Their view of themselves is not shared by people looking from outside in--visitors, and particularly relatives--for they have to see something pretty humdrum, even if, as in this case, the fecklessness they complain of is extreme.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    Politician Dan LeRoi, Chairman of the Joint Committee on Intelligence and Security, has been shot. Four bullets to the head. The crime scene is chaotic. Homicide. Counter Terrorism. Media. And for Sid, hunting the killer is going to get complicated.Journalist Zephyr Wilde is complicated. She's tenacious and she's got Sid's number. Sid knows the gossip: how Zephyr's mother was murdered when Zephyr was a kid. He doesn't know that Zephyr is still getting letters from her long-dead mother. But when he learns that Dan LeRoi was helping Zephyr look into her mother's death, he realises that lines are going to be crossed. A cop should not be talking to a journalist.As they both ask too many questions, Sid and Zephyr stir up a hornet's nest of corruption. Knowing who to trust is going to mean the difference between solving a crime and being a victim. The question is, which side will they end up on.

    She must prove to Anders Sæterdal, her trapping partner who makes no secret of his disdain, that a woman is fit for the task. Over the course of a Svalbard winter, Wanny and Sæterdal will confront polar bears, traverse glaciers, withstand blizzards and the dangers of sea ice, and hike miles to trap Arctic fox, all in the frigid darkness of the four-month polar night. For Wanny, the darkness hides her own deceptions that, if exposed, speak to the untenable sacrifice of a 1930s woman longing to fulfil a dream. Alongside the raw, confronting nature of the trappers’ work, is the story of a young blue Arctic fox, itself a hunter, who must eke out a living and navigate the trappers’ world if it is to survive its first Arctic winter.

    In telling lies, Laura learns both the astonishing allure of fiction and the social costs of stepping beyond the bounds of propriety, gender, class, and family ties.The novel is only in part a fictionalised account of Richardson's school years at the Presbyterian Ladies College, Melbourne, where (unlike her fictional counterpart) she was not only academically successful but also an outstanding student of music. Unusual for stories of school-life, The Getting of Wisdom was clearly aimed at a mature readership able to understand irony and a critique of the colonial educational provision of its day, including a determination to preserve sexual ignorance in young women.

    Afterwards, hisdaughter Eleanor discovers a will, in which he has left his entireestate to a woman she has never heard of before. Hiding it fromher siblings, she sets out to solve this mystery, and to unearth theconfronting truth about her reclusive father’s past.But Henry isn’t the only Hoffman with secrets. In the months thatfollow, his children learn things about each other they could neverpreviously have imagined.The Last Will and Testament of Henry Hoffman is a gripping andmany-layered story of love and loss, conflict and survival. Itexplores subjects that affect us all: guilt and redemption, theinescapability of the past, and how trauma resonates acrossgenerations.

    The endless glow of summer, the bottomless fury of contest. All the love and hatred in two small bodies poured into the rules of a made-up game.Darren has two big talents: cricket and trouble. No surprise that he becomes an Australian sporting star of the bad-boy variety—one of those men who’s always got away with things and just keeps getting.Until the day we meet him, middle aged, in the boot of a car. Gagged, cable-tied, a bullet in his knee. Everything pointing towards a shallow grave.

    He even dreams a history of the world as a chronicle of sexual frustration.A Lifetime on Clouds is funny, honest, and sweetly told: a less ribald, Catholic Australian Portnoy's Complaint.

    Through the story of two brothers who grew up in patriotic, suburban Melbourne, George Johnston created an enduring exploration of two Australian myths - that of the man who loses his soul as he gains worldly success, and that of the tough, honest, Aussie battler.

    The old man was brought up expecting to marry the heiress to Kuran Station—a grand estate in the Australian Outback—only to be disappointed by his rejection and the selling off of the land. He has devoted his life to putting the estate back together and has moved into the once-elegant mansion.   McIvor tries to imbue William with his obsession, but his hold on the land is threatened by laws entitling the Aborigines to reclaim sacred sites. William’s mother desperately wants her son to become John McIvor’s heir, but no one realizes that William is ill and his condition is worsening.

    

    When Roisin Ogilvie moves to Wollombi her thoughts are only of protecting her illegitimate son, Ruan, from the grasps of his powerful and dangerous father. Posing as an impoverished widow, she settles into a quiet existence as a local dressmaker. She doesn’t expect to catch the attention of Irish champion cedar cutter Carrick O’Connor, or any other man for that matter.Carrick O’Connor may have won the coveted Wollombi Wood Chop, but his mind is on the beautiful seamstress and her son. Or rather, on who they remind him of. Determined to exact revenge for the horrors of his past, Carrick plans to return to Ireland to seek revenge on the land agent who was responsible for the death of his wife and child, and his transportation. Then, hopefully, he can return to Wollombi to start life afresh.But a murder charge, a kidnapping, a growing attraction, and a past that refuses to stay silent will turn both his and Roisin’s lives upside down and will lead them to a hard choice. Redemption? Or cutters’ justice?

    Tragic events were to overtake the boy’s life, but Raimond Gaita has an extraordinary story to tell about growing up with his father amid the stony paddocks and flowing grasses of country Australia.Written simply and movingly, Romulus, My Father is about how a compassionate and honest man taught his son the meaning of living a decent life. It is about passion, betrayal and madness, about friendship and the joy and dignity of work, about character and fate, affliction and spirituality.

    Courted long and hopelessly by young scientist, Ted Tice, she is to find that love brings passion, sorrow, betrayal and finally hope. The milder Grace seeks fulfilment in an apparently happy marriage. But as the decades pass and the characters weave in and out of each other's lives, love, death and two slow-burning secrets wait in ambush for them.

    Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.