direction. We are losing ourselves. We have networks, not communities.At a time when we are all confronted by not one, but many crossroads in our lives - identity, technology, trust, love, politics and global pandemic, celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole three metaphors for the modern world - a commons of imagination. Let us journey together, and these stories be your ally - hold them in your pocket, breathe deeper, feel steadier and become acquainted with rapture.

    Written just before the British countryside was largely devastated by factory farming and the reckless use of herbicides and pesticides. Magical. The original book had photographs by the author, but this has b&w drawings for chapter headings only. Green cloth boards.

    More than fifty years on, The Fat of the Land remains an important and inspiring book and retains its power to make us think carefully about our own lives.

    Over the course of the twentieth century this piece of music, perhaps more than any other, worked its way into the collective consciousness to seemingly define a mythical concept of the English countryside: babbling brooks, skylarks, hayricks. But the birth and legacy of the composition are much more complex than this simplified pastoral vision suggests. The landscape we celebrate as unsullied and ripe with mystique is a living, working, and occasionally rancorous environment - not an unaffected idyll - that forged a nation's musical personality, and its dissenting traditions.On a chronological journey that takes him from postwar poets and artists to the late twentieth century and the free party scene which emerged from acid house and travelling communities, Richard King explores how Britain's history and identity has been shaped by the mysterious relationship between music and nature. From the far west of Wales to the Thames Estuary and the Suffolk shoreline, taking in Brian Eno, Kate Bush, Boards of Canada, Dylan Thomas, Gavin Bryars, Greenham Common and The Kinder Scout Mass Trespass, The Lark Ascending listens to the land and the music that emerged from it, to chart a new and surprising course through a familiar landscape.