The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.

    This suitcase, a dominant metaphor in the novel, becomes Bean's touchstone that keeps her from spiraling into the dark worlds of her beautiful, screwed up mother and all the stray men she brings home; her sad, exhausted father; and her magnetic stepfather as he transforms from family saviour into drunken dragon. Without remorse or bitterness Bean moves forward, seeking her friendships where she can, casting spells to protect her younger sister, and seeking solace from whatever small sanctuaries her transient life offers.From engaging episodes as a religious-sponsored youth missionary in England and Europe, to the orchestrated pursuit of becoming an actress in Toronto, to the novel's end in Wyoming, Bean's life is as relentlessly whimsical as it is sad. And as she migrates from schoolgirl to teen to young woman, and her dreams unfold from grill cheese sandwiches to self-sufficiency, she evolves into one of fiction's most memorable characters.

    Barbeau, in keeping with the popular thinking of the time, believed First Nations cultures were about to disappear completely, and that it was up to him to preserve what was left of these dying cultures while he could. Unfortunately, his methods of preserving First Nations cultures included purchasing totem poles and potlatch items from struggling communities in order to sell them to museums. While Barbeau strove to protect First Nations cultures from vanishing, he ended up playing an active role in dismantling the very same cultures he tried to save.Drawing inspiration from Barbeau’s canonical book Totem Poles, Jordan Abel explores the complicated relationship between First Nations cultures and ethnography. His poems simultaneously illuminate Barbeau’s intentions and navigate the repercussions of the anthropologist’s actions.Through the use of erasure techniques, Abel carves out new understandings of Barbeau’s writing – each layer reveals a fresh perspective, each word takes on a different connotation, each letter plays a different role, and each punctuation mark rises to the surface in an unexpected way. As Abel writes his way ever deeper into Barbeau’s words, he begins to understand that he is much more connected to Barbeau than he originally suspected.

    Faced with the disintegration of her marriage and her estrangement from her own daughter, she struggles to make sense of her world and how things have come to be. With her mother’s death, Simran is haunted by memories and questions for which she has no answers. As the life she has carefully constructed begins to unravel around her, she is forced to confront one of her most painful memories—her parents sending her younger brother away when they were children. As the past comes flooding back, she wonders what could compel her parents to turn their backs on their only son. Was it his strange obsession with collecting poetry on scraps of paper? Or the fact that he talked about having memories that couldn’t possibly be his? Could he be the reincarnation of her long-dead uncle? Even her mother, who had always been very protective of her son, agreed with her husband to send him away; a decision that would have lasting consequences. Now with her mother gone, Simran must face up to these disturbing memories, and perhaps finally put her ghosts to rest.

    A Publishers Weekly Best Book of the Year.

    The paths of the five friends cross and crisscross over the decades as they struggle to overcome, or at least forget, the trauma they endured during their years at the Mission.Fuelled by rage and furious with God, Clara finds her way into the dangerous, highly charged world of the American Indian Movement. Maisie internalizes her pain and continually places herself in dangerous situations. Famous for his daring escapes from the school, Kenny can’t stop running and moves restlessly from job to job—through fishing grounds, orchards and logging camps—trying to outrun his memories and his addiction. Lucy finds peace in motherhood and nurtures a secret compulsive disorder as she waits for Kenny to return to the life they once hoped to share together. After almost beating one of his tormentors to death, Howie serves time in prison, then tries once again to re-enter society and begin life anew.With compassion and insight, Five Little Indians chronicles the desperate quest of these residential school survivors to come to terms with their past and, ultimately, find a way forward.

    It is 1984, the height of Nicaragua's post-revolutionary war, and the peace-activist Friesens have come to protest American involvement. In the midst of this tumult, Juliet's family lives outside of the boundaries of ordinary life. They've escaped, and the ordinary rules don't apply. Threat is pervasive, danger is real, but the extremity of the situation also produces a kind of euphoria, protecting Juliet's family from its own cracks and conflicts.When Juliet's younger brother becomes sick with cancer, their adventure ends abruptly. The Friesens return to Canada only to find that their lives beyond Nicaragua have become the war zone. One by one, they drift from each other, and Juliet grows to adulthood, pulled between her desire to live a free life like the one she remembers in Nicaragua, and her desire to build for her own children a life more settled than her parents could provide.With laser-sharp prose and breathtaking insight, these stories herald Carrie Snyder as one of Canada's most prodigiously talented writers.

    In the process, King refashions old stories about historical events and figures, takes a sideways look at film and pop culture, relates his own complex experiences with activism, and articulates a deep and revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.This is a book both timeless and timely, burnished with anger but tempered by wit, and ultimately a hard-won offering of hope—a sometimes inconvenient, but nonetheless indispensable account for all of us, Indian and non-Indian alike, seeking to understand how we might tell a new story for the future.

    A fiercely patriotic secular Jew, Pavel Bauer is helpless to prevent his world from unraveling as first his government, then his business partners, then his neighbors turn their back on his affluent, once-beloved family. Only the Bauers' adoring governess, Marta, sticks by Pavel, his wife, Anneliese, and their little son, Pepik, bound by her deep affection for her employers and friends. But when Marta learns of their impending betrayal at the hands of her lover, Ernst, Pavel's best friend, she is paralyzed by her own fear of discovery—even as the endangered family for whom she cares so deeply struggles with the most difficult decision of their lives.Interwoven with a present-day narrative that gradually reveals the fate of the Bauer family during and after the war, Far to Go is a riveting family epic, love story, and psychological drama.

    One is a young photographer documenting a a series of catastrophic forest fires that swept Northern Ontario early in the century; she’s on the trail of the recently deceased Ted Boychuck, a survivor of the blaze. And then the elderly aunt of the one of the pot growers appears, fleeing one of the psychiatric institutions that have been her home since she was sixteen. She joins the men in the woods and begins a new life as Marie-Desneige. With the photographer’s help, they find Ted’s series of paintings about the fire, and begin to decipher the dead man’s history.A haunting meditation on aging and self-determination, And the Birds Rained Down, originally published in French as Il pleuvait des oiseaux, was the winner of the Prix des Cinq Continents de la Francophonie, the first Canadian title to win this honour. It was winner of the Prix des lecteurs Radio-Canada, the Prix des collégiens du Québec, the Prix Ringuet 2012 and a finalist for the Grand Prix de la ville de Montréal.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    Her chronicle of life in a remote Newfoundland outport was acclaimed by critics and embraced by readers worldwide. Downhill Chance is a captivating successor to Morrissey’s first novel. Set in a pair of isolated fishing communities in Newfoundland during and after the Second World War, this is the story of two families joined by friendship but torn apart by fear and sorrows. Prude Osmond reads her tea leaves and predicts dark days ahead. Meanwhile, an hour’s boat ride away, Job Gale leaves his wife and two young daughters behind to fight in the war, a cause neither they nor their neighbors understand. The war and the dark secrets it holds cascade over the Gale family, afflicting the sensitive yet resourceful Clair, an unforgettable heroine. Forced to restart her life in another place, she must forsake the family she loves and her community. Morrissey blends drama, gritty realism, and a flair for the comic in this unique novel. At its core is the unravelling of secrets — and the redemption that truth ultimately brings.

    Unwilling to watch her beloved city crumble under the assault of incendiary German bombs, she accepts a position at a requisitioned estate in Devon, supervising the farming of potatoes for the war effort. A 35-year old spinster with a wicked wit and a fondness for literature, Gwen arrives at her new post to find that the group of "Land Girls" she's to supervise have little interest in planting. They're far more eager to cultivate the human crop -- a regiment of Canadian soldiers stationed at the estate, awaiting their assignment. Allying herself with the Canadians' commanding officer, Gwen strategically wins the girls' cooperation by agreeing to a series of evening dances at which they may mix with the soldiers. Pleased to again be in control of her environment, Gwen makes two life-changing discoveries. The first is the existence of feelings she's never before allowed herself to experience. The second is a hidden, abandoned garden on the estate, the secrets of which Gwen is compelled to unlock. With poignant, poetic mastery of her craft, Helen Humphreys has produced a smart, no-nonsense, and utterly sympathetic character in Gwen Davis. And as her affecting story unfolds and she plumbs the mysteries of gardening, readers too will explore the depths of the soil in which grow the tender shoots of love.

    In 1958, eight-year-old Danny Lim has been sent to buy cigarettes for his father, when he realizes that he has lost the money. Frantic, he rushes through Vancouver's Chinatown and behind a nightclub, where he sees Miss Val, a long-time burlesque dancer. Danny is enraptured with her sequined garters and silk robe, and Val, touched by his fascination, gives him a pack of cigarettes and her silk belt. Years later, Danny spends his days working as a wedding photographer and his nights cruising Stanley Park, far away from the home where his parents and sister live. He realizes that the key to understanding himself and his family lies in his connection to Miss Val, and he is determined to find her. Before she became the Siamese Kitten, a major player on the North American circuit, Miss Val was Valerie Nealy, a feisty girl growing up in a rundown house beside the Fraser River. But to find the stardom she thought she wanted, she had to make a series of seemingly irrevocable decisions. Set mostly during an unseasonably hot summer in Vancouver in 1982 when HIV/AIDS was spreading rapidly, The Better Mother brims with undeniable tragedy, but resounds with the power of friendship, change and truth. It will cement Jen Sookfong Lee's reputation as one of this country's finest young novelists.

    . . then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead.From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, but their tough-love attitudes meant conflicts became commonplace. And the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. One day, he finally realized he would die unless he turned his life around.In this heartwarming and heartbreaking memoir, Jesse Thistle writes honestly and fearlessly about his painful experiences with abuse, uncovering the truth about his parents, and how he found his way back into the circle of his Indigenous culture and family through education.An eloquent exploration of what it means to live in a world surrounded by prejudice and racism and to be cast adrift, From the Ashes is, in the end, about how love and support can help one find happiness despite the odds.