The country has been invaded and is being governed by a secret organization. There is destruction everywhere; great walls of ice overrun the world. Together with the narrator, the reader is swept into a hallucinatory quest for this strange and fragile creature with albino hair. Acclaimed upon its 1967 publication as the best science fiction book of the year, this extraordinary and innovative novel has subsequently been recognized as a major work of literature in its own right.

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

    In Tom Barren's 2016, humanity thrives in a techno-utopian paradise of flying cars, moving sidewalks, and moon bases, where avocados never go bad and punk rock never existed . . . because it wasn't necessary. Except Tom just can't seem to find his place in this dazzling, idealistic world, and that's before his life gets turned upside down. Utterly blindsided by an accident of fate, Tom makes a rash decision that drastically changes not only his own life but the very fabric of the universe itself. In a time-travel mishap, Tom finds himself stranded in our 2016, what we think of as the real world. For Tom, our normal reality seems like a dystopian wasteland. But when he discovers wonderfully unexpected versions of his family, his career, and—maybe, just maybe—his soul mate, Tom has a decision to make. Does he fix the flow of history, bringing his utopian universe back into existence, or does he try to forge a new life in our messy, unpredictable reality? Tom’s search for the answer takes him across countries, continents, and timelines in a quest to figure out, finally, who he really is and what his future—our future—is supposed to be.

    But now Cobb is just an aging alcoholic waiting to die, and the big boppers are threatening to absorb all of the little boppers--and eventually every human--into a giant, melded consciousness. Some of the little boppers aren't too keen on the idea, and a full-scale robot revolt is underway on the moon (where the boppers live). Meanwhile, bopper Ralph Numbers wants to give Cobb immortality by letting a big bopper slice up his brain and tape his "software." It seems like a good idea to Cobb.

    For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, rumors of war arrive. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes the airwaves have gone silent. They are alone. At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success, but when Mission Control falls inexplicably silent, Sully and her crew mates are forced to wonder if they will ever get home. As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives?

    Life, already difficult, is rapidly becoming impossible for Francis and others like him, as government corruption, official blindness and nature have conspired to turn Swill homes into watery tombs. And now the young boy must find a way to escape the approaching tide of disaster.The Sea and Summer, published in the U.S. as The Drowning Towers is George Turner's masterful exploration of the effects of climate change in the not-too-distant future. Comparable to J.G. Ballard's The Drowned World, it was shortlisted for the Nebula and won the Arthur C. Clarke Award.Winner of the Arthur C. Clarke Award for best novel, 1988.

    Even though she wasn’t forced to emigrate from Earth, she willingly left the overpopulated, claustrophobic planet. And when a long relationship devolved into silence and suffocating sadness, she found work on a frontier world on the edges of civilization. Then the virus hit... Now Jamie finds herself dreadfully alone, with all that’s left of the dead. Until a garbled message from Earth gives her hope that someone from her past might still be alive. Soon Jamie finds other survivors, and their ragtag group will travel through the vast reaches of space, drawn to the promise of a new beginning on Earth. But their dream will pit them against those desperately clinging to the old ways. And Jamie’s own journey home will help her close the distance between who she has become and who she is meant to be...

    Frank Baum’s The Wizard of Oz, Douglas Adams’s A Hitchhiker’s Guide to the Galaxy, Cormac McCarthy’s The Road, and Ernie Cline’s Ready Player One.In Reed King’s wildly imaginative and possibly prescient debut, the United States has dissolved in the wake of environmental disasters and the catastrophic policies of its final president.It is 2085, and Truckee Wallace, a factory worker in Crunchtown 407 (formerly Little Rock, Arkansas, before the secessions), has no grand ambitions besides maybe, possibly, losing his virginity someday.But when Truckee is thrust unexpectedly into the spotlight he is tapped by the President for a sensitive political mission: to deliver a talking goat across the continent. The fate of the world depends upon it.The problem is—Truckee’s not sure it’s worth it.Joined on the road by an android who wants to be human and a former convict lobotomized in Texas, Truckee will navigate an environmentally depleted and lawless continent with devastating—and hilarious—parallels to our own, dodging body pickers and Elvis-worshippers and logo girls, body subbers, and VR addicts.Elvis-willing, he may even lose his virginity.FKA USA is the epic novel we’ve all been waiting for about the American end of times, with its unavoidable sense of being on the wrong end of the roller coaster ride. It is a masterwork of ambition, humor, and satire with the power to make us cry, despair, and laugh out loud all at once. It is a tour de force unlike anything else you will read this year.

    But when a pair of fugitive terrorists gain access to the Ananke, Althea must draw upon her heart and soul for the strength to defend her beloved ship.   While one of the saboteurs remains at large somewhere on board, his captured partner—the enigmatic Ivan—may prove to be more dangerous. The perversely fascinating criminal whose silver tongue is his most effective weapon has long evaded the authorities’ most relentless surveillance—and kept the truth about his methods and motives well hidden.   As the ship’s systems begin to malfunction and the claustrophobic atmosphere is increasingly poisoned by distrust and suspicion, it falls to Althea to penetrate the prisoner’s layers of intrigue and deception before all is lost. But when the true nature of Ivan’s mission is exposed, it will change Althea forever—if it doesn’t kill her first.

    This is Jonny's world. He's a street-wise hustler, a black-market dealer in drugs that heal the body and cool the mind. All he cares about is his own survival. Until a strange plague turns L.A. into a city of death--and Jonny is forced to put everything on the line to find the cure. If it can be found on earth...

    Yes, that seemed normal enough---but what was this talk about "death trauma"?Thus was Thomas Blaine introduced to the year 2110, where science had discovered the technique of transferring a man's consciousness from one body to another. Where a man's mind could be snatched from the past, when his body was at the point of death, and brought forward into a "host body" in this fantastic future world. But that was only a small part of it. For the future had proved the reality of life after death, and discovered worlds beyond or simultaneous with our own---worlds where, through scientific techniques, a man could live again, in another body, when he died here. And in the process, the reality of ghosts, poltergeists, and zombies was also established. What did it all mean? How had this discovery of what they called the "hereafter" shaped the world of 2110? Thomas Blaine found himself living in a future where the discoveries and techniques imagined by people of his time, while having come about, were completely overwhelmed by discoveries no one had ever dreamed of.

    Our rocket ship gets shot out of a cannon? To the moon? Goodness! But in other ways it's full of eerie bits of business that turned out to be very near reality: he had the cost, when you adjust for inflation, almost exactly right. There are other similarities, too. Verne's cannon was named the Columbiad; the Apollo 11 command module was named Columbia. Apollo 11 had a three-person crew, just as Verne's did; and both blasted off from the American state of Florida. Even the return to earth happened in more-or-less the same place. Coincidence -- or fact!? We say you'll have to read this story yourself to judge.

    Now his wife is gone, his friends are dead, and he lives in the hangar of a small abandoned airport with his dog, Jasper, and a mercurial, gun-toting misanthrope named Bangley. But when a random transmission beams through the radio of his 1956 Cessna, the voice ignites a hope deep inside him that a better life exists outside their tightly controlled perimeter. Risking everything, he flies past his point of no return and follows its static-broken trail, only to find something that is both better and worse than anything he could ever hope for.

    But in the late 21st century, compassion is a crime. You can get your memories wiped just for trying to help. Papa Preston Walford's world doesn't allow for coincidences. Accidents. Secrets in the backs of closets. Or the needs of his own daughter. Meredith Walford has reason to seek shelter. She needs protection from the monsters in her mind, in her history, in her family. And the great storms of a changing climate have made literal shelter imperative. When a cutting-edge, high-tech house, designed by a genius with a unique connection to Meredith, overcomes its programming to give shelter to a homeless man in a storm, from its closets emerge the revelations of a past too painful to remember. In the world of Susan Palwick's Shelter, perception is about to meet reality, and reality has mud all over it. The truth won't make you happy, but it may just make you whole.

    Neil Johns has just started his dream job as a code breaker in the NSA when his brother, Paul, a mycologist, goes missing on a trip to collect samples in the Amazon jungle. Paul returns with a gap in his memory and a fungal infection that almost kills him. But once he recuperates, he has enhanced communication, memory, and pattern recognition. Meanwhile, something is happening in South America; others, like Paul, have also fallen ill and recovered with abilities they didn't have before. But that's not the only pattern--the survivors, from entire remote Brazilian tribes to American tourists, all seem to be working toward a common, and deadly, goal. Neil soon uncovers a secret and unexplained alliance between governments that have traditionally been enemies. Meanwhile Paul becomes increasingly secretive and erratic. Paul sees the fungus as the next stage of human evolution, while Neil is convinced that it is driving its human hosts to destruction. Brother must oppose brother on an increasingly fraught international stage, with the stakes: the free will of every human on earth. Can humanity use this force for good, or are we becoming the pawns of an utterly alien intelligence?