This critical look at the life of the Cuban writer pulls apart and reassembles the myths that have come to define her culture, blending illusion with reality and exploring themes of art, family, language, superstition, and the overwhelming need to escape--from the island, from memory, from stereotype, and, ultimately, from the self. We're taken into a sick man's fever dream as he waits for a train beneath a strange night sky, into a community of parachute makers facing the end in a windy town that no longer exists, and onto a Cuban beach where the body of a boy last seen on a boat bound for America turns out to be a giant jellyfish.With Adios Happy Homeland!, Menendez puts a contemporary twist on the troubled history of Cuba and offers a wry and poignant perspective on the conundrum of cultural displacement. Smart, accessible, and literary, it is a captivating portrayal of how stories are translated, (mis)interpreted, and shaped across time and traditions.

    Shipp.The stories include:GigglesPrincessDon’t LaughThe Glass Box

    “The stories in this volume,” writes Louis Begley in his new Introduction, “show the wide range of [O’Hara’s] interests and an ability to treat with a virtuoso’s ease characters and situations from any place on America’s geographic and social spectrum.”Stories included:The decision -- Everything satisfactory -- The moccasins -- Doctor and Mrs. Parsons -- Pardner -- A phase of life -- Walter T. Carriman -- Now we know -- Too young -- Summer's day -- The king of the desert -- Bread alone -- Graven image -- The next-to-last dance of the season -- Where's the game? -- Mrs. Whitman -- Price's always open -- The cold house -- Are we leaving tomorrow? -- No mistakes -- The ideal man -- Do you like it here? -- The doctors son -- Hotel kid -- The public career of Mr. Seymour Harrisburg -- In the morning sun -- War aims -- Secret meeting -- Other women's households -- Over the river and through the wood -- I could have had a yacht -- A respectable place.

    This new collection of stories marks a departure in Barthelme's work with the introduction of a new mode in which he abandons all forms of characterization other than dialogue in an attempt to shift and alter reader expectations and perceptions

    The characters who inhabit these stories travel for business or for pleasure, sometimes out of duty and sometimes in search of freedom, and each encounters the unexpected. From a biologist navigating the stark, icy moonscape of Antarctica to a businesswoman seeking refuge in the lonely islands of the South Pacific, the characters in these stories abandon their native landscapes--only to find that, once separated from the ordinary, they must confront new interpretations of who they really are, and who they're meant to be."Raymond's prose often lights up the poetry-circuits of the brain, less because of lyrical language and more due to things that work as both literal and symbolic nouns: stolen rings, voice-mail messages gone astray; heavy-footed humans in the middle of fragile habitats...Parts of these polished stories, if read aloud, would sound like a smart patient describing a dream to a psychoanalyst."-- The Seattle Times"All of her stories are heartbreakingly honest ... I wouldn't be surprised if she started getting compared to Alice Munro or Jhumpa Lahiri."-- Seattle Books Examiner"Raymond skillfully uses the resources of place, culture, and language to reveal the complications of the heart and the complexities of human character and circumstance." -- Pleiades"Raymond has quiet, unrelenting control over the writing; each story is compelling and thrives because each detail and line of dialogue reveals just a little more about the characters and the evocative settings." -- The Rumpus "In her impressive debut collection, Forgetting English, Midge Raymond sets her stories in a variety of locations outside the continental United States...Alongside personal, human histories, Raymond incorporates larger traditions. Marriage rites. Fertility symbols. The meaning of jade. The natural history of the penguin." --Fiction Writers Review

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    Cambias, Greg Egan, Charles Coleman Finlay, James Alan Gardner, Dominic Green, Daryl Gregory, Gwyneth Jones, Ted Kosmatka, Mary Robinette Kowal, Nancy Kress, Jay Lake, Paul McAuley, Ian McDonald, Maureen McHugh, Sarah Monette, Garth Nix, Hannu Rajaniemi, Robert Reed, Alastair Reynolds, Mary Rosenblum, Kristine Kathryn Rusch, Geoff Ryman, Karl Schroeder, Gord Sellar, and Michael Swanwick.Supplementing the stories are the editor’s insightful summation of the year’s events and a lengthy list of honorable mentions, making this book both a valuable resource and the single best place in the universe to find stories that stir the imagination, and the heart.xi • Acknowledgments (The Year's Best Science Fiction: Twenty-Sixth Annual Collection) • (2009) • essay by Gardner Dozoisxiii • Summation: 2008 • (2009) • essay by Gardner Dozois1 • Turing's Apples • (2008) • shortstory by Stephen Baxter16 • From Babel's Fall'n Glory We Fled • (2008) • shortstory by Michael Swanwick (aka From Babel's Fall'n Glory We Fled . . .)32 • The Gambler • (2008) • novelette by Paolo Bacigalupi50 • Boojum • [Boojum] • (2008) • shortstory by Elizabeth Bear and Sarah Monette65 • The Six Directions of Space • (2008) • novella by Alastair Reynolds107 • N-Words • (2008) • shortstory by Ted Kosmatka120 • An Eligible Boy • (2008) • novelette by Ian McDonald140 • Shining Armour • (2008) • shortstory by Dominic Green (aka Shining Armor)154 • The Hero • (2008) • novelette by Karl Schroeder172 • Evil Robot Monkey • (2008) • shortstory by Mary Robinette Kowal175 • Five Thrillers • (2008) • novelette by Robert Reed209 • The Sky That Wraps the World Round, Past the Blue and Into the Black • (2008) • shortstory by Jay Lake217 • Incomers • (2008) • shortfiction by Paul J. McAuley233 • Crystal Nights • (2008) • novelette by Greg Egan252 • The Egg Man • (2008) • novelette by Mary Rosenblum270 • His Master's Voice • (2008) • shortstory by Hannu Rajaniemi280 • The Political Prisoner • (2008) • novella by Charles Coleman Finlay327 • Balancing Accounts • (2008) • shortstory by James L. Cambias341 • Special Economics • (2008) • novelette by Maureen F. McHugh362 • Days of Wonder • (2008) • novelette by Geoff Ryman390 • City of the Dead • (2008) • novelette by Paul J. McAuley [as by Paul McAuley ]410 • The Voyage Out • (2007) • shortstory by Gwyneth Jones424 • The Illustrated Biography of Lord Grimm • (2008) • shortstory by Daryl Gregory439 • G-Men • (2008) • novelette by Kristine Kathryn Rusch466 • The Erdmann Nexus • (2008) • novella by Nancy Kress520 • Old Friends • (2008) • shortstory by Garth Nix526 • The Ray-Gun: A Love Story • (2008) • novelette by James Alan Gardner543 • Lester Young and the Jupiter's Moons' Blues • (2008) • novelette by Gord Sellar568 • Butterfly, Falling At Dawn • (2008) • novelette by Aliette de Bodard585 • The Tear • (2008) • novella by Ian McDonald

    An elderly piano student is forced to flee her home village when word gets out that she’s fucked her thirty-something teacher. A hose pumping cava through the maquette of a giant penis becomes a murder weapon in the hands of a disaffected housewife.In this collection from the winner of Sweden’s August Prize, Lina Wolff gleefully wrenches unpredictability from the suffocations of day-to-day life, shatters balances of power without warning, and strips her characters down to their strangest and most unstable selves. Wicked, discomfiting, delightful and wry, delivered with the deadly wit for which Wolff is known, Many People Die Like You presents the uneasy spectacle of people in solitude, and probes, with savage honesty, the choices we make when we believe no one is watching … or when we no longer care.

    A woman spells out messages to her sister using her own hair. Children deemed "bad" are stolen from their homes. In Hardly Children, Laura Adamczyk's rich and eccentric debut collection, familiar worlds--bars, hotel rooms, cities that could very well be our own--hum with uncanny dread.The characters in Hardly Children are keyed up, on the verge, full of desire. They're lost, they're in love with someone they shouldn't be, they're denying uncomfortable truths using sex or humor. They are children waking up to the threats of adulthood, and adults living with childlike abandon.With command, caution, and subtle terror, Adamczyk shapes a world where death and the possibility of loss always emerge. Yet the shape of this loss is never fully revealed. Instead, it looms in the periphery of these stories, like an uncomfortable scene viewed out of the corner of one's eye.

    McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    Gardam’s versatility is on full display, while her sublime grasp of language and powers of observation remain as provocative as ever.

    The stories cut an alternative path across innovative twentieth-century writing, bridging the world of Virginia Woolf and Anna Kavan with that of Kathy Acker and Chris Kraus.Ann Quin (b. 1936, Brighton) was a British writer. Prior to her death in 1973, she lived between Brighton, London, and the US, publishing four novels: Berg (1964), Three (1966), Passages (1969), and Tripticks (1972).

    Meet the man who vacuums bewildered prairie dogs out of their burrows; a frustrated werewolf who roams the streets of Soho getting mistaken for Brian Blessed; a smug carbon-neutral eco-couple; a teenage girl who invites 45,000 MySpace friends to a house party; the author of a business book entitled Highly Successful Secrets to Standing on a Corner Holding Up a Golf Sale Sign and a man whose attempts to teach softball to a group of indolent British advertising executives sparks an international crisis.

    Kessel's four-story modern classic sequence about life on the moon, The Lunar Quartet, makes up the center of the book."A sustained exploration of the ways gender dynamics can both empower and enslave us. Kessel's wit sparkles throughout, peaking with the most uproariously weird phone-sex conversation you'll ever read ("The Red Phone")." A-—Entertainment WeeklyWinner of the Nebula, Sturgeon, Locus, and Tiptree awards, John Kessel is the author of The New York Times Notable Book Meeting in Infinity. He co-edited the anthologies Feeling Very Strange and Rewired. Kessel and his family live in Raleigh, North Carolina, where he co-directs the creative writing program at North Carolina State University.

    Farmers, fairground workers and wandering pilgrims, gruesome gamekeepers, bare-knuckle boxers and ex-cons with secret passions, the men that populate these unsettling, wild and wistful stories form a multi-faceted, era-spanning portrait of just what it means to be a man.