Go-Go Girls of the Apocalypse begins nine years later, when he emerges into a bizarre landscape filled with hollow reminders of an America that no longer exists. The highways are lined with abandoned automobiles; electricity is generated by indentured servants pedaling stationary bicycles. What little civilization remains revolves around Joey Armageddon's Sassy A-Go-Go strip clubs, where the beer is cold, the lap dancers are hot, and the bouncers are armed with M16s. Accompanied by his cowboy sidekick Buffalo Bill, the gorgeous stripper Sheila, and the mountain man Ted, Mortimer journeys to the lost city of Atlanta -- and a showdown that might determine the fate of humanity.

    Bloodmoney is a post-nuclear-holocaust masterpiece filled with a host of Dick's most memorable characters: Hoppy Harrington, a deformed mutant with telekinetic powers; Walt Dangerfield, a selfless disc jockey stranded in a satellite circling the globe; Dr. Bluthgeld, the megalomaniac physicist largely responsible for the decimated state of the world; and Stuart McConchie and Bonny Keller, two unremarkable people bent on the survival of goodness in a world devastated by evil. Epic and alluring, this brilliant novel is a mesmerizing depiction of Dick's undying hope in humanity.

    A few humans carry on, living in outposts such as the Sanctuary-the remains of St. Louis-a shielded community that owes its survival to its militant defense and fear-mongering leaders. Then a rider comes from the wasteland beyond its walls. She reports on the outside world: west of the Cascades, rain falls, crops grow, civilization thrives. But there is danger too: the rising power of an army that pillages and enslaves every community they happen upon. Against the wishes of the Sanctuary, a small group sets out in secrecy. Led by Lewis Meriwether and Mina Clark, they hope to expand their infant nation, and to reunite the States. But the Sanctuary will not allow them to escape without a fight.

    Their cups, combs and jewelry are found in every Illyrian home. They left behind a legend, too—a hidden sanctuary called Haven, where even now the secrets of their civilization might still be found.Chaka's brother was one of those who sought to find Haven and never returned. But now Chaka has inherited a rare Roadmaker artifact—a book called A Connecticut Yankee in King Arthur's Court—which has inspired her to follow in his footsteps. Gathering an unlikely band of companions around her, Chaka embarks upon a journey where she will encounter bloodthirsty rirver pirates, electronic ghosts who mourn their lost civilization and machines that skim over the ground and air. Ultimately, the group will learn the truth about their own mysterious past.

    He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.Out on the frontier of a failed state, Makepeace—sheriff and perhaps last citizen—patrols a city's ruins, salvaging books but keeping the guns in good repair.Into this cold land comes shocking evidence that life might be flourishing elsewhere: a refugee emerges from the vast emptiness of forest, whose existence inspires Makepeace to reconnect with human society and take to the road, armed with rough humor and an unlikely ration of optimism.What Makepeace finds is a world unraveling: stockaded villages enforcing an uncertain justice and hidden work camps laboring to harness the little-understood technologies of a vanished civilization. But Makepeace's journey—rife with danger—also leads to an unexpected redemption.Far North takes the reader on a quest through an unforgettable arctic landscape, from humanity's origins to its possible end. Haunting, spare, yet stubbornly hopeful, the novel is suffused with an ecstatic awareness of the world's fragility and beauty, and its ability to recover from our worst trespasses.

    All that changes the day the red rain falls from a cloudless sky. Just hours after the first reports from Europe, humanity is on the brink of extinction, wiped from the face of the earth in a few bloody moments, leaving Emily alone in an empty city. As she struggles to grasp the magnitude of her situation, Emily becomes the final witness to the end of our world… and the birth of a terrifying new one. The world she knew and loved is dead and gone. Now Emily must try to find a way out of New York as the truth behind the red rain is revealed: the earth no longer belongs to humanity.

    For the small community of San Onofre on the West Coast, life is a matter of survival: living simply on what the sea and land can provide, preserving what knowledge and skills they can in a society without mass communications. Until the men from San Diego arrive, riding the rails on flatbed trucks and bringing news of the new American Resistance. And Hank Fletcher and his friends are drawn into an adventure that marks the end of childhood...

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    As it draws near, massive tidal waves, earthquakes, and volcanic eruptions wrack our planet, devastating continents, drowning cities, and wiping out millions. In central North America, a team of scientists race to build a spacecraft powerful enough to escape the doomed earth. Their greatest threat, they soon discover, comes not from the skies but from other humans. A crackling plot and sizzling, cataclysmic vision have made When Worlds Collide one of the most popular and influential end-of-the-world novels of all time. This Bison Frontiers of Imagination edition features the original story and its sequel, After Worlds Collide.

    They won't stop barking. . . . And then the earth shrugs—8.9 on the Richter scale in the world's biggest earthquake since 1755. It hits New Madrid, Missouri, a sleepy town on the Mississippi. Seismologists had predicted the disaster . . . but no one listened. Within minutes, there is nothing but chaos and ruin as America's heartland falls into the nightmare known as the Rift—a fault line in the earth that wrenchingly exposes the fractures in American society itself. As a strange white mist smelling of sulfur rises from the crevassed ground, the real terror begins for the survivors, including a teenager separated from his mother, an African-American engineer searching for his daughter, a TV preacher whose visions of hell have become all too real, and a sheriff cum Ku Klux Klansman who seeks racial vengeance in the midst of disaster.It can happen. And sooner or later, it will.

    It tells the story of Armon Jarles, a man on the edge, living amidst the disputes of two rival powers at large in the world. 360 years after a nuclear holocaust ravaged mankind, throwing society back into the dark ages, the world is fraught with chaos and superstition. The new rulers over the masses of humanity are the techno-priests of the Great God, endowed with scientific knowledge lost to the rest of humanity. Jarles, originally of peasant descent, rises to become a priest of the Great God. He knows the gospel propagated by the priests to be a fraud, based on illusion and trickery. Even more offensive to him is the paucity of true believers among the priesthood. One day he rebels against his priestly training and attempts to incite the peasants to rise up and demand freedom, but they are not ready. Jarles is not the only dissenter trying to sabotage and expose the false theocracy of the priesthood witchcraft is slowly gaining strength and support among the populace. about to throw him headlong into the middle of the greatest holy war the world has ever seen.

    It has been 60 years since the great Red Death wiped out mankind, and the handful of survivors from all walks of life have established their own civilization and their own hierarchy in a savage world. Art, science, and all learning has been lost, and the young descendants of the healthy know nothing of the world that was—nothing but myths and make-believe. The old man is the only one who can convey the wonders of that bygone age, and the horrors of the plague that brought about its end. What future lies in store for the remnants of mankind can only be surmised—their ignorance, barbarity, and ruthlessness the only hopes they have?'

    What he hadn't expected was that when the apocalypse came, a thermonuclear blast would tear apart the fabric of time and hurl his shelter into a world with no sign of other human beings.

    Governments have collapsed. Cities have become graveyards filled with unspeakable horror. People have resorted to scavenging from the dead, or taking from the living. The entire industrialized world has become a wasteland of abandoned cars, decaying bodies, and feral animals. To stay alive, U.S. Deputy Marshal Mason Raines must forage for food, water, and gasoline while outgunning those who seek to take advantage of the apocalyptic anarchy. Together with his giant Irish wolfhound, Bowie, he aligns with survivors of the town of Boone in a life and death struggle against a gang of violent criminals. With each deadly encounter, Mason is forced to accept his place as one of the nation's few remaining lawmen. In a world now populated by escaped convicts, paranoid mutants, and government hit squads, his only hope to save the townspeople is to enforce his own brand of frontier justice.

    The White Plague, a marvelous and terrifyingly plausible blend of fiction and visionary theme, tells of one man who is pushed over the edge of sanity by the senseless murder of his family and who, reappearing several months later as the so-called Madman, unleashes a terrible plague upon the human race—one that zeros in, unerringly and fatally, on women.