With a mix of traditional, literary prose and bold – some might even say irresponsible – experimentation, Ben Greenman explores the ins and outs of modern romance. Expect tears, nudity, and recrimination.Both familiar in their humanness and wholly original, these imaginative stories take us all over the map in time, place, and circumstance. From the halfhearted summer affair between a part-time bartender and a married doctor in a Miami hotel to the cryptic pseudo-erotic love letters to a friend who is “more than a friend,” we experience the love of pop songs, the love of cohabitation in Chicago, and love that is so transporting it takes us to the moon–literally.

    Six years later, that child meets his father for the first time and discovers the athlete within. Before long he is on the fast-track to the NFL, coached by a relentless Vietnam veteran uncle, nourished by a patient working mom, and defended by an ambitious girlfriend, all of whom tie their own hopes to his career. When he finally makes it, as Mitch "Wilk" Wilkins, New England's fearsome middle linebacker, it all seems preordained. Then, almost immediately, his life begins to fall apart: a billionaire owns him, his marriage is on the rocks, and his body is betraying him in stages. As Mitch and his wounded family press on, seeking meaning in a relentlessly incentive-driven and forward-moving life, the sacrifices necessary for success in sports―and in attaining the “American Dream”―are laid painfully and tragically bare.

    This anthology includes the masterpieces Wise Blood. The Violent Bear it Away, and Everything that Rises Must Converge.

    I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear. Over a disturbed and confusing dinner, Nathan gleans snippets of Amy's haunting Jewish background, and begins to draw his own fantastical conclusions...

    The shows have a life of their own and become the arena of shared experience. And in Curtis White's hands, they become a son's projections of what he wants for himself and his father through characters in "Combat, " "Highway Patrol, " "Bonanza, " and other television shows (and one movie) from the 1950s and '60s. Comic in many ways, "Memories" is finally a sad lament of father-son relationship that is painful and tortured, displayed against a background of what they most shared, the watching of television, the universal American experience.

    While our dad was upstairs broadcasting something to the world, and we were listening in, or trying to find his frequency and listen to his voice . . . we would give up and go out in the snow with a phone rigged with alligator clips so we could listen in on others’ conversations. There’s something nearly sexual about this, hearing what other people are saying to their lovers, children, cousins, psychics, pastors. . . .The cumulative effect of this stunningly original collection seems to work on the reader in the same way—we follow glimpses of dispossessed lives in the snow-buried reaches of Michigan’s Keweenaw Peninsula, where nearly everyone seems to be slipping away under the ice to disappear forever. Through an unsettling, almost crazed gestalt of sketches, short stories, lists, indices and radio schematics, Monson presents a world where weather, landscape, radio waves and electricity are characters in themselves, affecting a community held together by the memories of those they have lost.Ander Monson is the editor of DIAGRAM and the New Michigan Press. He teaches at Grand Valley State University and lives in Michigan. Tupelo Press recently published his poetry collection, Elegies for Descent and Dreams of Weather.

    The Christian Science-Monitor praised his "engaging blend of deadpan humor and genuine empathy"; "Thankfully," said The Philadelphia Inquirer, "Kirn never abandons his theme of uncertainty when observing modern angst." Now Walter Kirn has fashioned She Needed Me, a moving, surprising, and darkly comic novel whose sympathetic portrait of a disillusioned generation is mercifully uncynical. Weaver Walquist and Kim Lindgren first meet outside a St. Paul, Minnesota, abortion clinic. Kim - twenty-three, pregnant, with no money to finish junior college - is about to walk inside. Weaver is lying in front of the door. At twenty-six, he is a Bible-carrying member of the Conscience Squad, a fanatical right-wing protest group...yet readers of all minds will be drawn to this gentle, questing soul as he struggles with his feelings for Kim and his subsequent sexual desire for her; his crumbling devotion to the church; and his waning loyalty to his employer, Sanipure, a Christian soap and cosmetics company that calls sales "fellowship moments." But Weaver was not always devout. The only child of a widowed, highly successful Wisconsin liquor store owner, he tried to ward off teenage isolation with a mixture of pot and pills, vodka, sex and heavy metal music, until born-again Christian Lucas Boone found him half dead on the floor of a Greyhound station men's room. As Weaver tries to persuade Kim to have her baby, they embark upon a journey that brings them into contact with a cast of keenly drawn characters: Chuck and Dixie Lindgren, Kim's parents, who made more money in one hot Las Vegas weekend than they ever earned from their North Dakota farm; charismatic, paranoid Lucas Boone, popping anti-depressant pills like candy; Kim's disaffected brother, Ricky, who makes a modest living burglarizing his relatives' homes; and fin

    But despite its masterly control, this startlingly modern tale is also a simmering, rebel cri de coeur unleashed by a writer who was herself unappreciated in her own time. The combination of these attributes make this edgy novella a moving and suspenseful homage to the power of literature itself.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    A compilation of three of the shorter of Wendell Berry's works of book-length fiction: Nathan Coulter (1960), Remembering (1990), and A World Lost (1996).

    If there's a line between the real and the digital, between meat and the game, between past and present, then hold this book close to your mouth and whisper it into the pages. Please. Maybe the kid in there'll hear you. His name is Nolan Dugatti. He's lost, see, running down hall after hall, something both ancient and not-yet born galloping up behind him on a hundred legs, each individual footfall a sound he knows, a way of shuffling that he's always known. His father? Except it can't be. Unless of course this is another novel from Stephen Graham Jones. Not quite horror, not quite science fiction, but like his five or six other books, a story trembling at some pupal stage between meat and the game, where words will sometimes stop their crawl across the page and crane their neck around at the sky, nod about what they see there--you--then unfold their wings, drift up into another world altogether.

    The film, which has been scheduled for release in April, will star James Caan, Anjelica Huston and James Earl Jones. (Entertainment)

    Deasy quietly explores the ties that bind, and the evolution of a heart that everyone will recognize, and root for" -- Jane McCafferty, author of "One Heart" --- Ransom Seaborn is an astonishing literary debut in the spirit of Gatsby and Holden Caulfield.

    Through the eyes of the young Earl Przepasniak ("a name unwieldy as a tumour"), it narrates the outrageous and tender story of Mavis, poet and mother, and Robert, the American dad. Earl's life revolves around the deeply wounding split of his parents and his attempts, through a less-than-idyllic childhood and the inexorable onslaught of manhood, to overcome the irresistible force of his father. But it is only when his parents meet their respective fates that Earl can feel not only loyal and guilty, but also free...

    . . possess a rare, disorienting force. When you look up from them, the quality of light seems a little different. It’s a reminder to those of us who have almost forgotten what literature can sometimes do.”—Boston Book Review“The most honest, observant and timely book written this year about the American generation now approaching thirty . . . Chaon speaks with clarity of feeling, and more than a little oddball wit, about the lives of those left behind the demographic curve of America—men and woman with pointless jobs, doughy faces, soured relationships, bad credit. . . . Each story pulls you into its subtle emotional vortex, largely because of Chaon’s knack for simple but poignant detail.”—New York Newsday“Remarkable . . . Each story is a marvel of complexity, dense with meaning and nuance. . . . Very few first works are as solid, moving, and pitch-perfect as Chaon’s.”—The Cleveland Plain Dealer“[AN] OFTEN PERCEPTIVE, LUCID VOICE.”—The New York Times Book Review

    On his journey, Parsifal—a wise fool if there ever was one—encounters several librarians, a therapist, numerous blind people, and Misty, a beautiful woman who may well be under the influence of recreational drugs.Head-spinning and hilarious, Parsifal is a book like no other about the entanglement of the past and present, as well as the limitations of the future.