Callings and contrivances. King Zulu. Comus.Sephardic ju-ju and verses. Voodoo mojo, Special Forces.Henry formed a group named Professor Longhair and hisShuffling Hungarians. After so much renunciationAnd invention, is this the image of the promised end?All music haunted by all the music of the dead forever.Becky haunted forever by Pearl the daughter she abandonedFor love, O try my tra-la-la, ma la belle, mah walla-woe.—from "Gulf Music"An improvised, even desperate music, yearning toward knowledge across a gulf, informs Robert Pinsky's first book of poetry since Jersey Rain (2000).On the large scale of war or the personal scale of family history, in the movements of people and cultures across oceans or between eras, these poems discover connections between things seemingly disparate.Gulf Music is perhaps the most ambitious, politically impassioned, and inventive book by this major American poet.

    The result is part carnival, part nightmare. A television pundit's rhetoric segues into an unusual succulent with writhing maroon tongues. When the world suddenly becomes legible, is that revelation or psychosis? In this book, the voice of the Lord and/or the voice of the security state can come from anyplace. The problem of identity becomes acute. The poems in Just Saying may be imagined as chimeras, creatures that appear when old distinctions break down and elements generally kept separate combine in new ways. Here Armantrout both worries (as a dog worries a bone) and celebrates the groundless fecundity of being and of language.

    Spare, haunted, and haunting, yet not without hope, Double Shadow argues for life as a wilderness through which there’s only the questing forward—with no regrets and no looking back.

    In 55 poems that swerve and crackle with a rare music, Inua Ellams unleashes a full-throated assault on empire and its legacies of racism, injustice and toxic masculinity.Written on the author's phone, in transit, between meetings, before falling asleep and just after waking, this is poetry as polemic, as an act of resistance, but also as dream-vision. At its heart, this book confronts the absolutism and 'foolish machismo' of hero culture-from Perseus to Trump, from Batman to Boko Haram. Through the thick gauze of history, these breathtaking poems look the world square in the face and ask, "What the actual - ?".'This is what poetry looks like when you have nothing to lose, when you speak from the heart, when you have spent years honing your craft so that you can be free. This is what poetry looks like when you are a word sorcerer, a linguistic swordsman, a metaphor-dazzler, a passionate creator of poetry as fire, as lament, as beauty, as reflection, as argument, as home. I was blown away by this book' Bernadine Evaristo'This first collections is a masterclass in subtlety: poems that manage to be tender, angry, vulnerable, sad, funny, yearning and interrogating of history, both recent and long ago, all at once. It's a phenomenal piece of work about what it is to exist in this time, and his dissection of pop culture, colonialism, social interactions and the cruelty of the world, of men, of systems will be read and studied for years.' Nikesh Shukla

    For the first time, Mojgani has given us a collection which combines his poems with his illustrations, at times using them to infuse and inform one another. The poems and pictures of The Pocketknife Bible climb through the child-like heart of its author to bring stories from the well that are enhanced by the imagery. This book is a celebration of childhood and family, or rather the mythology of what that entails, exploring the intersection of how we may have once seen the world and how we remember how we saw it. This is an almost-children s book for those who might no longer be young, but could use a map to find their way back to that world."

    The time is the early 1970s when the two giants were poised on the brink of war. And the characters in this thrilling collection of stories are Chinese soldiers who must constantly scrutinize the enemy even as they themselves are watched for signs of the fatal disease of bourgeois liberalism.In Ocean of Words, the Chinese writer Ha Jin explores the predicament of these simple, barely literate men with breathtaking concision and humanity. From amorous telegraphers to a pugnacious militiaman, from an inscrutable Russian prisoner to an effeminate but enthusiastic recruit, Ha Jin's characters possess a depth and liveliness that suggest Isaac Babel's Cossacks and Tim O'Brien's GIs. Ocean of Words is a triumphant volume, poignant, hilarious, and harrowing."A compelling collection of stories, powerful in their unity of theme and rich in their diversity of styles."--New York Times Book Review"Extraordinary...[These stories are shot through with wit and offer glimpses of human motivation that defy retelling...Read them all."--Boston Globe"An exceptional new talent, capable of wringing rich surprises out of austere materials."--Portland Oregonian

    The book is in two sections, the first a focused collection of wildly inventive lyrics that take as launch pad such far flung subjects as allergenesis, the contents and significance of swamps, a revised notion of marriage, and ancestors—both actual and dreamed. The eponymous second section is a cogent series, or long poem, based on a persona named "the eater," who, along with the poems themselves, storms voraciously through tablefuls of Chinese delicacies (each poem in the series takes its titles from an actual Chinese dish), as well as through doubts and confident proclamations from regions of an exploratory self. Hymn for the Black Terrific has Falstaffian panache; it is a book of pure astonishment.Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.

    Influenced by everyday moments of Washington, DC living, the poems live outside of the outside and beyond the language of categorical difference, inviting anyone listening to listen a bit closer. Inheritance is about the self’s struggle with definition and assumption.

    Driven by myth-making and fables, the poems examine the inheritance of the genocide and the profound struggles of searing grief and PTSD. Though the landscape of Cambodia is always present, it is the liminal space, the in-betweenness of diaspora, in which younger generations must reconcile their history and create new rituals. A Nail the Evening Hangs On seeks to reclaim the Cambodian narrative with tenderness and an imagination that moves towards wholeness and possibility.

    Tsiang's hallucinatory, quasi-experimental novel Hanging on Union Square explores leftist politics in Depression-era New York--an era of union busting and food lines--in an ambitious style that brilliantly blends Gertrude Stein's playful language with the political satire of Carl Sandberg's prose fables. It follows the peripatetic musings of a young man throughout a single day that takes him from a worker's cafeteria to a world of dinner clubs and sexual exploitation in the highest echelons of society, and back again to the streets of Greenwich Village, where starving families rub shoulders with the recently evicted. Each chapter comprises a single hour of the day. Tsiang's style combines satirical allegory with snatches of poetry, newspaper quotations, non-sequiturs and slogans, as well as elements of classical and contemporary Chinese literature. Adventurous and unclassifiable in its combination of avant-garde and proletarian concerns, Hanging on Union Square is a major rediscovery of a uniquely American voice.

    Using artifacts from Choi's father, a professional photographer during the Korean and Vietnam wars, she combines memoir, image, and opera to explore her paternal relationship and heritage. Here poetry and geopolitics are inseparable twin sisters, conjoined to the belly of a warring empire.Like fried potato chips—I believe so,utterly so—The hush-hush provingground was utterly proven as history—Hardly=History—I believe so, eerilyso—hush hush—Now watch thisperformance—Bull's-eye—An uncannyhuman understanding on target—Absolute=History—loaded withterrifying meaning—The Air Forcedoesn't say, hence Ugly=Narration— Don Mee Choi is the author of The Morning News Is Exciting (Action Books, 2010), and translator of contemporary Korean women poets. She has received a Whiting Writers Award and the 2012 Lucien Stryk Translation Prize. Her translation of Kim Hyesoon's Sorrowtoothpaste Mirrorcream (Action Books, 2014) was a finalist for the 2015 PEN Poetry in Translation Award. She was born in Seoul and came to the United States via Hong Kong. She now lives in Seattle, Washington.

    A comprehensive collection by one of the most intensely musical and visionary poets writing today.

    From career struggles to astronomical student debt to climate change angst, there's a lot to worry about. Look I Bought Plants: And Other Poems about Life and Stuff was dreamt up by two twenty-somethings—Taylor Garron and Eva Victor—who love jokes and sex, in that order. From silly slices of life to R-rated encounters, their witty, irreverent, and satirical poetry reflects on everyday challenges, relationships, and everything else there is to be anxious about.For the millennial trying to put together their IKEA furniture, your cool niece with the septum piercing, or anyone who has ever dated someone in their head, Look I Bought Plants is a funny, charming reminder that you aren't alone and we can all commiserate.• TIMELY AND RELATABLE CONTENT: Millennials may be exhausted, but their own amusing attitudes towards their exhaustion never tire! This book takes a cynical yet laughable approach—the millennial experience perfectly encapsulated in verse. Each poem is highly relatable and you may find yourself saying, "Okay, this is me."• RISING STAR AUTHORS: Eva Victor's writing is published in The New Yorker and she has appeared on various media outlets including Forbes. Taylor Garron's work has been featured in The New Yorker, The Onion, and Vulture.• GREAT PRESENT OR SELF-PURCHASE: With a vivid design, a low price point, and relatable content, Look I Bought Plants begs to be shared with all of your friends and gifted to you by your family. It's trendy and affordable—just the way millennials like it!

    “In its stern and quiet way Sandra Lim’s The Wilderness is one of the most thrilling books of poetry I have read in many years” (Louise Glück).From “Aubade”From the last stars to sunrise the world is dark and enduringand emptiness has its place.Then, to wake each day to the world’s unwaveringlimits, you have to think about passion differently, again.

    The volume responds primarily to the twenty-first century's inescapable evidence of the terms of black life--not so much new as newly visible. The poems trace a whole web of connections between the kinds of violence that affect people across the racial, ethnic, gender, class, sexual, national, and linguistic boundaries that do and do not divide us. How do we protect our humanity, our ability to feel deeply and think freely, in the face of a seemingly endless onslaught of physical, social, and environmental abuses? Where do we find language to describe, process, and check the attacks and injuries we see and suffer? What actions can break us out of the soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again? In poems that span fragment to narrative and quiz to constraint, from procedure to prose and sequence to song, semiautomatic culls past and present for guides to a hoped-for future.Hardcover is un-jacketed.